[谍影重重]系列导演保罗·格林格拉斯有望执导，描述美国禁酒探员埃利奥特·尼斯新片[尼斯](Ness，暂译)。尼斯曾把臭名昭著黑手党阿尔·卡朋绳之以法，影史经典[铁面无私]便改编于此。“绿草”版本将由[洛城机密]编剧布莱恩·海尔格兰德执笔剧本，讲述后卡朋时期尼斯负责的一起连环杀人案。

[谍影重重]系列导演保罗·格林格拉斯有望执导，描述美国禁酒探员埃利奥特·尼斯新片[尼斯](Ness，暂译)。尼斯曾把臭名昭著黑手党阿尔·卡朋绳之以法，影史经典[铁面无私]便改编于此。“绿草”版本将由[洛城机密]编剧布莱恩·海尔格兰德执笔剧本，讲述后卡朋时期尼斯负责的一起连环杀人案。

Paris, 1315. The Tour de Nesle, a guard tower on the banks of the Seine, has become a symbol of mystery and fear. Each morning, at its base, the bodies of handsome young aristocrats are found floating in the river, all butchered by sword or arrow. One evening, two noblemen, Buridan and Philippe d'Aulnay, find themselves in the infamous tower, lured there on the expectation of a night of unbridled passion. Little do they realise that they are to be the next victims of a woman who is determined to take revenge against all men - Margaret of Burgundy, the present Queen of France. Although Philippe is killed, Buridan escapes, and intends to blackmail the Queen. Unless she makes him her prime minister, he will expose her crimes to Philippe's brother and her husband, King Louis X. When she moves to eliminate Burdan, Margaret makes a terrible discovery... 　　In the twilight years of his long and pretty uneven career, the great avant-garde film director Abel Gance made a number of films which, whilst not as grand and artistically inspired as his early silent masterpieces (La Roue (1923), Napoléon (1927)), still compared very favourably with the work of his contemporaries. 　　Of these, La Tour de Nesle is a film that still stands up remarkably well today - an ambitious historical drama based on the famous 1832 play by Alexandre Dumas. It makes a nice companion piece to Gance's subsequent historical romp, Cyrano et d'Artagnan (1964). 　　 　　Needless to say, the film isn't to be commended on its historical accuracy. As any historian will tell you, the Alexandre Dumas version of French history is wildly fanciful, to say the least. However, this doesn't prevent La Tour de Nesle from being an entertaining and, at times, highly poignant, piece of cinema. 　　Whilst the characterisation and dialogue leave much to be desired, the plot (a murky tale of cruel revenge and political intrigue) is gripping, and the film's artistic design is exceptional for a film of this period. Gance brings a strangely expressionistic touch to his use of colour and shade, something which adds to the darkly sinister nature of the plot, whilst imbuing the film with a striking sense of historical realism. A propos, Gance's assistant director Nelly Kaplan makes her screen début in a small role, shortly before she herself embarked on a successful film making career.

Paris, 1315. The Tour de Nesle, a guard tower on the banks of the Seine, has become a symbol of mystery and fear. Each morning, at its base, the bodies of handsome young aristocrats are found floating in the river, all butchered by sword or arrow. One evening, two noblemen, Buridan and Philippe d'Aulnay, find themselves in the infamous tower, lured there on the expectation of a night of unbridled passion. Little do they realise that they are to be the next victims of a woman who is determined to take revenge against all men - Margaret of Burgundy, the present Queen of France. Although Philippe is killed, Buridan escapes, and intends to blackmail the Queen. Unless she makes him her prime minister, he will expose her crimes to Philippe's brother and her husband, King Louis X. When she moves to eliminate Burdan, Margaret makes a terrible discovery... 　　In the twilight years of his long and pretty uneven career, the great avant-garde film director Abel Gance made a number of films which, whilst not as grand and artistically inspired as his early silent masterpieces (La Roue (1923), Napoléon (1927)), still compared very favourably with the work of his contemporaries. 　　Of these, La Tour de Nesle is a film that still stands up remarkably well today - an ambitious historical drama based on the famous 1832 play by Alexandre Dumas. It makes a nice companion piece to Gance's subsequent historical romp, Cyrano et d'Artagnan (1964). 　　 　　Needless to say, the film isn't to be commended on its historical accuracy. As any historian will tell you, the Alexandre Dumas version of French history is wildly fanciful, to say the least. However, this doesn't prevent La Tour de Nesle from being an entertaining and, at times, highly poignant, piece of cinema. 　　Whilst the characterisation and dialogue leave much to be desired, the plot (a murky tale of cruel revenge and political intrigue) is gripping, and the film's artistic design is exceptional for a film of this period. Gance brings a strangely expressionistic touch to his use of colour and shade, something which adds to the darkly sinister nature of the plot, whilst imbuing the film with a striking sense of historical realism. A propos, Gance's assistant director Nelly Kaplan makes her screen début in a small role, shortly before she herself embarked on a successful film making career.

影片讲述一个鲜为人知的电影狂迷故事。吴少金（姜皓文 饰）总是出现在任何与港产片有关的场合，熟悉制作、消息灵通，但他的真实身份与目的却成谜。电视台编辑细姜（廖子妤 饰）怀疑吴少金就是专门敲诈电影公司的神秘影评人，并决定揭露他不为人知的过去，为节目博取收视。

1988年的纽约布鲁克林，鲍比（Joaquin Phoenix 饰）为俄罗斯商人巴斯哈耶夫打理着一家大型俱乐部，女友阿曼达（Eva Mendes 饰）与他互相深爱，事业与爱情颇为顺意，但是鲍比的家庭却让他感到抗拒，身为纽约警察局长的父亲和新近荣升缉毒组队长的哥哥约瑟夫（Mark Wahlberg 饰）所处的职业环境令鲍比厌烦难耐。他毫不迟疑的拒绝了约瑟夫的协查要求，任毒枭瓦汀在自己的俱乐部活动，约瑟夫对俱乐部的突查激怒了鲍比，同时也找来了瓦汀的报复。目睹被瓦汀重伤的兄长，鲍比无法继续置身事外，他接下了警方的卧底任务，使瓦汀的毒品工厂被警方清剿，不甘失败的瓦汀卷土重来，但这次他面对的，是鲍比与约瑟夫的联手出击……

WHAT WE HAVE is is the tale of Maurice, a prisoner of his past who is unable to connect with the people in his new Northern Canadian small town, a community that is only too ready to welcome this European misfit into their arms.

WHAT WE HAVE is is the tale of Maurice, a prisoner of his past who is unable to connect with the people in his new Northern Canadian small town, a community that is only too ready to welcome this European misfit into their arms.

抬头望去，深邃的夜幕将万物拢入怀中。千般豪情在此刻也凝作疑问—— 日月安属？列星安陈？辽阔的宇宙，久远的时间，无一不在质询人类的渺小。 但偏偏，正是那渺小的人类…能够行过漫长的旅程，能够创造不朽的奇迹。

尼娜（Nina）和伊莱（Eli）陷入了父母离婚的战火之中，他们在忠诚、愤怒和渴望被关注之间挣扎。透过他们相似却又各自的视角，同一个故事徐徐展开，揭示了爱如何在破碎后仍能找到回归的方向。