右田素夜在木村长大，就读于一所中小学混合的学校。虽然只有六名学生，但年龄各异的孩子们相处融洽。直到东京来的转校生大泽广海打破了村里的平静。面对这位同龄人，素夜表现热情，广海却十分自我，难以相处。 夏天的时候，同学们一起到海边游泳。大泽坚持走那条传言中十分灵异的捷径，素夜在捷径陷入了困境，幸好大泽出手相助。后来，素夜得知大泽是以前一名邻居的孙子，对大泽产生了好感。两人沉浸在初恋的甜蜜中，一起度过了重要的节日，可是毕业的这天还是到来了。

右田素夜在木村长大，就读于一所中小学混合的学校。虽然只有六名学生，但年龄各异的孩子们相处融洽。直到东京来的转校生大泽广海打破了村里的平静。面对这位同龄人，素夜表现热情，广海却十分自我，难以相处。 夏天的时候，同学们一起到海边游泳。大泽坚持走那条传言中十分灵异的捷径，素夜在捷径陷入了困境，幸好大泽出手相助。后来，素夜得知大泽是以前一名邻居的孙子，对大泽产生了好感。两人沉浸在初恋的甜蜜中，一起度过了重要的节日，可是毕业的这天还是到来了。

迈尔·密沙云（《蝠鲼》）监制，泰国导演柏迪彭·潘达力（Patiparn Boontarig）执导的《Solids by the Seashore》发生于泰国南部小镇沙滩，年轻的当地穆斯林女子与来到举办展览的女艺术家感情日深，文化与宗教压力让她挣扎不已。入围HAF21WIP单元。

This new BBC commissioned series makes a compelling case against the dumb-it-down trend that has taken over most mainstream science related programming in the last few years. 　　Jim Al-Khalili, the head of theoretical nuclear physics at the University of Surrey, brings absorbing and accessible views on the development of fundamental physics ideas to the screen for both non-scientists and scientists - my(very non-science) pre-WW2 vintage mum was captivated. 　　Even if you already have a strong science interest/background, this captivating mini-series offers a different take on many familiar (and not-so familiar)names, their relationships and key events (Einstein, Bhor, Curie, Rutherford) that makes it well worth a viewing. Perfect material to encourage a real interest in youngsters as well as the more cynical "eldsters"

一間位於山腳下的雞舍，因為山上核電廠一系列不可思議的滑稽突變，讓雞舍的日常生活發生了翻天覆地的變化。

A telephone rings in the dark—three times, pauses, then rings three times again. A fully-clothed figure lights a cigarette before rising from bed, dons a raincoat, then sets out into the night. Another figure emerges from the shadows, lights a cigarette, then discards a crumpled cigarette pack, which the first picks up and carries home. Back in his room, the first man places the refuse on his desk, paces apprehensively about his apartment before he finally removes the inner foil and examines it. After letting what it reveals sink in, he sets it on fire, and a cold look comes over his face... 　　Thus begins The Thief, a 1952 cold war, espionage thriller—unique in that it is completely without dialogue—directed by Russell Rouse, and produced by Clarence Greene, who co-wrote the screenplay. Allan Fields (Ray Milland) is an award-winning nuclear scientist working at the Atomic Energy Commission research laboratory. He is also a spy, photographing top secret documents, then relaying the miniature film canisters back through an elaborate network to enemy agents in Egypt. His signal is the telephone, and his liaison outlines his assignments through instructions on his cigarette refuse, with nary a word spoken. It is a dangerous business, and one that creates many close calls—too close for comfort. When one of his assignments goes awry, the FBI begins to close in, and the race is on to leave the country before he is caught. 　　The Thief has all the trappings of classic noir. Produced at the height of the "Red Scare," the film manages to maintain a constant state of tension, relying heavily on reaction shots and Herschel Burke Gilbert's riveting musical score. The cinematography heightens the effect, utilizing lighting and camera angles to convey the unspoken. Milland, who won an Oscar® for his role in Billy Wilder's The Lost Weekend, carries the part off to perfection, letting the audience read his character's thoughts solely through facial expression and body language. The direction also fools the audience into anticipating dialogue, then cleverly avoiding it. Only the Oscar®-nominated score and sound effects break the silence. 　　This is a fascinating use of visuals to tell a story, and a gripping suspense film, which held my interest throughout, and aside from one sequence where Fields' conscience begins to plague him, the narrative is fairly straight forward, without much in the way of gimmickry. Avoid the back cover text because it gives away the ending, which was the only part that didn't really work for this reviewer. For those interested in cold war-era film noir, this is certainly worth a look, if for no other reason than its uniqueness.

在不久将来的2025年，奥西讯技术总工艾比·狄克逊，前往修理遏核电设备，根据神秘的线索和一些奇怪行为，艾比对该站两名员工的神智和身份产生了怀疑。

在不久将来的2025年，奥西讯技术总工艾比·狄克逊，前往修理遏核电设备，根据神秘的线索和一些奇怪行为，艾比对该站两名员工的神智和身份产生了怀疑。

2022年台湾男团选秀综艺节目。由陈嘉桦、周汤豪、谢坤达（担任星际导师），田一德（担任舞力导师）木木林苇妮（担任暖心学姐），及何美联合主持（担任暖心小老师）。共有80位参赛者，多数来自台湾，将选出2组5人男子音乐组合。节目由野火娱乐制作。节目将80位参赛者分为八大行星组合，并依每个行星，个别成立风格各异的子团互相竞逐。最终获胜的子团将以5名成员成为冠军团出道，并透过投票选拔人气团出道。

两名平民被卷入贩毒集团在北非的铀走私活动。面对核威胁，他们必须决定是自救还是阻止炸弹的运送，同时还要躲避特工和毒贩的追捕。