The Yanam hockey team is fighting hard to save their stadium from a corrupt Sports Minister. Will they win the match that decides their fate?

The limits of the landscape are always the same, because they do not understand political borders, but geographical features. A line that separates the sea from the sky, mountainous waves that cut across the sky. Regardless of where you are, these limits follow the same pattern. This film proposes as a starting point the use of these limits to create a sort of landscape collage, to reconstruct the image of the landscape by combining space and time from the capture of the image; from the present, and not from the subsequent construction in post-production, hence the key role of the analogue image. (Laura Moreno Bueno)

A gender-swapped re-envisioning of the YoRHa Boys Ver1.0 play from 2018, it tells the story of a group of female androids that undertake an experimental mission in Tokyo, Japan.

During the Kadamba reign, King Vijayendra, the ruler of the fictional feudatory land of Bangra, meets his final fate while venturing into the mystical forest of Kantara. Witnessing this, his son Rajashekara seals the borders of their realm. Later, Prince Kulashekara reopens them through a brutal massacre. The protagonist, Berme, in search of prosperity, crosses the divide and ignites a conflict of faith, power, and destiny between the Kingdom and Nature.

Inspector Carlo Guerrieri, a veteran police officer from Rome, finds himself partnered with a rookie who was born in Ivory Coast but raised in the capital.

The limits of the landscape are always the same, because they do not understand political borders, but geographical features. A line that separates the sea from the sky, mountainous waves that cut across the sky. Regardless of where you are, these limits follow the same pattern. This film proposes as a starting point the use of these limits to create a sort of landscape collage, to reconstruct the image of the landscape by combining space and time from the capture of the image; from the present, and not from the subsequent construction in post-production, hence the key role of the analogue image. (Laura Moreno Bueno)

Inspector Carlo Guerrieri, a veteran police officer from Rome, finds himself partnered with a rookie who was born in Ivory Coast but raised in the capital.

The limits of the landscape are always the same, because they do not understand political borders, but geographical features. A line that separates the sea from the sky, mountainous waves that cut across the sky. Regardless of where you are, these limits follow the same pattern. This film proposes as a starting point the use of these limits to create a sort of landscape collage, to reconstruct the image of the landscape by combining space and time from the capture of the image; from the present, and not from the subsequent construction in post-production, hence the key role of the analogue image. (Laura Moreno Bueno)

西历5012年。突然入侵地球的＜外星人＞与其制造的＜机械生物＞导致人类面临灭亡危机。 　　仅存的人类逃至月球，为了夺回地球，利用＜人造人＞士兵展开反攻作战。 　　然而无限增加的＜机械生物＞阻挡在前，战争陷入胶著状态。 　　作为最终兵器，人类派遣新型人造人＜寄叶＞部队至地球。刚被派往地球的＜2B＞与先行调查员＜9S＞会合，一同执行任务，却在途中遇见许多神秘难解的现象……。 　　这是关于为人类而战，无生命＜人造人＞的故事－－ 　　PS：Automata指的是“自动人形”，别再机械纪元求求了。

西历5012年。突然入侵地球的＜外星人＞与其制造的＜机械生物＞导致人类面临灭亡危机。 　　仅存的人类逃至月球，为了夺回地球，利用＜人造人＞士兵展开反攻作战。 　　然而无限增加的＜机械生物＞阻挡在前，战争陷入胶著状态。 　　作为最终兵器，人类派遣新型人造人＜寄叶＞部队至地球。刚被派往地球的＜2B＞与先行调查员＜9S＞会合，一同执行任务，却在途中遇见许多神秘难解的现象……。 　　这是关于为人类而战，无生命＜人造人＞的故事－－ 　　PS：Automata指的是“自动人形”，别再机械纪元求求了。