朱莉3岁的小女儿在15年前失踪了，这么多年来，朱莉一直陷于丧女之痛中无法自拔。无论丈夫或儿子怎么劝慰，她仍旧无动于衷，在自己的世界里独自悲伤，整个家庭也因此逐渐散掉了。直到有一天，一个有着复杂背景的年轻女人走进了朱莉的生活，在相处过程中，朱莉内心的伤痛被她慢慢化解，朱莉发现这个女人有可能就是当初自己失踪的女儿……

Production Co: National Film Board of Canada (NFB)

A tramp steals a girl's handbag, but when he tries to pick Charlie's pocket loses his cigarettes and matches. He rescues a hot dog man from a thug, but takes a few with his walking stick. When the thief tries to take some of Charlie's sausages, Charlie gets the handbag. The handbag makes its way from person to person to its owner, who is angry with her boyfriend who didn't protect her in the first place. The boyfriend goes to throw himself in the lake in despair. Charlies helps him.

Following Afternoon Landscape (2020) and Night Walk (2023), Sohn Koo-yong presents his third feature documentary. A cinematic wanderer who savors spaces and finds poetry in nature, Sohn ventures into a park this time with Oh Kyu-won’s poem The Breath of the Garden in his hand. As the 24-verse poem that begins with the line “At 2 in the afternoon, a butterfly fluttered close to the ground” appears as text on the screen, at the park, a bird settles down on a branch, clouds cover the sun, a cat washes its face, a water wheel turns, a fountain sprays water, a koi swims across the pond, and ants diligently go about their work. This “230 square meters of universe,” where the world of text and image merge seamlessly, is perfectly complete in its meaningful meaninglessness. Sohn presents a world that glimmers with fragile transparency, using the repetition, variation, and circulation of minimal things. The film captures a walker’s world, both empty and full at once.

Following Afternoon Landscape (2020) and Night Walk (2023), Sohn Koo-yong presents his third feature documentary. A cinematic wanderer who savors spaces and finds poetry in nature, Sohn ventures into a park this time with Oh Kyu-won’s poem The Breath of the Garden in his hand. As the 24-verse poem that begins with the line “At 2 in the afternoon, a butterfly fluttered close to the ground” appears as text on the screen, at the park, a bird settles down on a branch, clouds cover the sun, a cat washes its face, a water wheel turns, a fountain sprays water, a koi swims across the pond, and ants diligently go about their work. This “230 square meters of universe,” where the world of text and image merge seamlessly, is perfectly complete in its meaningful meaninglessness. Sohn presents a world that glimmers with fragile transparency, using the repetition, variation, and circulation of minimal things. The film captures a walker’s world, both empty and full at once.

《五条红鲱鱼》给人的总体感觉是六个侦探（当然只有温西勋爵是一流的）对付六个犯罪嫌疑人（当然只有一个是凶手）。鲱鱼在西方俚语里面有干扰因素的含义，所以这部的名字实际上是告诉大家六个犯罪嫌疑人中，有五个是“鲱鱼”。

《五条红鲱鱼》给人的总体感觉是六个侦探（当然只有温西勋爵是一流的）对付六个犯罪嫌疑人（当然只有一个是凶手）。鲱鱼在西方俚语里面有干扰因素的含义，所以这部的名字实际上是告诉大家六个犯罪嫌疑人中，有五个是“鲱鱼”。

The legendary Stones show in London's Hyde Park in July 1969. Mick Jagger opens reading an excerpt from Shelley's poem "Adonais" and releases hundreds of butterflies in tribute to the death of Brian Jones. Songs include: "Jumpin' Jack Flash," "I'm Free," "Honky Tonk Women," "Midnight Rambler," and more.

故事發生在疫情期間的夜晚公園，主角是一位極度恐懼艾滋病的同性戀者。他因對艾滋病的強烈恐懼而害怕與他人發生性關係，但又被公園裡的慾望氣息吸引。這個公園是同性戀者的聚集地，他在這裡遇見形形色色的陌生人，每個人都在公園的陰影中尋找、逃避或沈淪……

故事發生在疫情期間的夜晚公園，主角是一位極度恐懼艾滋病的同性戀者。他因對艾滋病的強烈恐懼而害怕與他人發生性關係，但又被公園裡的慾望氣息吸引。這個公園是同性戀者的聚集地，他在這裡遇見形形色色的陌生人，每個人都在公園的陰影中尋找、逃避或沈淪……