October 5, 1974: In the suburbs of Santiago, pregnant Carmen is badly injured and her partner Miguel, head of the resistance against Pinochet's dictatorship, is killed in combat. So begins a journey into the memories of the defeated... 　　A documentary about a leftist activist coming back to Chile from exile. Old harrowing memories come back to mind along with fears of finding a submissive Chile that doesn't fit in the ideals they struggled for, so triggering mixed feelings and a sensation of lost battle. 　　One of the moments features a visit to the place she lived in with her husband, a famous MIR leader, who was shot dead in a police raid after she got seriously wounded almost causing her to die. Amid flashbacks and footage from some decades ago, former party comrades and neighbours are interviewed, so conjuring up aspects and emotions related to exile, former leftist activism in the MIR, frustrations, ordeals, unaccomplished goals and new hopes. 　　The duration is rather long, but one doesn't get that impression, it captures the attention, making the vision of the film smooth. 　　Carmen Castillo was the comrade and lover of Miguel Enriquez, head of the MIR (Movimiento de Izquierda Revolucionaria/Movement of the Revolutionary Left) that spearheaded the Chilean revolution that led to the election of the socialist Salvador Allende in September 1970. Most students of contemporary history know that on September 11th 1973 Pinochet's brutal military coup followed by the death of Allende, massive looting, decades of torture, imprisonment and disappearances, along with the destruction of social syndicates and organizations. 　　Some MIR leaders went underground, including Enriquez, Castillo, then pregnant, and two little daughters, who lived in a peaceful suburb of Santiago. Then, on October 5, 1974, police came to where they were living on Calle Santa Fe. Enriquez died. Castillo was shot and seriously wounded; later she lost the child she was carrying, but a neighbor, Manuel, called an ambulance and took her to the hospital, where she was saved. 　　Castillo was arrested and held after her recovery but then expelled from Chile. After drifting from country to country for a bit, she settled in France. 　　Resistance grew in the late Seventies and early Eighties, but MIR was dissolved of its own accord in 1985, and things have been different since the return off "democracy" in 1990. 　　Anyway, Castillo's long film (163 minutes) chronicles all this, with rich texture created through testimony by fellow MIR leaders who either never left or returned some time in the Eighties; through footage from the Seventies, Eighties, and Nineties; and through a chronicling of Castillo's recent return visits to Calle Santa Fe, where she meets people who knew her, even the man who took her to the hospital. She also revisits her family and has discussions with her father, about whom she made a 2004 documentary, 'Le Chili de mon père'/'The Chile of My Father.' One of the subjects that comes up is whether it was right for any of the leftist leaders to leave, abandoning the people they had championed to the despotism of Augusto Pinochet and his thugs. Having not only gone elsewhere but lived when MIR's leader died beside her, Castillo no doubt was troubled by survivor guilt of several kinds. Since she had not gone on with things in Chile, some of the traumas were frozen inside her. 　　This may not be the best way of reviewing the totality of Chile's recent history, but it's an emotionally convincing and involving way. The people in this film are impressive from many points of view--for their courage, their dignity, their language, and above all for their enduring idealism, which has never died and has been passed on to younger generations in Chile. Of course Castillo herself is obsessed. She has some letting go to do. Her campaign to have the house on Calle Santa Fe purchased and turned into some kind of study center of shrine doesn't appeal to younger leftists. Finally she is content with a small gathering when a plaque is cemented into the sidewalk in front of the house and one of the surviving leaders (nearly all of whom underwent imprisonment and torture and still have returned) says some words of poetry. There's not much humor here, but there is tremendous hope and much emotion. 　　Not a theatrical possibility in this country due to its length, but very worthwhile for anyone interested in leftist politics and revolution and modern Latin American history. 　　Shown only once at the NYFF 2007.

达菲鸭具有鲜明的性格：泼辣，疯疯癫癫，神经大条，话唠，非常的顽皮和自恋，最爱出风头，爱虚荣，好整人，馊主意很多，极为自信。同用心险恶的坏蛋周旋时，它常能使对手自食其果。

音乐响起，达菲鸭（梅尔·布兰克 Mel Blanc 配音）全神贯注走上屏幕前，他在表演中世纪的剑客戏码，可惜动画师不太配合，没能画上相应的背景，这令达菲鸭颇为懊恼。在他的催促下，动画师换了新的背景，达菲鸭演了一阵才发现背景竟是毫不搭调的农庄。万般无奈，敬业的达菲鸭只得配合背景的内容表演，结果背景相继换成了极地、夏威夷……频繁转换的速度令达菲鸭应接不暇，疲于奔命。当然一切还未结束，他的声音乃至形象都遭到动画师戏谑般的篡改，正常的表演变成了一次难忘的大灾难…… 　　本片荣获安纳西（Annecy）国际动画电影节上评选出的“动画的世纪·100部作品”第十三名。

在好莱坞Wonder工作室，制作人I.M. Stupendous正在阅读剧本，这是敲门声突然响起，聒噪的达菲鸭闯进来，打算谋求一份表演工作。但是制作人非常讨厌鸭子，他粗暴地将达菲鸭赶了出去，而后者毫不气馁，继续打电话。在此之后，制作人接通导演冯•汉伯格（名字取自《翠堤春晓》、《放荡的女皇》等片导演Josef von Sternberg）的电话，询问一部新片的拍摄进度。汉伯格信心满满像制作人作出保证，之后来到片场，工作人员对他毕恭毕敬。而就在这时，达菲鸭闯入片场，大肆捣乱，将汉伯格的拍摄计划搅得一团糟。 　　在此之后，他甚至偷偷溜入胶片库房，将各种类型影片的胶片胡乱拼接在汉伯格的新片中……

秋高气爽的时节，猪小弟（梅尔·布兰科 Mel Blanc 配音）带着忠诚的小猎犬来到野外，他端着猎枪守在池塘边，准备打一只鸭子作为战利品。谁知在他的身后，狡猾顽皮的达菲鸭（梅尔·布兰科 Mel Blanc 配音）悄悄靠近，给猪小弟的火药做了手脚。万事俱备后，达菲鸭大摇大摆出现在猪小弟的面前，用尽各种办法招惹这个傻乎乎的猎人。经过几番较量，猪小弟被对方好一阵戏耍。小猎犬心生计谋，假装带不回鸭子会受到虐待，在达菲鸭面前痛哭流涕。达菲鸭同情他的遭遇，于是主动钻进小猎犬的嘴里。可是这个狡猾的鸭子中计了，他被猪小弟抓住带回家里，塞到冰箱之中。 　　面对这一残酷场景，小猎犬的内心深受折磨……

美国西部，沙漠腹地，坐落着一个法律无法触及的小镇——蛇要镇。在这里，抢劫凶杀时有发生，全镇上下无有善类，强盛是响彻日夜的主旋律，数以万计的警长永远长眠于此。这一天，高傲的警长达菲鸭（梅尔·布兰克 Mel Blanc 配音）带着助手猪小弟千里迢迢来此赴任。他首先挑选了是非之所酒馆，虽然大呼小叫吆喝一通，可是酒馆内根本没人理睬。颇有些尴尬的达菲鸭点了两杯饮料，结果遭到不速之客的羞辱。这个体形健硕、面目凶恶的家伙就是全国通缉犯纳斯蒂，他可以喝下强酸剧毒饮料而毫不变色，当然更不会把达菲鸭放在眼里。 　　为了荡涤蛇咬镇的罪恶，达菲鸭向纳斯蒂提出了挑战……

In this ducklightful animated feature film, Daffy Duck opens up the ghostbusting Ghouls R' Us Agency. "It's supply and demand," the spook sleuth explains. "My clients supply the ghosts. And I demand the money." Highlights include Daffy "Anything for a buck" Duck pitching his wares on TV; a house call to aid a vampy seducktress; a ghost-to-ghost hookup with Zed Toppel on Frightline; and, talk about a tough crowd, crooner Daffy wowing a nightclub of Transylvanian baddies. 　　Bugs Bunny, Porky Pig, Tweety and Sylvester join the exorcise in hilarity, with principal voices provided by the always masterful Mel Blanc. The gang's all here - and so is the fun. You'll quack up over Daffy Duck's Quackbusters!