《爱情摔跤》将讲述一对痴迷于摔跤的父子和女大学生之间发生的故事，柳海真与金旻载将饰演一对父子，而李圣经则将饰演被金旻载饰演的儿子单相思，她本人…

前摔跤选手贵宝（柳海真 饰演）在妻子过世后，一心栽培儿子圣雄（金旻载 饰演）成为摔跤选手并寄予厚望，而圣雄也努力地想达成父亲的期望，希望有天能当上国家代表选手。圣雄发现暗恋已久的青梅竹马佳英，竟暗恋着贵宝，虽然贵宝表明他仍深爱亡妻，但一次误会却让父子感情濒临决裂，也影响了圣雄在比赛上的表现。究竟父子俩能够和好如初吗？圣雄能完成与父亲的共同梦想吗？

一名年轻的篮球运动员正在努力适应新的球队

一名年轻的篮球运动员正在努力适应新的球队

虎柄の覆面を被った剛腕ストッパーが、阪神タイガースを勝利に導くという奇想天外な野球映画。長嶋一茂がワケアリの主人公を演じるほか、タイガースの現役選手や大物OBも登場。平凡な妻子のあるサラリーマン、大原が阪神タイガースに入団。甲子園限定の覆面投手“ルーキー“に変身した彼の活躍でタイガースは快進撃を続けるが、サラリーマンとの二股で疲れきった彼は戦線離脱することになり……。

In 1974, Marker made La solitude du chanteur de fond, which follows Yves Montand as he 　　prepares a benefit concert for Chilean refugees. That Montand had not performed live in many 　　years made his participation in this concert all the more significant. The portrait of Montand 　　is intercut with footage from films in which he starred, including Costa Gavras's Z (1969) and 　　L'Aveu (1970), both filmed in Chile with the support of Allende. Montand reflects on the role 　　of politics in culture and on the nature of political films, themes of considerable interest 　　to Marker. In addition, the film includes footage smuggled out of Chile that tracks the final 　　days of the democratically elected government of Allende before the coup of September 11, 1973. 　　Chris Marker, Nora M. Alter, 2006 　　A finely crafted film by the unique film-poet, Chris Marker, The Loneliness Of the Long-Distance Singer 　　aims to convey two aspects of the actor/singer Yves Montand: his political conviction and his artistic 　　integrity. In February 1974, Montand agreed to prepare in one week a performance of some of his best-known 　　songs for the benefit of the Chilean refugees after Allende’s overthrow. In this remarkable film, we 　　see the anxious tension, the moments of relaxation, everything which went into his polished appearance 　　on the stage at the Olympia in Paris. The skillful cuts back and forth between the final performance 　　and the rehearsals the week before allow us to see how carefully the show is put together by Montand. 　　He tests every gesture, goes over and over every rhythm change. His accompanist and friend, Bob Castella, 　　emerges as a warm, appealing personality, who in one excellent scene must stand up to Montand’s explosive 　　anger when there is a discrepancy between the music and the words. As we continue to be entertained by 　　Montand’s virtuoso singing, we are led by Chris Marker into a deeper understanding of the man. Montand 　　talks about politics, about women; we get film clips from some of his best roles (La Guerre Est Finie, 　　Z, The Confession, and so on). In the end, we understand Montand when he says: “I sing today so that we 　　don’t forget the blood of yesterday.

In 1974, Marker made La solitude du chanteur de fond, which follows Yves Montand as he 　　prepares a benefit concert for Chilean refugees. That Montand had not performed live in many 　　years made his participation in this concert all the more significant. The portrait of Montand 　　is intercut with footage from films in which he starred, including Costa Gavras's Z (1969) and 　　L'Aveu (1970), both filmed in Chile with the support of Allende. Montand reflects on the role 　　of politics in culture and on the nature of political films, themes of considerable interest 　　to Marker. In addition, the film includes footage smuggled out of Chile that tracks the final 　　days of the democratically elected government of Allende before the coup of September 11, 1973. 　　Chris Marker, Nora M. Alter, 2006 　　A finely crafted film by the unique film-poet, Chris Marker, The Loneliness Of the Long-Distance Singer 　　aims to convey two aspects of the actor/singer Yves Montand: his political conviction and his artistic 　　integrity. In February 1974, Montand agreed to prepare in one week a performance of some of his best-known 　　songs for the benefit of the Chilean refugees after Allende’s overthrow. In this remarkable film, we 　　see the anxious tension, the moments of relaxation, everything which went into his polished appearance 　　on the stage at the Olympia in Paris. The skillful cuts back and forth between the final performance 　　and the rehearsals the week before allow us to see how carefully the show is put together by Montand. 　　He tests every gesture, goes over and over every rhythm change. His accompanist and friend, Bob Castella, 　　emerges as a warm, appealing personality, who in one excellent scene must stand up to Montand’s explosive 　　anger when there is a discrepancy between the music and the words. As we continue to be entertained by 　　Montand’s virtuoso singing, we are led by Chris Marker into a deeper understanding of the man. Montand 　　talks about politics, about women; we get film clips from some of his best roles (La Guerre Est Finie, 　　Z, The Confession, and so on). In the end, we understand Montand when he says: “I sing today so that we 　　don’t forget the blood of yesterday.

Two friends vie for the attention of a stranger who passes out at their doorstep.

Two friends vie for the attention of a stranger who passes out at their doorstep.

本片讲述了美国篮球协会（American Basketball Association，或简写成ABA）的故事，ABA创建于1967年，和美国NBA联盟互相竞争，直到1976年被协议兼并至另一个已经建立成熟的联盟NBA， 最终四支ABA球队被吸纳参加了原来的NBA联盟。伍迪·哈里 森所饰演的就是一个在NBA常年坐冷板凳的队员，在回归ABA后，为了避免球队解散，打算带领队友们最后一博重返NBA。