影片拍摄于汶川大地震的半年之后，展示了重灾区什邡市红白镇和起周边地区几个普通人物和家庭的灾后重建的生活。其中的主要人物之一，是当地一个道观的主持62岁的林理峰。因为道教在其方法论上，存在直接干预现实生活的各种手段，诸如看风水，解孽生祸事等等，所以当地灾民带着灾后生活和精神状态上出现的种种问题，向林主持求助，反映了人的生存在突然受到重创之后，对信仰和神性力量的需求。 　　Red White A Film by Zhong Chen 2009 | Documentary | HDV | Color | 97min | Chinese & English Subtitles Synopsis: A small rural township 　　called Red White was seriously devastated by the May 12th Earthquake in China 2008. A 62 year old Taoist survived even though his temple was largely torn by the disaster. This documentary tells the story of how the Taoist practices the widely believed Chinese traditional religion and the local people’s daily life during the township’s post-quake reconstruction.

凯伦·吉兰正式加盟科林·席幅执导的独立剧情片《众生之下》(All Creatures Here Below，暂译)，出演该片女主角。吉兰将与大卫·达斯马齐连在新片中化身一对前往堪萨斯城，寻求庇护的绝望青年夫妇。身为男主角的达斯马齐连已为本片撰写了剧本，影片也将不日投入到创作中。

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。

该剧通过个人视角来探索人类联系的深层意义，每个故事都从不同的角度和时间点出发，阐明即使在我们看似最孤立的时刻、在最截然不同的情况下，我们都是通过人类的经历联系在一起的。

该剧通过个人视角来探索人类联系的深层意义，每个故事都从不同的角度和时间点出发，阐明即使在我们看似最孤立的时刻、在最截然不同的情况下，我们都是通过人类的经历联系在一起的。