夏惜莲在广场抽中奔驰大奖后，被精心设计的骗局裹挟。丈夫裘海塘的换肾手术迫在眉睫，儿媳何欢颜屡次劝阻未果。直到催债人持贷款合同现身医院，夏惜莲才惊觉中奖奔驰竟是骗局埋下的毒饵，然而为时已晚，与丈夫生死永隔。崩溃的夏惜莲忏悔时，反诈民警带着追回的部分钱款出现。最终，头缠纱布的夏惜莲颤抖戴上反诈志愿者袖章，在晨光中走向社区广场。那里曾是她坠入深渊的起点，如今成了赎罪的起点。

遗传了母亲精神病的凯伦（Harriet Andersson 饰）经过入院治疗，被作家父亲大卫（Gunnar Björnstrand 饰）安排到一小岛上调养。凯伦男友马丁（Max von Sydow 饰）是一名医生，两人的感情此时处于低谷，马丁相信凯伦有痊愈的可能。青春期中的弟弟米纳斯颇有才华，但看上去有些焦躁。四人在封闭的岛上休整，但各自心中的不安似乎正慢慢滋长。凯伦发现父亲在冷漠的观察自己病情变化后情绪短暂失控。次日上午马丁与大卫乘小舟离去，被留下的凯伦开始沉溺于冥想，并对米纳斯显示出侵略性，在两人回岛之前凯伦昏倒在破旧的木船内，她向弟弟宣称，自己听到了上帝的声音…… 　　本片是伯格曼“神之沉默”三部曲的第一部，于1962年获奥斯卡最佳外语片奖。

遗传了母亲精神病的凯伦（Harriet Andersson 饰）经过入院治疗，被作家父亲大卫（Gunnar Björnstrand 饰）安排到一小岛上调养。凯伦男友马丁（Max von Sydow 饰）是一名医生，两人的感情此时处于低谷，马丁相信凯伦有痊愈的可能。青春期中的弟弟米纳斯颇有才华，但看上去有些焦躁。四人在封闭的岛上休整，但各自心中的不安似乎正慢慢滋长。凯伦发现父亲在冷漠的观察自己病情变化后情绪短暂失控。次日上午马丁与大卫乘小舟离去，被留下的凯伦开始沉溺于冥想，并对米纳斯显示出侵略性，在两人回岛之前凯伦昏倒在破旧的木船内，她向弟弟宣称，自己听到了上帝的声音…… 　　本片是伯格曼“神之沉默”三部曲的第一部，于1962年获奥斯卡最佳外语片奖。

一个女人，和原本的恋人（是个西班牙佛朗哥政权时代的反对青年 受到迫害）约好逃往法国，却意外没有成功，女人却因为在逃亡路上遇到调音师而和调音师结了婚；三年后，这个青年出现在女人家里，女人把他安排住在家里的地下室，这个浪漫主义者（青年对女人是一见钟情，起始与女人在聚会上随手弹起的一段曲子）于是在这个地下室一直住下，直到老去

We pick up the story on our main character's bus ride home. He sits alone, looking content, trying to pass the time. Then, something seems to get in his eye, because he rubs it and then closes the buses window. Something changes about him. He looks around and feels a strange disgust in the bus filled with quiet strangers also trying to get home and minding their own business. Pavel-Ivanovich is so disgusted that he gets off the bus several stops before his home and walks, arriving at dark. From here his story begins, and we go along for his sad ride. From that evening on he sees only sadness and wrong in everything. He can't respond to kindness, and scolds those closest to him. He offends everyone. At his work he tries to go against as many people as possible, and hurt ordinary citizens too. He also feels that everyone is against him. His condition seems to worsen. How will all this end. Sure this can't be the end for Pavel-Ivanovich, a good man somewhere deep inside. 　　The brilliance of this film lies in the main character's deep state of mind. His suffering. The fact that he hurts everyone around him, feels horrible about it but still does it until he almost loses everything. If you like film's where you feel that you can relate or feel the character's emotions, you might like this film. An incredible pressure is built up throughout the film, and the last scene, for me at least, magically lifts it, if only for a couple of seconds. 　　This is a strange film, and I don't say that a lot. It is very hard to describe, but the main elements that drive the feel of this film are the main character's state of mind and the music (more than half of the film has incredible original music playing in the background). Daneliya's films have incredible music like in Autumn Marathon, Kin-Dza-Dza, and Thirty-Three. Daneliyaa was into jazz and played drums in a band way back before he started making film so his films are very rich in music. Also this film is sad, but is also a comedy. All these elements mix to make an incredible movie

1987年马景涛与徐乐梅出演的一部台湾言情偶像剧。

你拜师美女魔尊后。 做的第一件事就是偷偷潜入她的闺房。 偷她内裤。 然而一向杀伐果断的魔尊得知后。 不仅没有杀你。 还一口咬定这都是你修行的动力。 只因你为了长生前往魔门拜师学艺。 却因废品灵根只能当个外门弟子。 一生都与长生无望。 然而就在那时。

《对照记：犹在镜中》是一部讲述80年前在中国上海的一家犹太摄影师照相馆故事的纪录片。该片将为观众呈现一场关于一批近百年的老照片，而产生的一场跨越时间的聚会。在片中，人们可以借助技术环境与照相簿里的父辈、祖辈相望、对话，从中我们可以看到上海在100年中的变化。

描写伦敦下层社会的一名青年吉米，通过勾引朋友的妻子，向社会发泄不满。而剧中女主角艾丽森整天帮丈夫吉米要熨一大堆的衣服，一天到晚听他倾诉战后的知识分子的不得志，艾丽森只是默默地顺从这一切，继续清扫着一地的废物。