曾与爱人有过的幸福，随着恋情的结束烟消云散。他忧伤地锯断滴血的心，痛苦结束了对往事的思念与追忆。在此之后，男人搬出爱人的住处，兀自寻找另一个可赖栖息的场所。新的房子空旷寂静，浴室湿气逼人，男人百无聊赖打发永无止境的时光，直到某天，一封来信闯入了他死水一般的生活。收信人名叫迈克（Michael），Michael是谁？他全无头绪，也不知道该如何将信退回。接下来的日子里，寄给Michael的信和礼物接二连三涌入他的房门，望着那陌生的名字，他仿佛迷失了自己…… 　　本片荣获2009年法国“安锡国际动画影展”毕业学生作品组特殊荣誉奖（Special Distinction）。

曾与爱人有过的幸福，随着恋情的结束烟消云散。他忧伤地锯断滴血的心，痛苦结束了对往事的思念与追忆。在此之后，男人搬出爱人的住处，兀自寻找另一个可赖栖息的场所。新的房子空旷寂静，浴室湿气逼人，男人百无聊赖打发永无止境的时光，直到某天，一封来信闯入了他死水一般的生活。收信人名叫迈克（Michael），Michael是谁？他全无头绪，也不知道该如何将信退回。接下来的日子里，寄给Michael的信和礼物接二连三涌入他的房门，望着那陌生的名字，他仿佛迷失了自己…… 　　本片荣获2009年法国“安锡国际动画影展”毕业学生作品组特殊荣誉奖（Special Distinction）。

一个失恋之人，在寂寞低潮的日子里收到寄给某人的信与包裹，在无法退还的情况下，主角似有心无意的拆阅信件，随着不断累积的数量，渐与那未曾露面出现的那人，发生一段暧昧诡异的另类妄想。

When Lily is diagnosed with cancer, her beloved twin brother, Caden, moves in to help and ends up forming a strong bond with Lily's husband, Beau. Lily makes the two men in her life promise to find happiness as a couple after she's gone. But can a straight guy really fall in love with another man?

When Lily is diagnosed with cancer, her beloved twin brother, Caden, moves in to help and ends up forming a strong bond with Lily's husband, Beau. Lily makes the two men in her life promise to find happiness as a couple after she's gone. But can a straight guy really fall in love with another man?

No one wants to listen to a polite, but persistent elderly man, Mr. Johnson, who has a strange theory about the recent "stocking murders" of three young women. His theory? That the third murder was committed by a copycat killer. First the old man, arming himself with a phony name, goes to the police, getting an audience with the very lieutenant who led the investigation, and the lieutenant dismisses his theory, but not before briefly conceding the point that the prime suspect, already in custody, confessed to only two of the three murders (having nothing to lose, it would seem, by confessing to the third). Next, Mr. Johnson, using another alias, seeks and finds a newspaper reporter, who is boozing it up with a floozy - by chance, the very reporter who covered the story, and Mr. Johnson and his ideas are not only dismissed once again, but the condescending bartender practically throws the old man out the door. Finally, at wit's end, Mr. Johnson, no longer hiding behind a false name, consults with a priest and seems to be on the verge of confessing something horrible himself. After all, he seems to know way too much about the life of the last murder victim. Still, the well-meaning priest finds the old man is guilty of nothing more than an unseemly obsession with a tabloid story. The police must know what they're doing, don't they? Feeling utterly ignored, Mr. Johnson goes home to his wife, and even she chides him for "thinking about things too much."

No one wants to listen to a polite, but persistent elderly man, Mr. Johnson, who has a strange theory about the recent "stocking murders" of three young women. His theory? That the third murder was committed by a copycat killer. First the old man, arming himself with a phony name, goes to the police, getting an audience with the very lieutenant who led the investigation, and the lieutenant dismisses his theory, but not before briefly conceding the point that the prime suspect, already in custody, confessed to only two of the three murders (having nothing to lose, it would seem, by confessing to the third). Next, Mr. Johnson, using another alias, seeks and finds a newspaper reporter, who is boozing it up with a floozy - by chance, the very reporter who covered the story, and Mr. Johnson and his ideas are not only dismissed once again, but the condescending bartender practically throws the old man out the door. Finally, at wit's end, Mr. Johnson, no longer hiding behind a false name, consults with a priest and seems to be on the verge of confessing something horrible himself. After all, he seems to know way too much about the life of the last murder victim. Still, the well-meaning priest finds the old man is guilty of nothing more than an unseemly obsession with a tabloid story. The police must know what they're doing, don't they? Feeling utterly ignored, Mr. Johnson goes home to his wife, and even she chides him for "thinking about things too much."

皮耶，一个年过半百却遭逢写作瓶颈的作家，也是一位“前”男、一位长期的爱感染者；他无力应付庞大的孤独，选择把自己锁在家中，等待灵感的到来。疾病、恐惧、衰老、死亡……这些在他人生最后阶段无可逃避的习题，他拿起电话叫来一名年轻的“同业”，与他一齐分享……

皮耶，一个年过半百却遭逢写作瓶颈的作家，也是一位“前”男、一位长期的爱感染者；他无力应付庞大的孤独，选择把自己锁在家中，等待灵感的到来。疾病、恐惧、衰老、死亡……这些在他人生最后阶段无可逃避的习题，他拿起电话叫来一名年轻的“同业”，与他一齐分享……

65岁的退休老人帕斯夸尔·莱昂（Pascual León）发现了如何让自己在被诊断患有老年痴呆症后的最后几天变得有意义：在失去记忆抹去一切之前为过去的罪行报仇。