抗战初期的冀中平原上，日寇的“三光”政策所到之处，村村坟莹、遍野哭声。平地一声惊雷，马本斋（里坡 饰）高举抗日义旗，从东北返乡成立抗日义勇队，网络民间抗日志士，抗击日寇的侵略。由于缺乏正确的领导，回民义勇队在最初的战斗中损失惨重，幸得八路军营救，方获重生。马本斋毅然断决利诱，率部参加了八路军，并将队伍改编为回民支队。他的副官白守仁（王孝忠 饰）暗中与日寇勾结，企图拉队伍投敌，马本斋怒火中烧，当众将其击毙。凶恶的日寇抓来马母(胡朋 饰)逼马本斋就范。马母英勇不屈，绝食殉国。目睹日寇的卑鄙暴行，马本斋心中激发了更强烈的民族仇恨......

抗战初期的冀中平原上，日寇的“三光”政策所到之处，村村坟莹、遍野哭声。平地一声惊雷，马本斋（里坡 饰）高举抗日义旗，从东北返乡成立抗日义勇队，网…

"This neat, finely tuned, hypersensitive film examines the outside and inside of a banal prefab classroom, stares at an asymmetrical space so undistinguished that it's hard to believe the whole movie is confined to it, and has this neck-jerking camera gimmick that hits a wooden stop arm at each end of its swing. Basically it's a perpetual motion film that ingeniously builds a sculptural effect by insisting on time-motion to the point where the camera's swinging arcs and white wall field assume the hardness, the dimensions of a concrete beam. "In such a hard, drilling work, the wooden clap sounds are a terrific invention, and, as much as any single element, create the sculpture. Seeming to thrust the image outward off the screen, these clap effects are timed like a metronome, sometimes occurring with torrential frequency." - Manny Farber, Artforum, 1970

"This neat, finely tuned, hypersensitive film examines the outside and inside of a banal prefab classroom, stares at an asymmetrical space so undistinguished that it's hard to believe the whole movie is confined to it, and has this neck-jerking camera gimmick that hits a wooden stop arm at each end of its swing. Basically it's a perpetual motion film that ingeniously builds a sculptural effect by insisting on time-motion to the point where the camera's swinging arcs and white wall field assume the hardness, the dimensions of a concrete beam. "In such a hard, drilling work, the wooden clap sounds are a terrific invention, and, as much as any single element, create the sculpture. Seeming to thrust the image outward off the screen, these clap effects are timed like a metronome, sometimes occurring with torrential frequency." - Manny Farber, Artforum, 1970

《嘻哈民族》是以奶奶RAPPER为概念，选取了来自各领域的八位强势奶奶和已经非常成熟的Producer们进行合作。出演的嘉宾不仅包括《Unpretty Rapstar》中的冠军Cheetah还有《SMTM5》中的实力Rapper们。8名老奶奶在Hip-hop制作人的帮助下进行Rap对决舞台的形式呈现，展现不同年龄段和多样化背景奶奶们的特殊才艺表演，奶奶们的反转魅力让节目变得非常有趣。

《嘻哈民族》是以奶奶RAPPER为概念，选取了来自各领域的八位强势奶奶和已经非常成熟的Producer们进行合作。出演的嘉宾不仅包括《Unpretty Rapstar》中的冠军Cheetah还有《SMTM5》中的实力Rapper们。8名老奶奶在Hip-hop制作人的帮助下进行Rap对决舞台的形式呈现，展现不同年龄段和多样化背景奶奶们的特殊才艺表演，奶奶们的反转魅力让节目变得非常有趣。

乔家兄妹的父亲是东北大学教授，在九一八事变中，他和老伴、儿媳妇惨遭杀害，只有小女儿乔参雨带着幼小的侄子幸免于难。长子乔参天是张学良的副官，他违背张学良的不抵抗命令，奋起抗日，参加和推动了马占山的江桥抗战；二弟乔参霄在投奔黄埔军校后与家里长期失去联络；刚烈的小妹乔参雨杀鬼子报家仇国恨，她每次杀了日寇都蘸血在墙上写下“杀人者，长白女侠”，让日本人闻风丧胆。乔参天支持并辅佐张学良发动了西安事变，并意外见到了随李克农来西安的二弟乔参霄。西安事变后，乔参天辗转回到东北参加了抗联。抗战胜利后，乔参天作为代表来接收长春，家人却已经不可能大团圆了：乔参霄英勇战死，乔参雨的头颅被日本人泡在福尔马林溶液中。乔家兄妹不屈的气质存于民族记忆之中。

乔家兄妹的父亲是东北大学教授，在九一八事变中，他和老伴、儿媳妇惨遭杀害，只有小女儿乔参雨带着幼小的侄子幸免于难。长子乔参天是张学良的副官，他违…

《最炫民族风》首次将镜头对准广场舞的爱好者。节目呈现健康快乐的生活状态、把正能量进行到底，节目之前在全国七大城市招募时就引发巨大追捧，参与报名的总人数超过3000人，200支队伍，不限舞种、年龄、人数，每个人、每个舞团都能报名，真正实现了全民参与。

《最炫民族风》首次将镜头对准广场舞的爱好者。节目呈现健康快乐的生活状态、把正能量进行到底，节目之前在全国七大城市招募时就引发巨大追捧，参与报名的总人数超过3000人，200支队伍，不限舞种、年龄、人数，每个人、每个舞团都能报名，真正实现了全民参与。