Prologue:let's put it straight.Betsy Blair is miscast.Is this because she played Borgnine's so called ugly girl in the Oscar-winning "Marty" (1955)?Perhaps so ,but her beaming face ,her luminous smile,her intense longing for happiness are anything but unattractive .She's not Ava Gardner,by a long shot,but she easily outshines her would be handsome lover. 　　Prologue 2:Is it possible,considering the high rating of "calle mayor",that nobody -Spanish users,get a life!It's your culture!- felt like writing about this unfairly overlooked gem? "Calle Mayor" (Grand Rue,Hauptstrasse,Main Street)is the place where ,in a provincial town,people meet,talk and wait.All a woman has to do , Tonia says ,is wait wait wait ,behind her window,at the ball,or on "calle mayor".Isobel has been waiting for eighteen years for a man,because,in the fifties in Spain (and in Europa as well),the only way a woman had is marriage.Or she would become a wallflower and a spinster. 　　"Calle mayor" is a trap :the omnipresence of religion can be felt here there and everywhere ,with the church bells marking out the hours in a town that has stood still for years,with the nuns pacing up and down the street ,asking for a few pesetas more for their good works.A group of men ,not so young anymore,is searching for something to do.A good joke would be nice to kill time :so they ask one of them to pretend he's in love with Isobel ,the thirty-five year old woman-at the time,it was much too late !-.Isobel begins to live in a dream,and the buck cannot bring himself to tell her the truth (out of pity?he does not know himself)..I say it again,Betsy Blair,although excellent was not the right choice :first she's not Spanish ,and mainly she 's not ugly .So it does not always work well,because,if we were in the man's shoes,we would fall in love head over heals with her.But this must not prevent you from watching Juan Bardem's sensitive work:his depiction of the provincialism is absorbing , the sad landscapes on the edge of town or this little railway station where the tragedy is resolved are masterfully filmed. 　　Juan Bardem was a committed artist.He was arrested before he finished "Calle Mayor" and later he produced Bunuel's masterpiece "Viridiana".It's really too bad that ,now that Spanish cinema triumphs again with Amenabar ,Bardem's name should be virtually forgotten.

Prologue:let's put it straight.Betsy Blair is miscast.Is this because she played Borgnine's so called ugly girl in the Oscar-winning "Marty" (1955)?Perhaps so ,but her beaming face ,her luminous smile,her intense longing for happiness are anything but unattractive .She's not Ava Gardner,by a long shot,but she easily outshines her would be handsome lover. 　　Prologue 2:Is it possible,considering the high rating of "calle mayor",that nobody -Spanish users,get a life!It's your culture!- felt like writing about this unfairly overlooked gem? "Calle Mayor" (Grand Rue,Hauptstrasse,Main Street)is the place where ,in a provincial town,people meet,talk and wait.All a woman has to do , Tonia says ,is wait wait wait ,behind her window,at the ball,or on "calle mayor".Isobel has been waiting for eighteen years for a man,because,in the fifties in Spain (and in Europa as well),the only way a woman had is marriage.Or she would become a wallflower and a spinster. 　　"Calle mayor" is a trap :the omnipresence of religion can be felt here there and everywhere ,with the church bells marking out the hours in a town that has stood still for years,with the nuns pacing up and down the street ,asking for a few pesetas more for their good works.A group of men ,not so young anymore,is searching for something to do.A good joke would be nice to kill time :so they ask one of them to pretend he's in love with Isobel ,the thirty-five year old woman-at the time,it was much too late !-.Isobel begins to live in a dream,and the buck cannot bring himself to tell her the truth (out of pity?he does not know himself)..I say it again,Betsy Blair,although excellent was not the right choice :first she's not Spanish ,and mainly she 's not ugly .So it does not always work well,because,if we were in the man's shoes,we would fall in love head over heals with her.But this must not prevent you from watching Juan Bardem's sensitive work:his depiction of the provincialism is absorbing , the sad landscapes on the edge of town or this little railway station where the tragedy is resolved are masterfully filmed. 　　Juan Bardem was a committed artist.He was arrested before he finished "Calle Mayor" and later he produced Bunuel's masterpiece "Viridiana".It's really too bad that ,now that Spanish cinema triumphs again with Amenabar ,Bardem's name should be virtually forgotten.

John is an eighteen years old Latino male prostitute, living in the poorest area of Hollywood, L.A. He often steals condoms and medicine from the local stores to support himself, due to his inexperience in the hustling world. Peaches is a black trans prostitute, who often helps John financially. Miguel is an older hustler that teaches John how to please men. John often spends his night wandering through the street, looking for older men to buy him for the night. His clients, men who come from all level of society, share with John their stories and secrets.

萨姆·门德斯将为披头士乐队的四位成员约翰·列侬、保罗·麦卡特尼、乔治·哈里森和林戈·斯塔尔各拍摄一部剧情片，四部电影各自独立又交相呼应。门德斯与索尼影业联合制作这四部影片，这也意味着Apple和披头士乐队的成员和家人，首次授予给有剧本电影他们的完整生平故事和音乐版权。 　　门德斯会从每个乐队成员的角度 讲述相互关联的故事。这个项目源于门德斯一年多前的想法，这个想法一经提出，保罗·麦卡特尼、林戈·斯塔尔、肖恩·列侬和奥利维亚·哈里森便给予了极为热情的回应。

JOHN is a new verbatim dance-theatre work by Lloyd Newson, Artistic Director of DV8 Physical Theatre. Newson interviewed more than 50 men asking them frank questions about love and sex. One of those men was John. 　　What emerged was a story that is both extraordinary and touching. Years of crime, drug use and struggling to survive lead John on a search where his life converges with others in an unexpected place, unknown by most. JOHN authentically depicts real-life stories, where movement and spoken word combine to create an intense, moving and poignant theatrical experience. 　　Contains adult themes, strong language and nudity. Suitable for 16+.

John is an eighteen years old Latino male prostitute, living in the poorest area of Hollywood, L.A. He often steals condoms and medicine from the local stores to support himself, due to his inexperience in the hustling world. Peaches is a black trans prostitute, who often helps John financially. Miguel is an older hustler that teaches John how to please men. John often spends his night wandering through the street, looking for older men to buy him for the night. His clients, men who come from all level of society, share with John their stories and secrets.

约翰·里弗是一名受人尊敬的警官，然而一起谋杀案一直萦绕在他的脑海中挥之不去，他必须揭开谋杀案受害者的秘密。

马蒂厄已经35岁，却从未见过自己的父亲。母亲解释缘由时只推托说他是一夜情的结果。一天，他接到一个陌生来电，这个电话告诉他，他的亲生父亲刚刚过世。于是马蒂厄暂别妻子和孩子，决定飞去加拿大参加葬礼，并见见他那两个素未谋面的兄弟。在蒙特利尔，除了父亲的好友皮埃尔，没人知道他的存在与真实身份。但与此同时，马蒂厄也意识到他似乎进入了一个充满敌意的地方。

对侦缉督察约翰·里弗而言，自己脑袋里的声音和他调查的犯罪一样棘手。

约翰·亨利，一个自由的奴隶，在铁路建设项目中，如果他们在最后期限能完成，所有自由的奴隶被许诺，但他们已经筋疲力尽，无法继续。尽管约翰有十个人的力气，激励所有人，但当铁路发出了一个蒸汽锤来代替船员，并烧了合同，绝望又开始了，不过约翰提出了一个挑战：人和机器比赛......