这部纪录片的编剧、导演和旁白均由沃纳·赫尔佐格（Werner Herzog）来担当，记录了他与剧组前往南极洲拍摄当地生物、居民以及独特地理风貌的历程。这部纪录片并不是一部关于南极著名的企鹅的影片，而是去探索南极的人类生活，以及壮丽神奇的南极洲美景。他们前往由美国国家科学 基金会南极计划部门运作的南极洲最大的科学研究中心——位于罗斯岛的麦克默多站进行拍摄，在当地采访了一些在作业、后勤、IT和维护等方面提供支援的成员后，他们陆续前往海豹基地、潜水营地等南极洲人类扎营的地点，沿途遇到很多有意思的人，做了很多包括细胞生物学家塞缪尔·宝泽（Samuel Bowser）、动物学家占·保罗斯基（Jan Pawlowski）、企鹅研究学者大卫·安利（David Ainley）等在内的简短访谈。在某种程度上，他们拍摄探索的并不在于展现科研领域，而在向大众揭示一种独特的生命体验。 　　本片提名2009年第81届奥斯卡最佳纪录片奖。

这部纪录片的编剧、导演和旁白均由沃纳·赫尔佐格（Werner Herzog）来担当，记录了他与剧组前往南极洲拍摄当地生物、居民以及独特地理风貌的历程。这部纪录片并不是一部关于南极著名的企鹅的影片，而是去探索南极的人类生活，以及壮丽神奇的南极洲美景。他们前往由美国国家科学 基金会南极计划部门运作的南极洲最大的科学研究中心——位于罗斯岛的麦克默多站进行拍摄，在当地采访了一些在作业、后勤、IT和维护等方面提供支援的成员后，他们陆续前往海豹基地、潜水营地等南极洲人类扎营的地点，沿途遇到很多有意思的人，做了很多包括细胞生物学家塞缪尔·宝泽（Samuel Bowser）、动物学家占·保罗斯基（Jan Pawlowski）、企鹅研究学者大卫·安利（David Ainley）等在内的简短访谈。在某种程度上，他们拍摄探索的并不在于展现科研领域，而在向大众揭示一种独特的生命体验。 　　本片提名2009年第81届奥斯卡最佳纪录片奖。

该剧讲述了18岁少年和与自己“同年出生”31岁青梅竹马女人间的奇幻浪漫爱情故事。 　　原本青梅竹马的男女主人公在高中的时候因为特殊原因而分开，女主角一直以为男主角已经去世，但是13年之后女主角又再次遇到了男主角，男主角仍然是当年18岁的模样，而此时的女主角已经31岁了，但是两人 心中依然有着彼此，于是一段特殊的爱情就这样开始了。

"Your father passed away. Give us a call immediately." The message in Kawase's cell phone informs her of her father's death. 　　More than a year has passed since his death. Also 8 years since Embracing in which Kawase took a camera to film her journey to find her father. She watches Embracing with her friends as if she mourns her father's death, departure from her father. Watching, throughout the film, the repetitive, momentary interviews of people who were involved with him before his death as well as her real mother and her grandmother, Kawase bears unfocused and disconsolate feelings. 　　All of a sudden, she gets an idea of having a tattoo, the same tattoo her father had through his life, so as to, she thinks, discover the family bond, and then she visits a tattoo artist. The story accelerates from here, and brings the audience to the climax. Is this really a documentary or fiction? Despite this confusion, the film goes on and asks us, "What is love for you?" 　　At the Locarno International Film Festival in 2001, the film was highly praised for her original film style, the mixed form of documentary and fiction, in which her deep loneliness is realistically presented. The film has been shown more than 30 countries, and now its distribution right, after being produced and screened by ARTE France along with some other films by, for example, Sokurov, has been terminated, and the film will be screened in Japan. 　　This is a must-see, as of today, Kawase's culmination as an auteur. The title Kya Ka Ra Ba A is a Buddhist term, kya - the sky, ka - wind, ra - fire, ba - water, and a - earth, all of which, altogether, means the world composed of those elements.

"Your father passed away. Give us a call immediately." The message in Kawase's cell phone informs her of her father's death. 　　More than a year has passed since his death. Also 8 years since Embracing in which Kawase took a camera to film her journey to find her father. She watches Embracing with her friends as if she mourns her father's death, departure from her father. Watching, throughout the film, the repetitive, momentary interviews of people who were involved with him before his death as well as her real mother and her grandmother, Kawase bears unfocused and disconsolate feelings. 　　All of a sudden, she gets an idea of having a tattoo, the same tattoo her father had through his life, so as to, she thinks, discover the family bond, and then she visits a tattoo artist. The story accelerates from here, and brings the audience to the climax. Is this really a documentary or fiction? Despite this confusion, the film goes on and asks us, "What is love for you?" 　　At the Locarno International Film Festival in 2001, the film was highly praised for her original film style, the mixed form of documentary and fiction, in which her deep loneliness is realistically presented. The film has been shown more than 30 countries, and now its distribution right, after being produced and screened by ARTE France along with some other films by, for example, Sokurov, has been terminated, and the film will be screened in Japan. 　　This is a must-see, as of today, Kawase's culmination as an auteur. The title Kya Ka Ra Ba A is a Buddhist term, kya - the sky, ka - wind, ra - fire, ba - water, and a - earth, all of which, altogether, means the world composed of those elements.

与一名亲人好友在国外露营，会是怎样的一种体验？ 　　新加坡本地知名艺人们将携同一名伴侣，在国外展开前所未有的露营体验，挑战新颖户外活动，并对彼此前所未有的敞开心扉。请随同李铭顺、李铭忠、戚玉武、白薇秀、郑斌辉、谢韵仪、黄靖伦等，走进澳大利亚、韩国、不丹等国，展开时而让人开怀大笑，时而让人感到人间温暖的露营之旅。

The film starts with a very long section of footage that shows a journey by railroad in a beautiful mountainous region, it's quite beautiful but not immediately apparent what the relevance is. It may be that attention is being drawn to the actual track itself (the final sequence is exclusively looking down at the tracks), perhaps slave labour that went into building it, and blasting tunnels through mountains. It may be just an exotic opener. Subsequently we go to the north pole where we see folks taunting polar bears and hunting walruses. Quite wholly different than modern wildlife documentary, as the expedition with the documentarian is here intent on disturbing what they find. Then we're into Italian versions of zeppelins and howitzers and footage of war which may or may not be staged. The Italians were the first to drop bombs via dirigibles, during their expansionist invasion of Libya, one of the first truly "modern" wars. 　　There is also a lot of African and Indian footage. The African stuff has a classroom of tiny black children all clothed in white being indoctrinated by a nun, which is quite disturbing after the previous local colour you see. There's a beautiful scene of an African mother with splendid hairdo carrying her sleeping baby in a sling by her side. The wild playfulness of African children is counterposed with impeccably mustachioed debonair Europeans having a splendid time slaughtering rhinoceri. The most iconic shot I suppose is a staggered line of blacks transporting goods across a river, two chest-deep individuals making sure the Italian flag doesn't get wet. 　　There's irresistible power all through the film (maybe the train at the start, is a metaphor for this), travel, movement, kinetic energy, jingoists spreading like a plague over the world. Pretty haunting in the end, like a mad dream.

The film starts with a very long section of footage that shows a journey by railroad in a beautiful mountainous region, it's quite beautiful but not immediately apparent what the relevance is. It may be that attention is being drawn to the actual track itself (the final sequence is exclusively looking down at the tracks), perhaps slave labour that went into building it, and blasting tunnels through mountains. It may be just an exotic opener. Subsequently we go to the north pole where we see folks taunting polar bears and hunting walruses. Quite wholly different than modern wildlife documentary, as the expedition with the documentarian is here intent on disturbing what they find. Then we're into Italian versions of zeppelins and howitzers and footage of war which may or may not be staged. The Italians were the first to drop bombs via dirigibles, during their expansionist invasion of Libya, one of the first truly "modern" wars. 　　There is also a lot of African and Indian footage. The African stuff has a classroom of tiny black children all clothed in white being indoctrinated by a nun, which is quite disturbing after the previous local colour you see. There's a beautiful scene of an African mother with splendid hairdo carrying her sleeping baby in a sling by her side. The wild playfulness of African children is counterposed with impeccably mustachioed debonair Europeans having a splendid time slaughtering rhinoceri. The most iconic shot I suppose is a staggered line of blacks transporting goods across a river, two chest-deep individuals making sure the Italian flag doesn't get wet. 　　There's irresistible power all through the film (maybe the train at the start, is a metaphor for this), travel, movement, kinetic energy, jingoists spreading like a plague over the world. Pretty haunting in the end, like a mad dream.

一个纪录片的调查改变妇女的作用和性别的社会。 故事诸如女性撒旦，空姐谁是试图表现出更多的皮肤，以及一名女医生是谁的病人都是裸体的军事招募都展示了。

一个纪录片的调查改变妇女的作用和性别的社会。 故事诸如女性撒旦，空姐谁是试图表现出更多的皮肤，以及一名女医生是谁的病人都是裸体的军事招募都展示了。