我们聚焦到人群中不擅长恋爱的爱情差生——有人深度防御，有人被动沟通，有人不擅长把握边界，有人习惯于伪装……爱情差生往往不擅长走向心动的人。于是我们加入了能狠狠推他们一把的“卡片设置”，直线推进真实恋爱的进程。日常生活中不会真的有一张张卡片的指引让大家恋爱，但我们期待通过这样非日常的恋爱方式，能加速自我的真诚袒露，让真实的“我”出现在“你”面前，一起期待不悬浮的爱情发生。 “爱不将就，我不将就！”

我们聚焦到人群中不擅长恋爱的爱情差生——有人深度防御，有人被动沟通，有人不擅长把握边界，有人习惯于伪装……爱情差生往往不擅长走向心动的人。于是我们加入了能狠狠推他们一把的“卡片设置”，直线推进真实恋爱的进程。日常生活中不会真的有一张张卡片的指引让大家恋爱，但我们期待通过这样非日常的恋爱方式，能加速自我的真诚袒露，让真实的“我”出现在“你”面前，一起期待不悬浮的爱情发生。 “爱不将就，我不将就！”

This experimental Filipino movie is far from a total success, but at least its in-your-face strangeness will make it somewhat interesting for those interested in seeing films of a different sort. The start is akin to a test of endurance for cinephiles, as the camera stands still showing nothing but a couple sleeping in the floor of a hut for the first 15 minutes (I'm not making this up, I looked at my watch). Eventually, the woman, who is unable to sleep, wakes up the man at her side, telling him to tell her a story so she can sleep. He complies with a rambling monologue about the suffering of the Filipino people. The film then moves on to the better second part, where fake footage in the style of silent movies is shown. This shows life in the Philippines supposedly during the end of the colonial period through a series of vignettes. These vignettes are mildly humorous (one shows a number of children looking at an eclipse with gaping mouths). Eventually, something akin to a story comes out of the movie, as revolutionaries meet to plan rebellion from Spanish rule. It's hard to compare this movie with other films, though its fetishism of silent movies recalls the work of Guy Maddin. I found it also reminiscent of a better movie, "Moeder Dao" in which real documentary footage of colonial life in Indonesia was shown.

This experimental Filipino movie is far from a total success, but at least its in-your-face strangeness will make it somewhat interesting for those interested in seeing films of a different sort. The start is akin to a test of endurance for cinephiles, as the camera stands still showing nothing but a couple sleeping in the floor of a hut for the first 15 minutes (I'm not making this up, I looked at my watch). Eventually, the woman, who is unable to sleep, wakes up the man at her side, telling him to tell her a story so she can sleep. He complies with a rambling monologue about the suffering of the Filipino people. The film then moves on to the better second part, where fake footage in the style of silent movies is shown. This shows life in the Philippines supposedly during the end of the colonial period through a series of vignettes. These vignettes are mildly humorous (one shows a number of children looking at an eclipse with gaping mouths). Eventually, something akin to a story comes out of the movie, as revolutionaries meet to plan rebellion from Spanish rule. It's hard to compare this movie with other films, though its fetishism of silent movies recalls the work of Guy Maddin. I found it also reminiscent of a better movie, "Moeder Dao" in which real documentary footage of colonial life in Indonesia was shown.

人类学教授斯蒂芬妮和男友本约会才六个月就订婚了，他们来到斯蒂芬妮家的棕榈泉度假屋，兴奋地分享这个消息。但斯蒂芬妮的父母，罗伯特和埃莉诺，立即担心这对夫妇走得太快，并将他们与斯蒂芬妮的姐姐，特雷西，谁也最近订婚了10年的男友，普雷斯顿比较。因为这一直是他们小时候最喜欢的节日，斯蒂芬妮和特蕾西商量好了安排，特蕾西和普雷斯顿将于7月4日在家里结婚，斯蒂芬妮和本将于明年夏天结婚。但当斯蒂芬妮发现父母要卖掉房子后，她意识到她和本的计划必须改变。本在国外得到一份工作后，斯蒂芬妮开始怀疑，也许她和本对未来的看法不一致。整个夏天，斯蒂芬妮都在帮姐姐筹划婚礼，她发现爱本和她那一份可以帮她们渡过任何障碍。

妹妹特种兵归来，为姐出气，大杀四方

美娜在家里享受上门按摩，她很欣赏新来的上门按摩师贤九的技术，并决定将贤九介绍给她的亲密的妹妹素熙。 起初，素熙不愿意见贤九，但却被他的按摩技术迷住了。 有一天，美娜向素熙和贤九提出了一个新的提议……

陆瑾年和乔安好在中学时代，在一场雨中相识，之后两人在校园中暗生情愫，由于种种误会，错过了彼此，直到阴差阳错的缘分，又让他们成为了假戏真做的夫妻，当误会快要被解开时，娱乐圈的明枪暗箭，以及他人的恶意阻挠让他们的爱情再次岌岌可危。

陆瑾年和乔安好在中学时代，在一场雨中相识，之后两人在校园中暗生情愫，由于种种误会，错过了彼此，直到阴差阳错的缘分，又让他们成为了假戏真做的夫妻，当误会快要被解开时，娱乐圈的明枪暗箭，以及他人的恶意阻挠让他们的爱情再次岌岌可危。

该剧讲述一个诈欺师一不留神和警察结婚，随后被卷入荒唐的事件并成为国会议员候选人的故事。