Ukrainian filmmaker Kira Muratova offers a darkly comical look at everyday cruelty in these three savage tales. The first, "Boiler Room No. 6" is based on a story by Yevgeny Golubenko and takes place with in a blue-tinted boiler room where a panic-stricken resident of a communal apartment has dragged the body of his neighbor, a young woman he killed over an argument about a bar of soap. There he beseeches the talkative poet, who tends the massive furnace, to help him dispose of the body. The nearly surreal "Ophelia," the second story, centers on the vengeance of the title woman, a blonde beauty who works in a maternity hospital. One day she sneaks into a records room and learns the names of every mother in town who has given a baby up for adoption. Ophelia was one of these babies and she is still angry. She finds one of the mothers and strangles her. She then finds her own biological mother and pushes her off a dock. The third vignette, "The Maiden and Death" follows a winsome little girl who tires of being constantly admonished by her well-meaning, but wearisome, paralyzed grandfather. He says the word "no" once too often and she retaliates by slipping rat poison into his tea. ~ Sandra Brennan, All Movie Guide

Ukrainian filmmaker Kira Muratova offers a darkly comical look at everyday cruelty in these three savage tales. The first, "Boiler Room No. 6" is based on a story by Yevgeny Golubenko and takes place with in a blue-tinted boiler room where a panic-stricken resident of a communal apartment has dragged the body of his neighbor, a young woman he killed over an argument about a bar of soap. There he beseeches the talkative poet, who tends the massive furnace, to help him dispose of the body. The nearly surreal "Ophelia," the second story, centers on the vengeance of the title woman, a blonde beauty who works in a maternity hospital. One day she sneaks into a records room and learns the names of every mother in town who has given a baby up for adoption. Ophelia was one of these babies and she is still angry. She finds one of the mothers and strangles her. She then finds her own biological mother and pushes her off a dock. The third vignette, "The Maiden and Death" follows a winsome little girl who tires of being constantly admonished by her well-meaning, but wearisome, paralyzed grandfather. He says the word "no" once too often and she retaliates by slipping rat poison into his tea. ~ Sandra Brennan, All Movie Guide

加入证人保护计划之前，银行抢劫犯米克尔（尼古拉·科斯特-瓦尔道 Nikolaj Coster-Waldau 饰）对警方提了三个要求，而这三个要求传递出的信息表明这次银行抢劫并不像看上去那样简单……

上帝創造人類治理大地，人類就創造了各式武器自相殘殺。里斯本郊區，有歐洲最大軍事基地。這邊廂，士兵練習跳傘，荷槍實彈，進行軍事演習；那邊廂， 野生動物在軍火庫周圍自由奔跑，養蜂人檢查蜂巢，生物學家研究青蛙，牧羊人為羊接生，天文愛好者觀星，男孩為野鹿彈琴…… 雅斯潘以散文電影手法對照其中的矛盾本質：戰爭與和平互相交織，死亡陰影與生命禮讚輪流交替，也恰如普羅米修斯，被鷹啄食的肝反覆重生，苦難與希望永恆循環。

上帝創造人類治理大地，人類就創造了各式武器自相殘殺。里斯本郊區，有歐洲最大軍事基地。這邊廂，士兵練習跳傘，荷槍實彈，進行軍事演習；那邊廂， 野生動物在軍火庫周圍自由奔跑，養蜂人檢查蜂巢，生物學家研究青蛙，牧羊人為羊接生，天文愛好者觀星，男孩為野鹿彈琴…… 雅斯潘以散文電影手法對照其中的矛盾本質：戰爭與和平互相交織，死亡陰影與生命禮讚輪流交替，也恰如普羅米修斯，被鷹啄食的肝反覆重生，苦難與希望永恆循環。

人类蜗居在银河系的一个小角落——太阳系，在围绕太阳旋转的第三颗行星上，生活了十多万年之久。 　　人类在这个小小的行星（他们称之为“地球”）上，…

不是陨石撞击地球，也不是恐怖份子的全球威胁，更不是发生核子战争，人类熟悉的世界一夕之间面目全非，没有人知道是什么原因导致全球电力系统故障，消灭所有生命，唯独一个位于东欧的小区域幸存下来，仍保有正常的电力运作。面对毁天灭地的灾难，这个人类最后的希望堡垒必须全力反击，阻止这场灭绝浩劫……

在广东汕头的一个工厂里，八岁的李博有一个属于他的秘密基地。在这个秘密基地中，他与他的外省好朋友孙伟每天中午都会偷偷地一块玩耍。但是有一天，当李博得知孙伟在学校里受到本地孩子的欺负后，他决定帮助孙伟，而这一决定使得一切开始发生改变…