Long after their breakup, Chinese American Raymond Ding and Amerasian Aurora Crane struggle to let go. Torn apart by mismatched ideals, meddling friends, and the complexities of racial identities, they find other suitable mates but cannot stay away from each other

一部记录电影中的同性恋的记录片，从消极面到积极面——两个方面谈同性恋角色以及男女演员遇到的困境。

Shot on one day by 25 different cameramen across the USA under the co-ordination of Arthur J. Bressan Jr. this film documents Gay Pride parades across the United States in the late 70s.

5月份是美国的亚太裔传统月。5月11开始东部时间晚8点，PBS将隆重播出讲述亚裔移民历史的五集系列记录片“Asian Americans"——《亚裔美国人》，听亚裔移民讲述他们自己的故事。从1843年5月第一位来自日本的移民踏上美国土地，亚裔美国人凭着勇气和坚韧，走过了移民制度演变，种族政治，国际关系动荡和文化的创新。贡献与抗争形影相随，美国之所以成为美国，离不开亚裔移民的非凡影响力。　　《开天辟地》，《对美国忠诚的问题》，《美国模范族裔》，《崛起的一代》，《突破》——五个小时的五集纪录片重现150年漫长复杂的历史。

哈罗德（哈罗德·劳埃德 Harold Lloyd 饰），一个花钱不手软的上城区年轻富翁，爱上了下城区的女孩赫本（乔拜娜·劳斯顿 Jobyna Ralston 饰）。为了帮助赫本招集更多人到传道院，哈罗德却在整个城市制造麻烦，引起了众人的不满和谴责。在一系列淘气行为之后，哈罗德和一群人被追赶进入传道院。正巧，警察经过，大家纷纷唱起了圣歌，这让哈罗德出人意料地得到了赫本的好感。然而，哈罗德的上流社交圈中的朋友却看不惯他如此与下城区的女子交往。 在婚礼当天，哈罗德的朋友们计划绑架他，并告诉传道院的教友们他不会娶赫本。这突如其来的变故让教友们感到困惑和震惊。面对这个意外的局面，哈罗德需要巧妙应对，挽回他与赫本的婚姻，以及化解上下阶层之间的矛盾。

阿吉·马修是来自帕拉的一个勇敢、谦逊又可爱的年轻人。在大学时，他结识了名为萨拉的印度裔女孩，二人跨越成长环境的差异坠入爱河。然而，他们的相爱时光很短暂，他的幸福也是如此。年轻的阿吉·马修是一名共产主义者，为了自己所信仰的意识形态不惜付出一切。当他心爱的女孩突然前往美国，其父母还为她安排了婚礼，而阿吉既没有护照也没有签证，却只有两周时间赶到美国。他愿意为了爱付出多大的努力，这便是剧情的核心所在。

艾莎 是 犹太人 曾遭受 纳粹份子的 迫害 于是 在 战后的 日子里 独自躲在 房间里面 过往受到的 种种不幸 夹杂着 断续的 回忆 不断侵扰着 她 最后 应该 怎么 走出 这个 梦魇呢…？

数个年轻同志驾着大巴穿越美国的记录片! On The Bus' original intention was to be a fun-loving, rambunctious, half-hour Internet program about a group of young, gay men on a bus trip from Los Angeles to Burning Man, a festival of radical self expression in the Nevada desert. However, after returning from a week of shooting, stereotypes had fallen apart, and it became clear that this story had far more to tell than a half hour internet show could lend. Almost immediately On The Bus challenges the viewer with the notion that "Even in absolute freedom, some things are still sacred." - Damon Intrabartolo (cast member #6) . It is here that Director Dustin Lance Black begins this story. Lance is hired by The Digital Entertainment Network (DEN) to produce, direct and participate in an Internet reality show with an all gay cast. He then hires Billy Kaufman as co-producer and cast member number two. Charles Kinsley, a gorgeous actor/waiter, Jason Webb, porn star Dean O'Conner, and Jimmy Sjodin, a Swedish Olympic diver soon follow. Concerned with the Network's desire to cast only the most attractive men, director Dustin Lance Black lobbies hard to include Damon Intrabartolo, an average looking music composer, who climbs on board armed with wry observations, and a biting wit. Once on the road, bumps along the way lend to an unplanned sleep-over in a Reno hotel. It is here that sexual tensions breed rivalry, the most intimate details of these fast new friends are revealed, and question number two arises, "Sex, Sex, Sex, maybe that's all there is." - frustrated director Dustin Lance Black. Arriving at Burning Man, it would seem that nothing is too radical or extreme for the adventuresome sextet. Innocence and experience come face to face as members of the cast explore the sexuality, drug culture, and wild freedom of the event. However, when sexual tensions finally come to a head, a sandstorm smashes through their campsite acting as a metaphor for the group's inner turmoil. Over the course of the week the show evolves, and sexual tensions take a back seat as the cameras delve into the often-conflicted souls of this eclectic group, shattering the happy-go-lucky stereotypes they were originally brought on board to brandish. Through newfound friendships, and forming animosities, these young men explore the darkness, freedom, joy, and adventure of Nevada's annual Burning Man event, and come out questioning the roles they play and the masks they wear in their daily lives.

Ginger Rogers stars in this rousing, patriotic drama as Jo, a young woman whose husband (Robert Ryan) goes off to fight the Nazis, leaving her home, poor and pregnant. In order to make ends meet, Jo takes a job riveting planes and then moves into an all-girl commune with three other women (Ruth Hussey, Patricia Collinge, and Kim Hunter). It's a touching illustration of grace under pressure as the ladies pool their money and share the household chores while nervously awaiting word about the fate of their brave husbands overseas. The major irony is that the film's title, along with the concept of the women pooling their salaries and living together in a commune-style environment, prompted the HUAC to later use this film as part of their case in blacklisting writer-director Edward Dmytryk, despite the movie's patriotic premise. Whatever one's take on the film today, it was a big hit at the time of release and is certainly unusual from a historical perspective. No other film before or since has offered such a strange blend of genres: part wartime morality booster, part unashamed tearjerker, and part (perhaps) communist propaganda. As a curious piece of history, it is certainly worth rediscovering.