萨比格尼·瑞比克金斯基导演1988年制作的《Fouth Dimension》是一部极具视觉观赏性的影片，静物和人体都可以在思维空间中扭曲，特别是一对男女相拥时周围出现DNA的双螺旋结构，极富艺术感。浮动的精子、贝壳等性的象征物表现出阴阳结合的自然美好，歌颂了造物的神奇。

“Created under a ‘manifesto’ whose directives would make Lars von Trier shudder, this three-part film might look on paper like an exercise in forced hipness. Working under orders tall, whimsical (according to the manifesto, a stuffed animal must make an appearance no matter what) and surreal, Korine’s Lotus Community Workshop drops Val Kilmer in an alternate-universe existence as a BMX-riding motivational speaker with a fanny pack. Fedorchenko’s Russia-set Chronoeye spins the tale of a grumpy inventor whose noisy neighbor interrupts his time-travel experiments. And Kwiecinski’s eerily beautiful Fawns follows a quartet of friends as they prance through an empty Polish town seemingly unconcerned about the deadly flood about to overtake them.”

“Created under a ‘manifesto’ whose directives would make Lars von Trier shudder, this three-part film might look on paper like an exercise in forced hipness. Working under orders tall, whimsical (according to the manifesto, a stuffed animal must make an appearance no matter what) and surreal, Korine’s Lotus Community Workshop drops Val Kilmer in an alternate-universe existence as a BMX-riding motivational speaker with a fanny pack. Fedorchenko’s Russia-set Chronoeye spins the tale of a grumpy inventor whose noisy neighbor interrupts his time-travel experiments. And Kwiecinski’s eerily beautiful Fawns follows a quartet of friends as they prance through an empty Polish town seemingly unconcerned about the deadly flood about to overtake them.”

Acclaimed filmmaker Trinh T. Minh-ha ventures into the digital realm with her stunning feature, THE FOURTH DIMENSION, an incisive and insightful examination of Japan through its art, culture, and social rituals. As is the case with Trinh's previous films, her film is a multi-layered work addressing issues around its central theme: the experience of time, the impossibility of truly "seeing," and the impact of video on image-making. 　　THE FOURTH DIMENSION is an elegant meditation on time, travel, and ceremony in the form of a journey. In her first foray into digital video, Minh-ha deconstructs the role of ritual in mediating between the past and the present. She explains, "Shown in their widespread functions and manifestations, including more evident loci such as festivals, religious rite and theatrical performance, 'rituals' involve not only the regularity in the structure of everyday life, but also the dynamic agents in the world of meaning." With its lush imagery, Minh-ha's Japan is viewed through mobile frames, with doors and windows sliding shut, revealing new vistas as it blocks out the old light. 　　“Trinh T. Minh-ha’s newest essayistic work and her first videotape, cuts an intricate key for unlocking this elusive culture. Her tack finds great visual pleasure in the everyday, composing and decomposing the social landscape, while constructing a poetic grid of temporalities, symbolic meaning, and ritual. In THE FOURTH DIMENSION, Trinh’s lyrical narration guides us through ‘Japan’s likeness,’ the perfected framing of the sacramental familiar.” - Steve Seid

D'après les Dialogues avec Leucò de Cesare Pavese. 　　Avec Giovanna Daddi, Andrea Bacci. 　　Retour à Buti, en Toscane, où Jean-Marie Straub poursuit la mise en scène des Dialogues avec Leucò de Cesare Pavese. L'Inconsolable offre à nos sens et à notre pensée une version inattendue du mythe d'Orphée.

原本生活幸福的丁绍峰在一次偶然的相救后与孟小凡相识。孟小凡讲述了自己为给弟弟治病不得不忍受酒店老板萧山死缠烂打的无奈经历，丁绍峰对其产生同情，并不断帮助。频繁的接触使二人渐渐产生了感情。可这段不该发生的婚外情却给他们身边的人带来了痛苦。丁绍峰的妻子安露对此从最初的嫉恨到宽容，神秘医生文书祺四处制造的事端，三人焦头烂额的处理着自己的生活。最终，每个人通过审视和反省自己对待感情、家庭以及责任的态度，明白了爱的真正含义。

本动画短片用幽默手法讲述了人在各种交通规则面前选择遵守与否的尴尬，不遵守是不对，容易出事故，可是遵守了，一切就会OK吗？ 　　譬如绿灯时，车辆如果不停下给行人让马路，危险就可能发生，可是你停下了，后面的车也许会不管不顾地直撞过来；譬如高速公路上，你的车头如果紧挨前面的车的车尾，大祸便会随时降临，可是你保持安全距离行驶，自有争分夺秒的狂徒要趁机插进来；譬如你不能边开车边随手把垃圾扔在马路上，可是你下车老老实实把垃圾扔到垃圾箱返回时，可能警察正等着你交罚单，也可能你的车已被偷走……

James Purefoy stars as William Travers, a criminal barrister who is recovering from a traumatic series of events that have shaken his belief in the legal system. 　　On the surface, Travers is a picture of success; an accomplished criminal barrister happily living with his wife (played by Dervla Kirwan) in rural Suffolk. 　　However, Travers is still recovering from events in his past when he is drawn into a case that involves his old friend Martin Newall (Nathaniel Parker), who faces conspiracy and murder charges while at the same time being investigated by a vicious and vengeful detective DS Mark Wenborn (Creed Miles). 　　The five-part series from acclaimed writer Anthony Horowitz (Collision, Foyle's War) is a story of friendship, conspiracy, betrayal and murder as well as a critical look at the way the legal system operates.