起源于东欧立陶宛的拉齐维乌家族是欧洲乃至世界有名的贵族家族，该家族自16世纪起到二战为止建造了一系列著名的建筑，白俄罗斯的涅斯维茨古堡也为拉齐维乌家族所造，因传说藏有十二座金雕像而使其蒙上了一层神秘的色彩。二战期间，德国考古学家瓦格纳博士来到涅斯维茨，妄图窃取古堡中的宝藏，潜伏在德国的苏联特工海因利希受命陪同瓦格纳博士一同前往，他的任务是探查德军在涅斯维茨秘密实验室的秘密，并协作游击队与德军斗争。 　　战后，仍有不法分子觊觎古堡中的宝藏，法学院学生、圣像守护家族的后人阿丽卡回到老家的刑侦部门实习，经历了与违法分子的斗争，并将他们捉拿归案。

起源于东欧立陶宛的拉齐维乌家族是欧洲乃至世界有名的贵族家族，该家族自16世纪起到二战为止建造了一系列著名的建筑，白俄罗斯的涅斯维茨古堡也为拉齐维乌家族所造，因传说藏有十二座金雕像而使其蒙上了一层神秘的色彩。二战期间，德国考古学家瓦格纳博士来到涅斯维茨，妄图窃取古堡中的宝藏，潜伏在德国的苏联特工海因利希受命陪同瓦格纳博士一同前往，他的任务是探查德军在涅斯维茨秘密实验室的秘密，并协作游击队与德军斗争。 　　战后，仍有不法分子觊觎古堡中的宝藏，法学院学生、圣像守护家族的后人阿丽卡回到老家的刑侦部门实习，经历了与违法分子的斗争，并将他们捉拿归案。

沈念前世因无条件溺爱侄子，饱尝家人冷漠与伤害，最终悲惨离世。重获新生，她誓要改变命运。这一世，她决定收起无原则的溺爱，对侄子的行为放任自流，不再让自己重蹈覆辙。她要活出自我，守护自己的幸福，不再让任何人轻易伤害到自己。

Julian inherits a house in West Philadelphia from his grandmother and asks his girlfriend Gwen to move in, although she turns out to be just the first member of the commune that sets up home with him within its brightly coloured walls. Together with the founding couple, the seven-strong collective are soon reciting African-American poetry, reading post-colonial theory, holding seminars on Sudanese languages and enjoying jazz-inflected jam sessions, with the chest of materials on the wider Black experience apparently left behind by the grandmother proving perfect inspiration to this end. With the prominent poster of Godard’s La chinoise hanging in the kitchen, it’s tempting to read their funkily cerebral exploits as pure fiction, yet they’re actually a reenactment of Asili’s own experiences in a Marxist commune. Real life informs the fiction elsewhere too, as members of the MOVE Organization come to speak at the house, the camera alights on significant sites for the Black community outside in the Philadelphia streets and the inevitable petty arguments about house rules rear their head. And maybe that’s the point: theory rubs up against practice and sparks duly fly.

Julian inherits a house in West Philadelphia from his grandmother and asks his girlfriend Gwen to move in, although she turns out to be just the first member of the commune that sets up home with him within its brightly coloured walls. Together with the founding couple, the seven-strong collective are soon reciting African-American poetry, reading post-colonial theory, holding seminars on Sudanese languages and enjoying jazz-inflected jam sessions, with the chest of materials on the wider Black experience apparently left behind by the grandmother proving perfect inspiration to this end. With the prominent poster of Godard’s La chinoise hanging in the kitchen, it’s tempting to read their funkily cerebral exploits as pure fiction, yet they’re actually a reenactment of Asili’s own experiences in a Marxist commune. Real life informs the fiction elsewhere too, as members of the MOVE Organization come to speak at the house, the camera alights on significant sites for the Black community outside in the Philadelphia streets and the inevitable petty arguments about house rules rear their head. And maybe that’s the point: theory rubs up against practice and sparks duly fly.

在浩瀚的宇宙中，地球宛如沧海一粟。在无尽的历史长河中，人类个体的生命犹如同稍纵即逝的火星。但即便生命如此短暂，自私、愤怒、欢乐、嫉妒、喜悦、忧虑、悲伤、恐惧等情感仍左右着人类的行为举止，他们就像生活的奴隶，每天为同样的事情所奴役驱使，而忽略了生命真正的意义。即使在经过几千几万年的进化，这一情况也不会改变…… 　　本片耗时4年，草图达上千张，未采用任何电脑和数字技术，全部由导演Don Hertzfeldt一人完成。荣获2005年德州国际短片暨录影带展观众大奖、2005年Malibu电影节观众奖最佳动画短片奖。

在浩瀚的宇宙中，地球宛如沧海一粟。在无尽的历史长河中，人类个体的生命犹如同稍纵即逝的火星。但即便生命如此短暂，自私、愤怒、欢乐、嫉妒、喜悦、忧虑、悲伤、恐惧等情感仍左右着人类的行为举止，他们就像生活的奴隶，每天为同样的事情所奴役驱使，而忽略了生命真正的意义。即使在经过几千几万年的进化，这一情况也不会改变…… 　　本片耗时4年，草图达上千张，未采用任何电脑和数字技术，全部由导演Don Hertzfeldt一人完成。荣获2005年德州国际短片暨录影带展观众大奖、2005年Malibu电影节观众奖最佳动画短片奖。

In the age of vertical screens, a couple of influencers set out to film a short video in a fast-food outlet. When an argument erupts, they forget to stop recording. The camera keeps rolling, capturing a fragment of everyday life they never intended to show. Subtle and incisive, the film peels away the surface of curated images to reveal something raw and unfiltered. Concise, delicate and contemporary, What Remains offers viewers an arresting glimpse into the truths that slip beyond control.