本片出自擅长制作360度全屏幕电影的IMAX公司之手,也是影史上首部大规模远赴圣母峰摄制的电影。制作团队本身就是登山运动爱好者和登山纪录保持者，工作…

1999年，迈克尔马修斯成为登顶圣母峰最年轻的英国人。但在完成登顶的3个小时后，他失踪了并再没被找到。23年后，他的弟弟，一位企业家及主持人斯宾塞马修斯准备前往寻找他。与拥有14座高峰攀登记录的尼尔马普贾组成队伍，随着天气的恶化救援队面临着极端挑战。 　　本片部分镜头可能引起观众不适,请酌情观看。

1999年，迈克尔马修斯成为登顶圣母峰最年轻的英国人。但在完成登顶的3个小时后，他失踪了并再没被找到。23年后，他的弟弟，一位企业家及主持人斯宾塞马修斯准备前往寻找他。与拥有14座高峰攀登记录的尼尔马普贾组成队伍，随着天气的恶化救援队面临着极端挑战。 　　本片部分镜头可能引起观众不适,请酌情观看。

Based on true events, Picco sheds light on the everyday life of youth prison inmates in Germany and shows in a merciless way that the judiciary system is by no means able to re-educate these lost youths. Kevin is new in youth prison. He has to share a cell with Tommy, Andy and Marc. A partnership of convenience in a system where only the strong prevail. It is hard for Kevin to establish himself. He's afraid of not sticking it out. Only Tommy gives him an amicable advice: In this system, you're either a victim or a culprit. An advice that will trigger most dire consequences and will lead to a night that will change the lives of the four inmates forever.

这是B2B计划六部剧情长片之一。B2B计划全称为“回归根本”（Back to Basics），由天画画天影业与香港亚洲电影投资会（HAF）联合策划发起。该计划邀请了亚洲六位导演，分别是蔡明亮、张律、翁子光、陈翠梅、石井裕也和杨瑾，以“爱情征服一切”为主题进行长片创作。

B2B计划六部长片之一。 B2B计划全称“Back to Basics”，由天画画天影业、香港亚洲电影投资会(HAF)共同策划发起，邀请亚洲六位导演蔡明亮、张律、翁子光、陈翠梅、石井裕也、杨瑾以“爱情征服一切”为主题进行长片创作。

一座修建十年的隧道即将竣工之际，受全球地质变动影响，地裂、地震、山体滑坡、泥石流等一系列地质灾害呼啸而至，隧道与整个县城危在旦夕，老洪（黄志忠…

一座修建十年的隧道即将竣工之际，受全球地质变动影响，地裂、地震、山体滑坡、泥石流等一系列地质灾害呼啸而至，隧道与整个县城危在旦夕，“老洪”洪赟兵（黄志忠 饰）、“小洪”洪翼舟（朱一龙 饰）父子俩于绝境处挺身而出，他们如何与16万人度过这场生死危机？

Devil’s Peak reflects on recent unprecedented shifts in the socio-cultural fabric of the artist’s homeland of Hong Kong and a nagging anxiety that hangs over daily life in the former British Colony. Highly condensed glimpses of cityscapes and everyday life form a collage of overlapping poetic narratives and coded references. The film cycles through ominous sites of social tension, lush urban spectacle, relics of imperialist legacies, and places of personal significance—such as the artist’s 500-year-old ancestral village—at a rapid, frenetic pace. By interrogating highly subjective experiences in the context of a seemingly insurmountable change in the political and cultural fabric of his native city, Liu creates a site of remembrance for a time and place that may never be as it was.

Devil’s Peak reflects on recent unprecedented shifts in the socio-cultural fabric of the artist’s homeland of Hong Kong and a nagging anxiety that hangs over daily life in the former British Colony. Highly condensed glimpses of cityscapes and everyday life form a collage of overlapping poetic narratives and coded references. The film cycles through ominous sites of social tension, lush urban spectacle, relics of imperialist legacies, and places of personal significance—such as the artist’s 500-year-old ancestral village—at a rapid, frenetic pace. By interrogating highly subjective experiences in the context of a seemingly insurmountable change in the political and cultural fabric of his native city, Liu creates a site of remembrance for a time and place that may never be as it was.