"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

"The Theme" is a film that had to stay on the shelf for almost ten years because of its "theme". Mikhail Ulyanov plays Kim Yesenin, a disillusioned and cynical playwright who uses the system by writing the conformist plays and enjoys the benefits of being the officially recognized and appointed "great Soviet writer" but who in reality has been used by a system and spent all the talent he ever had in writing the plays that had no artistic value whatsoever. Bitter irony lies in the name of the character: Sergei Yesenin was a real life enormously talented, widely popular and beloved Russian poet who committed suicide at the age of 30 in 1925 because he could not fit in the Soviet Russia. Kim Yesenin in the movie suffers the writing block and arrives to the small provincial town with a friend and a young mistress in search of inspiration. He meets an attractive, intelligent and well educated museum guide named Sasha (Inna Churikova never looked so beautiful and sophisticated and I finally understood why Panfilov always had been fascinated by her face, never conventionally pretty) who used to be a big fan of his earlier works but has a lot of unflattering things to say about his officially praised outings. Sasha is in love with a talented historian who had made a very difficult and life changing decision to emigrate from the Soviet Union. He had lost his job by becoming a dissident and had to work as a gravedigger to support himself while waiting for permission to leave the country. Those who never had to emigrate from their country knowing that they might leave forever and never be allowed to go back to see their loved ones and the places dear to their heart again would not fully understand why Panfilov's film had to stay on the shelf for almost ten year after it was completed. It was released only during the "perestroika" in 1987 and I saw it then. I respect Panfilov for his siding with the real artists rejected by the system but his film is not only a courageous statement against the conformity suffocating cultural life under the Brezhnev regime which would be later called "period zastoya" or "stagnation", it is a memorable work of cinema with very good performances from his muse, Inna Churikova, Mikhail Ulyanov, and supporting cast.

纪录片详细描述了美国二十年代到六十年代的复古文化在当今社会的情况，对现代社会文化的影响。无论是人们复古的穿着打扮，还是复古爱好者的聚会活动；无论是改编自五六十年代生活的电视剧，还是展现二三十年代场景的黑白电影，亦或是对复古摇摆舞进行再创作的歌曲，复古元素时刻影响着现代年轻人的生活。各行各业的人们坚守着自己的信念，将复古精神作为自己生活方式。无论是复古元素和现代流行文化融合的再创造，还是排斥引发的革命，都有着奇妙的化学反应。纪录片详细展现了“复古迷”们心中的世界，缓缓向观众揭开复古文化的神秘面纱。

一个体育纪念品贩子运气差到谷底，他决定用这样的方式自我救赎：去找自己六年级时的队友、现在已经是NBA传奇球员的史蒂芬·库里。

一个体育纪念品贩子运气差到谷底，他决定用这样的方式自我救赎：去找自己六年级时的队友、现在已经是NBA传奇球员的史蒂芬·库里。

In late 19th century photography, glass plates were used to capture the negative. Director Siegfried A. Fruhauf finds just such a plate among his friends’ storage equipment. In Vintage Print, he scans and illuminates the photograph anew, intertwines the analogue with the digital, traverses the Modern Age – from photography via film to the digital world. The resulting movement thereby opposes the tranquil meditation within the contemplation of the landscape. In the soundtrack, an almost chronological narrative develops, accompanying the picture in all of its disquietude, like a frame. berlinale 2016

90年代优秀青年警察黄卫平在卧底行动中中枪成为植物人，20年后苏醒，依然是年轻的模样。重归警队的他格格不入，班门弄斧，笑料百出，跟“老”搭档李明峰重组CP，再现当年雄风，揭开围绕20年的层层迷雾。

In late 19th century photography, glass plates were used to capture the negative. Director Siegfried A. Fruhauf finds just such a plate among his friends’ storage equipment. In Vintage Print, he scans and illuminates the photograph anew, intertwines the analogue with the digital, traverses the Modern Age – from photography via film to the digital world. The resulting movement thereby opposes the tranquil meditation within the contemplation of the landscape. In the soundtrack, an almost chronological narrative develops, accompanying the picture in all of its disquietude, like a frame. berlinale 2016

90年代优秀青年警察黄卫平在卧底行动中中枪成为植物人，20年后苏醒，依然是年轻的模样。重归警队的他格格不入，班门弄斧，笑料百出，跟“老”搭档李明峰重组CP，再现当年雄风，揭开围绕20年的层层迷雾。

知っているようで知らない、日本人のマナーや礼儀作法、しきたりなどをクイズ形式で紹介する。番組のコンセプトは『“和”のエンターテインメント番組』。 　　2007年11月4日の『日曜ビッグバラエティ』（テレビ東京制作）で放送された『日本和風検定』の放送コンセプトや企画を基礎として、制作局をテレビ東京から系列局のテレビ大阪に移管し、番組タイトルを『和風総本家』と改め、2008年2月18日19:00 - 20:48（JST）に2時間の単発番組として放送された。そして同年4月14日より毎週月曜日20:00 - 20:54（JST）にレギュラー放送を開始、2009年10月より毎週木曜日21:00 - 21:54（JST）に放送時間を移動し現在に至る。 　　2011年頃より特定のテーマに基づいた人物や事柄を取り上げたVTRが中心の回、特に日本の職人に関する回が多く、初期のような日本独特のマナーや風習などの紹介は少なくなっている。現在ではほぼ毎回が職人について取り上げた回となっている。また、一部のテーマを除いてVTRの最後のナレーションは「○○（その日のテーマ）っていいなぁ」で締めるのが恒例となっている。 　　2011年10月の『木曜8時のコンサート〜名曲!にっぽんの歌〜』[1]の放送開始以降は、同番組の放送に続けて本番組を見る視聴者も多く[2]、また『木曜8時のコンサート』の出演者がゲスト解答者として出演したこともある。 　　2012年6月29日、初回から2012年2月16日放送までレギュラー出演していた地井武男が死去したことを受け公式サイトにはお悔やみのメッセージが表記された。2018年2月8日に「主治医が見つかる診療所」との初コラボを行い「主治医」に東・万田・増田アナが出演し、本番組には番組レギュラー回答者の草野と初出演となる東野幸治、森本智子アナという布陣である。