一位匈牙利女孩梦想征服国际男子国际象棋界。在与世界冠军加里·卡斯帕罗夫进行了长达15年的较量，并与她专横的父亲抗争后，尤迪特·波尔加彻底改变了这项运动的男权文化，成为历史上最伟大的国际象棋神童之一，也是有史以来最伟大的女棋手。

《局面》是一档由新京报“我们”视频出品的人物专访栏目，由知名记者、评论员王志安主持。本栏目聚焦当下热点话题，与舆论风暴中核心当事人进行面对面访谈，拥有独家的精彩观点与节目内容，旨在“以冰冷的理性温暖世界”。

《局面》是一档由新京报“我们”视频出品的人物专访栏目，由知名记者、评论员王志安主持。本栏目聚焦当下热点话题，与舆论风暴中核心当事人进行面对面访谈，拥有独家的精彩观点与节目内容，旨在“以冰冷的理性温暖世界”。

以棋子混合人的造型，比喻着人经常对现况、权力横行及社会现象的不认同，反应着被束缚的不满，有意识的抉择、反抗、挣脱，向往着摆脱至另一个梦想天堂，但往往过了许久，才 豁然惊觉自己仍旧被环境摆布着。

以棋子混合人的造型，比喻着人经常对现况、权力横行及社会现象的不认同，反应着被束缚的不满，有意识的抉择、反抗、挣脱，向往着摆脱至另一个梦想天堂，但往往过了许久，才 豁然惊觉自己仍旧被环境摆布着。

At the age of 16, Martha Coolidge was raped by a fellow student. This experience, and in particular the emotions and rhetoric in its aftermath, forms the starting point for this Brechtian film, in which Coolidge re-enacts the event and places the creative process in the foreground. 　　From the beginning, there is a clear distinction between the fictional scenes, in which the acting is deliberately slightly affected, and the documentary sequences, in which the actors discuss their roles and their own experiences. This produces a dialectical film about the gray areas of adolescent sex, and the web of insecurity, ignorance, privilege and performance pressure that can so easily turn into a toxic cocktail. 　　Coolidge further complicates matters in the intense rehearsal scenes, in which it is often not clear to the viewer what agreements have been made and whether they are being adhered to. Thus, these scenes themselves also enter gray areas, confronting the viewer with the ease with which boundaries can be blurred, shifted and crossed when they are not clearly drawn. 　　源自：https://festival.idfa.nl/en/film/ae49286a-02e8-4402-b6c0-5e7fa404c659/not-a-pretty-picture/

At the age of 16, Martha Coolidge was raped by a fellow student. This experience, and in particular the emotions and rhetoric in its aftermath, forms the starting point for this Brechtian film, in which Coolidge re-enacts the event and places the creative process in the foreground. 　　From the beginning, there is a clear distinction between the fictional scenes, in which the acting is deliberately slightly affected, and the documentary sequences, in which the actors discuss their roles and their own experiences. This produces a dialectical film about the gray areas of adolescent sex, and the web of insecurity, ignorance, privilege and performance pressure that can so easily turn into a toxic cocktail. 　　Coolidge further complicates matters in the intense rehearsal scenes, in which it is often not clear to the viewer what agreements have been made and whether they are being adhered to. Thus, these scenes themselves also enter gray areas, confronting the viewer with the ease with which boundaries can be blurred, shifted and crossed when they are not clearly drawn. 　　源自：https://festival.idfa.nl/en/film/ae49286a-02e8-4402-b6c0-5e7fa404c659/not-a-pretty-picture/

伊朗电影杰作《风之棋局》（1976）今年完成修复并参与多个电影节，此前其实很少人看过！这部片在1976年曾入选德黑兰国际电影节并举行试映会，可惜放映被恶意妨碍——放映机发生故障，菲林亦遭到破坏，后来电影节评委将视频从竞赛中撤出。在没有发行商愿意投资的情况下，制片人再没将视频送到任何电影节或举办任何公开放映（据说著名影人Henri Langlois、罗塞里尼和萨耶哲雷在一些私人放映中看过，赞不绝口）。1979年伊斯兰革命后，此片更因其非伊斯兰教内容被禁。随后原底片丢失，坊间只流传一个经审查的低清VHS版本。 佚失四十多年后，导演的儿子竟在一个卖旧戏服配饰的跳蚤市场上，偶然地发现了此片的35毫米底片及声片！他立即买下并送到法国。视频由电影基金会修复，过程更由导演及其女儿亲自监督，此片的摄影师Houshang Baharlou亦亲身参与调色工序...

伊朗电影杰作《风之棋局》（1976）今年完成修复并参与多个电影节，此前其实很少人看过！这部片在1976年曾入选德黑兰国际电影节并举行试映会，可惜放映被恶意妨碍——放映机发生故障，菲林亦遭到破坏，后来电影节评委将视频从竞赛中撤出。在没有发行商愿意投资的情况下，制片人再没将视频送到任何电影节或举办任何公开放映（据说著名影人Henri Langlois、罗塞里尼和萨耶哲雷在一些私人放映中看过，赞不绝口）。1979年伊斯兰革命后，此片更因其非伊斯兰教内容被禁。随后原底片丢失，坊间只流传一个经审查的低清VHS版本。 佚失四十多年后，导演的儿子竟在一个卖旧戏服配饰的跳蚤市场上，偶然地发现了此片的35毫米底片及声片！他立即买下并送到法国。视频由电影基金会修复，过程更由导演及其女儿亲自监督，此片的摄影师Houshang Baharlou亦亲身参与调色工序...

民国时期，威虎帮作为最大的黑社会组织，在社会上横行霸道，涉嫌走私、杀人、毒品贩卖等多个案件，警方却迟迟无法将其一网打尽，随着帮主郭义雄的意外身亡，威虎帮群龙无首，毕昇、海东青成为帮主之位最有力的竞争者，刘桦、李贡等兴化市警员联手收集海东青、毕昇的犯罪证据，制定新棋局计划，并成功将石海扳倒，从而揪出了幕后老板孔光明。