本性善良但叛逆任性的高中生Axel险些铸成大错。他和狐朋狗党几乎将一位邻居殴打致死，而Axel因为酒醉和嗑嗨后独自背上了黑锅。他被判去冰岛最臭名昭著的青少年监狱“禁地”（The Place）服刑。那里强暴频发——狱头们认为这是让少年犯悔过的最好方法。Axel快被逼入绝境，他唯一的希望是找到事发现场的一只手机...

本性善良但叛逆任性的高中生Axel险些铸成大错。他和狐朋狗党几乎将一位邻居殴打致死，而Axel因为酒醉和嗑嗨后独自背上了黑锅。他被判去冰岛最臭名昭著的青少年监狱“禁地”（The Place）服刑。那里强暴频发——狱头们认为这是让少年犯悔过的最好方法。Axel快被逼入绝境，他唯一的希望是找到事发现场的一只手机...

当极具创造力的当代编舞大师阿库·汉姆（Akram Khan）把目光投向玛丽·雪莱的科幻杰作《弗兰肯斯坦》时，就足以引起舞迷们的尖叫与期待。这部《造物》将故事背景放置当代，在一个破旧废弃的极地研究站中，人类为了满足自己在地球上最后的无主之地进行殖民的愿望，拿“人形生物”进行身体的实验。善良的清洁工玛丽的出现为“生物”带来了爱与希望，两人脱离掌控的行为遭到长官的打压，迫使“生物”走向沃伊采克式的悲剧结局。 　　孟加拉裔编舞家阿库·汉姆是当今最具世界影响力的编舞家之一，他自幼接受南亚古典舞体系训练，在与英国国家芭蕾舞团、芭蕾男孩舞团，云门舞集等知名舞团的广泛合作中，又吸取西方现代舞与芭蕾舞的精华，风格杂糅，却又呈现得十分纯粹。其代表作《吉赛尔》《陌生人》等曾荣获奥利弗奖、南岸天空艺术奖等多项大奖。在新作《造物》中，他选择用充满张力的舞蹈动作，塑造被禁锢的身体与渴望自由的灵魂，人性与兽性的拉扯交锋。

当极具创造力的当代编舞大师阿库·汉姆（Akram Khan）把目光投向玛丽·雪莱的科幻杰作《弗兰肯斯坦》时，就足以引起舞迷们的尖叫与期待。这部《造物》将故事背景放置当代，在一个破旧废弃的极地研究站中，人类为了满足自己在地球上最后的无主之地进行殖民的愿望，拿“人形生物”进行身体的实验。善良的清洁工玛丽的出现为“生物”带来了爱与希望，两人脱离掌控的行为遭到长官的打压，迫使“生物”走向沃伊采克式的悲剧结局。 　　孟加拉裔编舞家阿库·汉姆是当今最具世界影响力的编舞家之一，他自幼接受南亚古典舞体系训练，在与英国国家芭蕾舞团、芭蕾男孩舞团，云门舞集等知名舞团的广泛合作中，又吸取西方现代舞与芭蕾舞的精华，风格杂糅，却又呈现得十分纯粹。其代表作《吉赛尔》《陌生人》等曾荣获奥利弗奖、南岸天空艺术奖等多项大奖。在新作《造物》中，他选择用充满张力的舞蹈动作，塑造被禁锢的身体与渴望自由的灵魂，人性与兽性的拉扯交锋。

Kreatur is about the human body. Isolated or attached to a community, it becomes distorted under pressure. The show's based on the ideas of taking or losing power, of thinking about otherness or looking at oneself, of loving or hating oneself. And in visiting a former Stasi prison in Berlin, Sasha Waltz and her dancers found memorial and sensitive points of reference to work on the inhuman confinement that forced people to stay forever upright and awake. The choreographer alludes to a world in which physical and physiological constrictions force us to stay in movement. The body becomes the symbol of a struggle, caught as in a vice between concrete sensations of imprisonment and feelings of a freedom still to experience. To find our respective parts of light and darkness, she wanted to work with great artists to design the costumes, the space and its reflections, the metallic and concrete sounds of the show... All of it comes together to create a minimalist world in black and white, in which only the skin, the living, create colour, and where the creatures we see are images from a potential future, at once familiar and unknown.

Kreatur is about the human body. Isolated or attached to a community, it becomes distorted under pressure. The show's based on the ideas of taking or losing power, of thinking about otherness or looking at oneself, of loving or hating oneself. And in visiting a former Stasi prison in Berlin, Sasha Waltz and her dancers found memorial and sensitive points of reference to work on the inhuman confinement that forced people to stay forever upright and awake. The choreographer alludes to a world in which physical and physiological constrictions force us to stay in movement. The body becomes the symbol of a struggle, caught as in a vice between concrete sensations of imprisonment and feelings of a freedom still to experience. To find our respective parts of light and darkness, she wanted to work with great artists to design the costumes, the space and its reflections, the metallic and concrete sounds of the show... All of it comes together to create a minimalist world in black and white, in which only the skin, the living, create colour, and where the creatures we see are images from a potential future, at once familiar and unknown.

叶尘，执掌镇龙殿、权倾天下的殿主，为履行婚约隐匿身份，化身魏家赘婿兼镇龙殿清洁工，默默守护妻子魏子晴三年，助她成为商界精英。然而，魏子晴对他的真实身份一无所知，因一场百亿融资风波对他误解重重，当众提出离婚，视他为废物。势利亲友嘲讽他、秦家仗着火凤关系炫耀资本，连火凤起初也不知清洁工竟是自己的殿主。当魏子晴公司濒临破产、被各方势力欺压时，叶尘不再隐忍，展露镇龙殿主真身，以雷霆手段解决融资危机、震慑萧雨柔、打脸势利小人，火凤得知真相后俯首称臣。他不仅挽回婚姻，更肃清殿内叛徒，最终以绝对实力执掌镇龙殿，谱写 “殿主归来，天下臣服” 的逆袭传奇。

小镇锁匠贾凡为了寻找自己的真正身世，和发小李穆等人冒险进入古墓中探秘。当得知自己是发丘一脉的传人后，他觉醒祖传奇技，并在先祖发丘老祖墓中集齐六十四字秘术，对抗摸金校尉吴老大为首的盗墓团伙，避免了古墓被盗，守护了一方平安。

人族百年前面临灭族危机，凶兽忽然集体变异，变得异常强大，人类损失严重，城市外变成了凶兽的地盘。灭世之中的蚂蚁，创世之中的神灵，项宁以一人之力，让所有域外种族记住了一句话：我若不死，人族昌盛！

十九岁那年，沈星（易烊千玺 饰）骑着小摩托穿越边境漫长的花海，误入一片荒蛮之地。他像当地人一样抹上蓝泥抵御着无处不在的花粉，也在这时真时幻的花粉中，经历着一个个斑斓、狂野而离奇的故事。