新媒体电影《回到那年夏天》尝试描写更大多数人在青春期的情状，减少传奇的编撰，而力求还原一个更大多数人所熟悉的经历过的一段高中岁月。多数人的爱情没有轰轰烈烈或者海枯石烂，而常常是因为一些莫名的不知觉的原因而在一起，或分开。《回到那年夏天》就是想表达这种属于多少人的青春恋情，相信这里有很多人的...

新媒体电影《回到那年夏天》尝试描写更大多数人在青春期的情状，减少传奇的编撰，而力求还原一个更大多数人所熟悉的经历过的一段高中岁月。多数人的爱情没有轰轰烈烈或者海枯石烂，而常常是因为一些莫名的不知觉的原因而在一起，或分开。《回到那年夏天》就是想表达这种属于多少人的青春恋情，相信这里有很多人的...

小侯想去江南分馆看电影，可是在头一天收到了资料馆因为台风取消放映《八部半》的消息。他问TGD既然这样的话明天该在酒店做点什么，朋友们认为他该拍部短片。小侯觉得很有意思，在思考应该拍点什么，他觉得回忆是个很好的主题。第二天，台风远去，小侯准备去看《月升中天》。

Out There chronicles the coming-of-age misadventures of socially awkward Chad, his little brother Jay, and his best friend Chris. Living in the small town of Holford, the boys wander its surreal, bleak landscape waiting out their last few years of adolescence. Along the way, viewers meet Chad's conservative parents, Wayne and Rose, as well as Chris's single mother, Joanie, and her disastrous boyfriend, Terry. They also meet the object of Chad's affection, Sharla.

Young Lisbeth Scott and Alan Kennedy are driving one night when another car flashes its lights at them and the driver tosses a bag containing 60,000 dollars into their car and drives off. Alan wants to turn it in, but the money reveals a rather frightening side of Jane's personality and she insists they keep it for a while. Their story twists and turns as the rightful recipient tracks them down

电影《至暴之年》影片讲述在20世纪80年代的纽约，一名野心勃勃的商人被迫与一家腐败的商业机构打交道的故事。

远离东京的地方小镇，15岁的岩崎银（萩原利久 饰）是一个正就读初三的棒球迷，平日里他经常和辍学的阿敏（影山树生弥 饰）和勇纪（中村圭太郎 饰）混在一起。某天，阿银意外收到了同班同学佐田成美（小川纱良 饰）的告白。令阿敏他们感到奇怪的是，阿银似乎对女孩子根本没半点兴趣。表白落空的成美回到家中，结果被母亲律子（宫地真绪 饰）告知不准升学，随后更被律子男朋友神林（木村知贵 饰）逼迫出卖身体。黑暗无望的家庭，逼迫成美想方设法逃离。与此同时，阿银的性取向被父亲（山本刚史 饰）获知，他也感到无形的压力。当成美决定跑到东京寻找父亲时，阿银亦表达了希望随之而去的想法。 　　两个追求幸福的少男少女，展开了他们15岁的秘密旅行……

远离东京的地方小镇，15岁的岩崎银（萩原利久 饰）是一个正就读初三的棒球迷，平日里他经常和辍学的阿敏（影山树生弥 饰）和勇纪（中村圭太郎 饰）混在一起。某天，阿银意外收到了同班同学佐田成美（小川纱良 饰）的告白。令阿敏他们感到奇怪的是，阿银似乎对女孩子根本没半点兴趣。表白落空的成美回到家中，结果被母亲律子（宫地真绪 饰）告知不准升学，随后更被律子男朋友神林（木村知贵 饰）逼迫出卖身体。黑暗无望的家庭，逼迫成美想方设法逃离。与此同时，阿银的性取向被父亲（山本刚史 饰）获知，他也感到无形的压力。当成美决定跑到东京寻找父亲时，阿银亦表达了希望随之而去的想法。 　　两个追求幸福的少男少女，展开了他们15岁的秘密旅行……

Albert and Bruno are in the red, compulsive consumers, over-indebted, they live between petty schemes for one and a personal life adrift for the other. It is in the associative path, which they both take to get their heads above water, that they will come across young rebellious activists, climate alarmists, lovers of social justice and eco-responsibility. More attracted by beer and free crisps than by their arguments, Albert and Bruno will gradually integrate the movement without conviction, if not that of taking advantage of each action and each rebellion to schem and profit from it. Between ideological or suffered minimalism, between overconsumption and happy sobriety, we face the complex simplicity of our future, the oppositions and paradoxes of our time, in short, everything is fine.

Albert and Bruno are in the red, compulsive consumers, over-indebted, they live between petty schemes for one and a personal life adrift for the other. It is in the associative path, which they both take to get their heads above water, that they will come across young rebellious activists, climate alarmists, lovers of social justice and eco-responsibility. More attracted by beer and free crisps than by their arguments, Albert and Bruno will gradually integrate the movement without conviction, if not that of taking advantage of each action and each rebellion to schem and profit from it. Between ideological or suffered minimalism, between overconsumption and happy sobriety, we face the complex simplicity of our future, the oppositions and paradoxes of our time, in short, everything is fine.