在擁護西方價值的極權政黨「OVO」上台後，因身為同性戀而受到生命威脅的樓宏，計畫與自己深愛的阿拉伯裔男友亞尼斯逃離祖國，他發現走投無路的移民鄰居自殺身亡、憶及與好友們爭論各自的政治觀點，甚至只能眼睜睜看著亞尼斯遭到殘酷殺害，一夕之間同時失去國家與摯愛的他，如同行屍走肉般遊走在歡慶政權交替的街頭上......

"In 1959, in Romania, six former members of the nomenklatura and the secret police organize a hold up of the National Bank. After their arrest, the state forces them to play themselves in a film which reconstitutes the crime and the investigation. At the end of their trial, filmed live, they are sentenced to death and executed. A month later, the film Reconstitution was released and became a sensation throughout the country.

在擁護西方價值的極權政黨「OVO」上台後，因身為同性戀而受到生命威脅的樓宏，計畫與自己深愛的阿拉伯裔男友亞尼斯逃離祖國，他發現走投無路的移民鄰居自殺身亡、憶及與好友們爭論各自的政治觀點，甚至只能眼睜睜看著亞尼斯遭到殘酷殺害，一夕之間同時失去國家與摯愛的他，如同行屍走肉般遊走在歡慶政權交替的街頭上......

"In 1959, in Romania, six former members of the nomenklatura and the secret police organize a hold up of the National Bank. After their arrest, the state forces them to play themselves in a film which reconstitutes the crime and the investigation. At the end of their trial, filmed live, they are sentenced to death and executed. A month later, the film Reconstitution was released and became a sensation throughout the country.

過去討論台灣日治時期（1895-1945）電影，總以商業電影和政宣新聞為主，卻忽略了當小規格膠卷與攝放機透過日本傳入，在台日人及台灣人都得以隨手記錄島嶼上的生活、事件與風景，也是重要的動態紀錄；這些未經雕琢的影像，在數十年後，成為我們想像並解析殖民時期的檔案，與出自官方的紀實影像對比，在在暗藏著「殖民現代化」的表徵，而更多業餘電影的足跡與社群，存在於當年的文宣、報章、雜誌。本場次選映多部早期影像，透過學者解密文獻，另闢重新認識日治影史的蹊徑。

五集专题纪录片《走向光明：纪念西藏民主改革60周年》，该片展现黑暗落后的旧西藏废除封建农奴制度是不可逆转的历史潮流，以及西藏在进入新时代后呈现出蓬勃生机和强大活力。