好高骛远的粟铭因一再拖欠房租而被房东扫地出门，妻子也不堪忍受离他而去，粟铭独自带着6岁孩子，无路可走，最终在好友王云华的帮助下，痛定思痛，一改往日眼高手低的习性，开始从小做起，一步一步撑起往日的家，也赢回了妻子的心。

在數百個故事和壓倒性數據的支持下，導演湯姆唐納修透過鏡頭帶出了幾十年來好萊塢女性在鏡頭前後遭受到的歧視及排擠。梅莉史翠普／娜塔莉波曼／潔西卡崔斯坦……等眾知名女星／女性導演／製片紛紛現身說法，大談光鮮亮麗後的潛規則。她們攜手挺身而出，但世人是否能正視問題所在？是否能因此改革好萊塢？

在數百個故事和壓倒性數據的支持下，導演湯姆唐納修透過鏡頭帶出了幾十年來好萊塢女性在鏡頭前後遭受到的歧視及排擠。梅莉史翠普／娜塔莉波曼／潔西卡崔斯坦……等眾知名女星／女性導演／製片紛紛現身說法，大談光鮮亮麗後的潛規則。她們攜手挺身而出，但世人是否能正視問題所在？是否能因此改革好萊塢？

在數百個故事和壓倒性數據的支持下，導演湯姆唐納修透過鏡頭帶出了幾十年來好萊塢女性在鏡頭前後遭受到的歧視及排擠。梅莉史翠普／娜塔莉波曼／潔西卡崔斯坦……等眾知名女星／女性導演／製片紛紛現身說法，大談光鮮亮麗後的潛規則。她們攜手挺身而出，但世人是否能正視問題所在？是否能因此改革好萊塢？

林雀儿的悲剧始于前世嫡姐的欺骗与利用。她被迫借腹生子，最终却在难产三日后，被嫡姐无情抛弃，与腹中骨肉一同尸弃乱葬岗，落得一尸两命的凄惨结局。带着这份锥心蚀骨的恨意与不甘，林雀儿得以重生，回到了命运转折点。

Chicago, 1920: Gangster Sam Dunleavy has just returned to town, and is visited by Al, a former childhood friend who is now a police officer. Al knows that Sam's girlfriend has just dropped him, and he warns Sam not to try anything violent. But Sam does plan to kill his ex-girlfriend, and he knows he needs an alibi. He sees his friend Barney, who promises to give him a perfect alibi for $2500. They work out the details, and Sam returns to Barney's place later to put the plan into action. But Al also shows up, so Sam knows that the plan must work perfectly.

Rosana是一家之主，为了照顾生病的母亲，她拼命工作赚钱。尽管竭尽全力，她还是遭到了解雇。绝望之下，她愿意付出任何代价换取母亲的生活保障，甚至同意假扮成富豪失散多年的女儿以继承遗产。在这个陌生的家族中，她不得不面对权势滔天的继承人Korn，他步步紧逼，誓要揭穿她的真实身份……

Rosana是一家之主，为了照顾生病的母亲，她拼命工作赚钱。尽管竭尽全力，她还是遭到了解雇。绝望之下，她愿意付出任何代价换取母亲的生活保障，甚至同意假扮成富豪失散多年的女儿以继承遗产。在这个陌生的家族中，她不得不面对权势滔天的继承人Korn，他步步紧逼，誓要揭穿她的真实身份……

Letters to a maternal ancestor reflect on identity connected to ethnic heritage, while also embracing a broader notion of family beyond bloodlines. Weaving images and sounds from the filmmaker’s personal ties to two cities—Detroit and Beirut—the film poses the central question: How do we belong to each other?

Letters to a maternal ancestor reflect on identity connected to ethnic heritage, while also embracing a broader notion of family beyond bloodlines. Weaving images and sounds from the filmmaker’s personal ties to two cities—Detroit and Beirut—the film poses the central question: How do we belong to each other?