年轻的广播作家户村匠真梦想着能在电视业界风靡一时。忍受着被制片人和前辈作家们不讲理的对待的每一天，有一天，被节目的替罪羊给吃了致死量的山葵，导致了一般人的死亡。被贴上“杀人作家”标签，被业界晾在一边的户村。在走投无路的时候偶然遇到了一位女性，于是走上了“死亡游戏业界”。这是一个表面社会的常识不通用，残虐性和企划性说了算的世界。从“广播作家”变成“死亡游戏作家”的主人公，复仇系娱乐秀开幕。

末世突降，心理医生苏铭无故卷入致命大逃杀。曾经治愈童年的跳房子、捉迷藏、丢沙包，尽数化为择人而噬的恐怖怪物，猩红利爪撕裂温情滤镜。 游戏规则冰冷残酷，死亡如影随形。苏铭没有蛮力，唯有依仗专业功底 —— 剖析怪物扭曲的内心创伤，捕捉规则文字里的逻辑漏洞，在人心与杀意的夹缝中寻找生机。 他看穿 “跳房子” 怪物的童年阴影，利用共情暂时压制其凶性；揪出 “捉迷藏” 规则的悖论，避开必死陷阱。每一步都在刀尖起舞，每一次存活都依赖对人性与规则的双重洞察，这场以命为注的游戏，他要用心理智慧活到最后。

普普通通的快递小哥李跃，阴差阳错的成为了顶级财阀治下的商业帝国继承人，自己却全然不知。自此李跃的生活发生了一系列的变化，上市公司美女总裁投怀送抱、商界大老主动结交、地下社团暗中庇护。殊不知这一切背后，是惊天的阴谋和权利的游戏。

在游戏中心打工的青年草壁莲司，偶然目睹了一幕：情人节当天，一位英国少女莉莉独自一人沉迷于抓娃娃机。无论尝试多少次，她始终无法抓到奖品，眼看着要落泪的她，让莲司忍不住伸出援手。在成功抓到娃娃后，莉莉几天后送给莲司一张意想不到的信息卡——“Be My Valentine!”（请做我的恋人！）这是与一位可爱而天真烂漫的英国少女的邂逅，一个因误会而起的异文化交流故事，就此在游戏中心展开！

热爱京剧（潮剧）的女主和富二代的坚贞纯洁的爱情。

热爱京剧（潮剧）的女主和富二代的坚贞纯洁的爱情。

In 1929, the studio gave the cinema its voice and offered audiences a chance to hear their favorite actors and actresses from the silent-screen era. For the first time, they can be heard in a gaudy, grandiose musical-comedy revue. But also appearing are actors and actresses from the first 'talkies', stars from Broadway, and, of course, German shepherd Rin-Tin-Tin. Frank Fay is the host of the more than 70 well-known stars who show various acts.

当A先生醒来时，发现自己全身赤裸地躺在放满水的浴缸中，而他的肾脏被偷去了。浴缸旁边的墙壁上赫然写着"go to the hospital”。A先生急于找回他的肾，却遇到了陌生男人递给他纸条，叫他去见一位女作家。女作家说他只存在于她的剧本里，她不知如何给他结局，要他自己掌握自己的命运。镜头外，戏已快要拍完，男主角将与A先生见面...紧要关头，A先生如何结束这一场戏，又能否找回自己的肾... 　　2008捷克Karlovy Vary國際電影節NETPAC獎

This title Jean-Luc Godard chose for his final film, which was literally completed the day before his self-death. Scénarios is twofold: DNA, fundamental elements, and MRI, Odyssey. Between these two polarities, which evoke genesis and decline in a strictly materialistic way, a story unfolds, made up of a jumble of notes and images, condensed into 18'. It is a narrative haunted by death, as this film is also a farewell. The second segment ends on a self-portrait of JLG sitting on his bed, bare-chested and putting the finishing touches to his film - his last images.

This title Jean-Luc Godard chose for his final film, which was literally completed the day before his self-death. Scénarios is twofold: DNA, fundamental elements, and MRI, Odyssey. Between these two polarities, which evoke genesis and decline in a strictly materialistic way, a story unfolds, made up of a jumble of notes and images, condensed into 18'. It is a narrative haunted by death, as this film is also a farewell. The second segment ends on a self-portrait of JLG sitting on his bed, bare-chested and putting the finishing touches to his film - his last images.