战俘与战后社会题材永恒经典黑白大片。苏联导演谢尔盖·格拉西莫夫（Sergei Gerasimov）“六十年代人”四部曲其一。战后15年的克里米亚，风韵犹存的莫斯科女医生带着21岁的美丽女儿驾车前往塞瓦斯托波尔，途径辛菲罗波尔时巧遇曾在被困的列宁格勒救助过自己的苏军中尉，由此引出苏军中尉1942年突围受伤被俘后的集中营生涯和战后的流浪经历……战后因未收到兄长回信、不敢回祖国而先后流浪到土耳其、加拿大、阿根廷和汉堡，即使受尽折磨回到了祖国也还是不知何去何从……聚焦战争后遗症，拷问战后苏联社会的政治观念与道德情感——正义与公平何在？谁还存有良心和爱心？随笔式的结构和表现，曲折丰富，沉痛辛酸，迷惘深思，感慨温情。其间女医生女儿敢于为苏军中尉主持正义和公平的理想主义青年形象尤其令人印象深刻。N·叶廖缅科（Nikolai Yeryomenko）、T·玛卡洛娃（Tamara Makarova）、R·波洛托娃（Zhanna Bolotova）领衔主演。

战俘与战后社会题材永恒经典黑白大片。苏联导演谢尔盖·格拉西莫夫（Sergei Gerasimov）“六十年代人”四部曲其一。战后15年的克里米亚，风韵犹存的莫斯科女医生带着21岁的美丽女儿驾车前往塞瓦斯托波尔，途径辛菲罗波尔时巧遇曾在被困的列宁格勒救助过自己的苏军中尉，由此引出苏军中尉1942年突围受伤被俘后的集中营生涯和战后的流浪经历……战后因未收到兄长回信、不敢回祖国而先后流浪到土耳其、加拿大、阿根廷和汉堡，即使受尽折磨回到了祖国也还是不知何去何从……聚焦战争后遗症，拷问战后苏联社会的政治观念与道德情感——正义与公平何在？谁还存有良心和爱心？随笔式的结构和表现，曲折丰富，沉痛辛酸，迷惘深思，感慨温情。其间女医生女儿敢于为苏军中尉主持正义和公平的理想主义青年形象尤其令人印象深刻。N·叶廖缅科（Nikolai Yeryomenko）、T·玛卡洛娃（Tamara Makarova）、R·波洛托娃（Zhanna Bolotova）领衔主演。

Okgyun never fit the narrative spun by adoption agencies; she was a married mother of three. After being pressured to relinquish her fourth child, Mieke, was adopted to the Netherlands. In present day, Mieke visits her family in Seoul to celebrate her recent marriage. Between Goodbyes is an intimate portrait of one family’s enduring grief and love.

从具体的物，到庞大的山体，再到更为抽象的像素，光影；从视觉的清晰到模糊，从不变见万变。《在物之间》试图在物与物之间建立一种抽象且富有弹性的连接，为观者提供一种非语言性的感官体验。如Mei-mei Berssenbrugge写到”正因为不知道事物之间的联系，才有可能到达超出这个连接本身的理解。“ 　　在语言甚至经验之外，我们该如何去理解？是《在物之间》要讨论的问题。

Okgyun never fit the narrative spun by adoption agencies; she was a married mother of three. After being pressured to relinquish her fourth child, Mieke, was adopted to the Netherlands. In present day, Mieke visits her family in Seoul to celebrate her recent marriage. Between Goodbyes is an intimate portrait of one family’s enduring grief and love.

从具体的物，到庞大的山体，再到更为抽象的像素，光影；从视觉的清晰到模糊，从不变见万变。《在物之间》试图在物与物之间建立一种抽象且富有弹性的连接，为观者提供一种非语言性的感官体验。如Mei-mei Berssenbrugge写到”正因为不知道事物之间的联系，才有可能到达超出这个连接本身的理解。“ 　　在语言甚至经验之外，我们该如何去理解？是《在物之间》要讨论的问题。

Kira Muratova made this film under the pseudonym of Ivan Sidorov in 1983, but the official release came in 1988. Taken from the novel by Vladimir Korolenko, this somber drama tells of a judge who is devastated after the death of his wife and is neglectful of his children. His son befriends the children of a street beggar who live in an abandoned, derelict church. After his experience with is new friends, the young boy begins to feel sorry for his father and sympathizes with his loneliness.

Kira Muratova made this film under the pseudonym of Ivan Sidorov in 1983, but the official release came in 1988. Taken from the novel by Vladimir Korolenko, this somber drama tells of a judge who is devastated after the death of his wife and is neglectful of his children. His son befriends the children of a street beggar who live in an abandoned, derelict church. After his experience with is new friends, the young boy begins to feel sorry for his father and sympathizes with his loneliness.