Four unrelated short comedies by four different directors. “Queen Sabina”chronicles the sexual misadventures of a teenage girl on the road home. “Queen Armenia” centers on a self-serving opportunistic gypsy babysitter who uses her employer’s kids for her own gain. The third episode, “Queen Elena centers on a husband who learns a lesson about the perils of infidelity after he succumbs to the wiles of the seductive wife next door. The last vignette, “Queen Marta” centers on a wealthy woman who, when drunk, uses her butler as an outlet for her lust.

四人角色的关系并非亲姊妹，内容也无关亲情伦理。龚秋霞（饰演秋月）、陈琦（饰演叶铃）和张帆（饰演沙丽）是上海歌剧团的成员，莅临香江演出。陈娟娟（饰演丁香）为龚秋霞的表妹，满心向往舞台表演。男主角吕玉坤饰演的潘少安为花花公子，玩世不恭，属反派角色。他先对爱慕虚荣的陈琦始乱终弃，后玩弄不谙世事的陈娟娟的感情……

Three working girls in Budapest pool their resources to get a better apartment and impress their dates. One dates a nobleman and, learning of her rejection by him, considers poison. Another drinks the poison by mistake and lands a physician for herself. The third marries a businessman. The first girl gets a shop of her own.

四个性感的年轻外国女孩以双人游的形式来到英国，她们很快就与雇主、寄宿家庭以及几乎所有她们遇到的人变得非常亲密。

四个性感的年轻外国女孩以双人游的形式来到英国，她们很快就与雇主、寄宿家庭以及几乎所有她们遇到的人变得非常亲密。

唐伯虎为一代风流人物，妻妾八人，还到处留情。一次在途中巧遇俏佳人秋香被她美绝产容吸引，惊为天人。后在庙中参神相遇，秋香回眸一笑，把唐伯虎看得神魂癫倒；伯虎立下决心，誓要赢得美人归。为要接近佳人，伯虎不借卖身于太史府为仆……

喜多川歌麿（坂東簑助 饰）因绘画某千金小姐雪江（大原英子 饰）惹上麻烦，雪江的未婚夫，同时也是幕府御用画师出身的小出势之助（坂东好太郎 饰）吵上门来，非要与之用画技一决雌雄。一番比试过后，势之助甘拜下风，随后抛弃武士身份并与雪江分手，拜入喜多川门下学习。 　　歌麿生性开朗，经他画出的美女图成为全城抢购的热销产品，而他的模特们也会自此迷恋上他。当然，爱人多了同样也会带来烦恼…… 　　[背景]江户本土出生的喜多川歌麿饰江户幕府时期最著名的浮世绘画家，他是“大首绘”的创始人，也就是有脸部特写的半身胸像，代表作为 “江户宽政年间三美人”，1804年因绘制《太阁洛东五妻游观》得罪幕府，受手铐刑（该事件在片中提到）。

At once raw and eloquent, Twenty-Four-Dollar Island seems unfinished, and it may well have been. Very little is known except that parts of it were eventually used as a backdrop for a New York stage show. We also know that Rebecca Strand, wife of photographer Paul Strand, mentions seeing the film in August 1925 in an air-conditioned movie theater. The film as presented here sources from two different copies, one more complete version held at Eye Film Institute in Amsterdam, and the other from Gosfilmofond of Russia showing that the film circulated there as late as 1929. What we see is an artist’s infatuated with the Manhattan skyline shot with telephotos lenses. Views shot from the same camera positions are organized into visual clusters, and closer inspection reveals a vague attempt at organization, wherein Flaherty looks at what is in front of him to explore the space from slightly different angles.

圣诞节前夕，一个富裕人家正在忙着筹备圣诞。窗外白雪皑皑，屋里迎来了女儿大学归来。一家人沉浸在圣诞前团聚的气氛。此时，大家以为作为一家之主的父…