路峰是一个代卖家具的中间商“网红”，擅长“空手套白狼”且派头十足，他的同学陆斧则经营一间小家具厂，像个杂工一样专注生产埋头苦干。两人形象反差巨大，导致很多人都以为路峰才是老板，因此闹出了一连串误会……

路峰是一个代卖家具的中间商“网红”，擅长“空手套白狼”且派头十足，他的同学陆斧则经营一间小家具厂，像个杂工一样专注生产埋头苦干。两人形象反差巨大，导致很多人都以为路峰才是老板，因此闹出了一连串误会……

Mero, a skilled shipyard worker, is a single father. His son Lorenzo, born from a relationship with an Albanian girl, is his only reason for living. The father dreams that the boy will become a champion boxer, to make up for his own anonymous career as an amateur in the ring. This is why he puts him through a tough training program, teaching him day after day to throw punches and protect himself from life's low blows. The balance of this relationship is disturbed by the return of Lorenzo's mother Denisa and by the son's meeting with young Ana. Mero's trials are not over and he must face up to pain, his prejudices and the remoteness of Italy's north east.

Mero, a skilled shipyard worker, is a single father. His son Lorenzo, born from a relationship with an Albanian girl, is his only reason for living. The father dreams that the boy will become a champion boxer, to make up for his own anonymous career as an amateur in the ring. This is why he puts him through a tough training program, teaching him day after day to throw punches and protect himself from life's low blows. The balance of this relationship is disturbed by the return of Lorenzo's mother Denisa and by the son's meeting with young Ana. Mero's trials are not over and he must face up to pain, his prejudices and the remoteness of Italy's north east.

30岁的北漂职场打工人林秋在经历升职希望落空的事业困境后，迷失了在这座城市里内卷竞争、坚守奋斗的方向，在见证身边几位北漂好友的不同人生选择后，找寻在北京生活的意义和属于自己的人生方向。留下还是离开？林秋在现实中摇摆，最终找到了自己的“远方”。

30岁的北漂职场打工人林秋在经历升职希望落空的事业困境后，迷失了在这座城市里内卷竞争、坚守奋斗的方向，在见证身边几位北漂好友的不同人生选择后，找寻在北京生活的意义和属于自己的人生方向。留下还是离开？林秋在现实中摇摆，最终找到了自己的“远方”。

“A motion picture composed of brief diaristic scenes not used in completed films from the years 1960-2000; and self-referential video footage taped during the editing. Brief glimpses of family, friends, girl-friends, the City, seasons of the year, travels. Occasionally I talk, reminisce, or play music I taped during those earlier years, plus more recent piano improvisations by Auguste Varkalis. It’s a kind of autobiographical, diaristic poem, celebration of happiness and life. I consider myself a happy man.” –J.M. 　　“In a film of amazing delicacy and poetic insight, Mekas celebrates the beauty of imperfect images…” –Amy Taubin 　　“OUT-TAKES starts with Mekas alone at night while the city sleeps, editing his old films. As he looks back over his life he starts to talk, insisting that his life’s work amounts to ‘just images, some fragments of this world’ that he will bring together for himself and a few friends. But as images of the people who brought joy into his life pass by, we realize that most of them are no longer alive. Mekas sees them again, but he is seeing them alone. As much as it is about his happy life, the film is also about emptiness, loss, and a longing for some sort of spiritual consolation. At one moment the cover of St John of the Cross’s MEDITATIONS appears on screen. This is Mekas’s long dark night of the soul.” – Richard Dorment, THE TELEGRAPH 　　Out-Takes from the Life of a Happy Man, Jonas Mekas 　　USA/UK, 2012, 68 min, 16mm&video, color, mono

“A motion picture composed of brief diaristic scenes not used in completed films from the years 1960-2000; and self-referential video footage taped during the editing. Brief glimpses of family, friends, girl-friends, the City, seasons of the year, travels. Occasionally I talk, reminisce, or play music I taped during those earlier years, plus more recent piano improvisations by Auguste Varkalis. It’s a kind of autobiographical, diaristic poem, celebration of happiness and life. I consider myself a happy man.” –J.M. 　　“In a film of amazing delicacy and poetic insight, Mekas celebrates the beauty of imperfect images…” –Amy Taubin 　　“OUT-TAKES starts with Mekas alone at night while the city sleeps, editing his old films. As he looks back over his life he starts to talk, insisting that his life’s work amounts to ‘just images, some fragments of this world’ that he will bring together for himself and a few friends. But as images of the people who brought joy into his life pass by, we realize that most of them are no longer alive. Mekas sees them again, but he is seeing them alone. As much as it is about his happy life, the film is also about emptiness, loss, and a longing for some sort of spiritual consolation. At one moment the cover of St John of the Cross’s MEDITATIONS appears on screen. This is Mekas’s long dark night of the soul.” – Richard Dorment, THE TELEGRAPH 　　Out-Takes from the Life of a Happy Man, Jonas Mekas 　　USA/UK, 2012, 68 min, 16mm&video, color, mono

一贫如洗的流浪汉查理终日忍受着饥饿的困扰，他试图找一份工作，却比登天还难——失业的人太多了。这一天，当他再一次从招工的队伍中悻悻而归时，却偶遇了一只受伤的小狗斯凯普。心地善良的流浪汉从此与斯凯普相依为命，“合伙”偷来午餐车里的香肠解决了肚子问题。他们又来到一个舞厅，邂逅了歌女埃德娜，却因付不起钱而被人扔出了场子。当查理垂头丧气地回到破烂不堪的小屋时，斯凯普突然发现了什么——它拼命刨坑，竟挖出了一个装满钱的钱夹，于是一切都改变了……

一贫如洗的流浪汉查理终日忍受着饥饿的困扰，他试图找一份工作，却比登天还难——失业的人太多了。这一天，当他再一次从招工的队伍中悻悻而归时，却偶遇了一只受伤的小狗斯凯普。心地善良的流浪汉从此与斯凯普相依为命，“合伙”偷来午餐车里的香肠解决了肚子问题。他们又来到一个舞厅，邂逅了歌女埃德娜，却因付不起钱而被人扔出了场子。当查理垂头丧气地回到破烂不堪的小屋时，斯凯普突然发现了什么——它拼命刨坑，竟挖出了一个装满钱的钱夹，于是一切都改变了……