一老一年轻俩男科学家兴奋的展开最初的登月计划（他们的飞船和宇航服我感觉都是象征性的要真是这样啊别他妈登月了，连中国古代火箭和太空摇滚的戏服都不如）。不料月球上满是金子ROCK和友善的裸体男女。原来月球是个首脑是女王的母系社会，女多男少，头上都带一个长的像啊同蚂蚁那样的触角跟昆虫或者无线电是的，每人只穿个闪光的小内裤大半姑娘还露个屁股沟在外面（不知道是不是因为找来的愿意裸体的女的大部分都太肥胖身材狂烂，裤子拉不上去。。。）一开始他们对突然出现的两位外星来客很迷惑不知道他们是朋友还是敌人（一个女的把俩科学家用魔棒弄晕弄到一个石室里头）女王就召集居民开会（他们不会说话好象都是用意念交流呢，其实啊就是用个女的说旁白，旁边的其他男女就摆出很傻的完全没有演技可言的动作表情），最后发现科学家很友好，就又自顾自己的玩去了。两位科学家记录了大量月球裸体居民的生活状况，年轻的科学家就用一个老式相机拍啊拍，老教授就指点月球江山是的让他拍女人嬉戏男人嬉戏小孩嬉戏（娘啊，简直是原始的极乐世界，纯真到了滑稽的地步，实际上也可以说看着看着就觉得乏味到了一定程度了，有烂片之风范，不亚于死人的狂欢里跳脱衣舞）值得一提的是年轻科学家还和女王一见钟情。女王知道他不得不回地球于是还是用小魔棒（不知道什么烂东西做的一棒子，有个花形状的顶部，月球好多女的都拿一个）一点，年轻科学家就晕了。在返航的飞船上，年轻科学家还对女王念念不忘，更可气的是他还发现他的相机没拿。。。。。。（GO TO THE MOON AND BACK操这不是野人花园的歌么）回到科学研究室，他又打电话什么的，最后发现在影片开头莫名其妙的介绍他们去之前的情况（在莫名其妙的声音的实验室里他在弄莫名其妙的仪器，还开个车子他和老教授说话啊兜风啊交流啊还一女秘书的拿他照片出来看啊看的为他出行很担心）里的那女秘书居然是和月球女王长的一模一样（我看了一半就发现是一个女的演的，但真的不怎么样长的），看着看着就变成裸体然后又复原成穿个白大褂，然后俩人就拥抱了。又开始了和开头一样的老男人的情歌在月球背景下就没了（开头结尾就放这个就分别有一分钟）

一老一年轻俩男科学家兴奋的展开最初的登月计划（他们的飞船和宇航服我感觉都是象征性的要真是这样啊别他妈登月了，连中国古代火箭和太空摇滚的戏服都不如）。不料月球上满是金子ROCK和友善的裸体男女。原来月球是个首脑是女王的母系社会，女多男少，头上都带一个长的像啊同蚂蚁那样的触角跟昆虫或者无线电是的，每人只穿个闪光的小内裤大半姑娘还露个屁股沟在外面（不知道是不是因为找来的愿意裸体的女的大部分都太肥胖身材狂烂，裤子拉不上去。。。）一开始他们对突然出现的两位外星来客很迷惑不知道他们是朋友还是敌人（一个女的把俩科学家用魔棒弄晕弄到一个石室里头）女王就召集居民开会（他们不会说话好象都是用意念交流呢，其实啊就是用个女的说旁白，旁边的其他男女就摆出很傻的完全没有演技可言的动作表情），最后发现科学家很友好，就又自顾自己的玩去了。两位科学家记录了大量月球裸体居民的生活状况，年轻的科学家就用一个老式相机拍啊拍，老教授就指点月球江山是的让他拍女人嬉戏男人嬉戏小孩嬉戏（娘啊，简直是原始的极乐世界，纯真到了滑稽的地步，实际上也可以说看着看着就觉得乏味到了一定程度了，有烂片之风范，不亚于死人的狂欢里跳脱衣舞）值得一提的是年轻科学家还和女王一见钟情。女王知道他不得不回地球于是还是用小魔棒（不知道什么烂东西做的一棒子，有个花形状的顶部，月球好多女的都拿一个）一点，年轻科学家就晕了。在返航的飞船上，年轻科学家还对女王念念不忘，更可气的是他还发现他的相机没拿。。。。。。（GO TO THE MOON AND BACK操这不是野人花园的歌么）回到科学研究室，他又打电话什么的，最后发现在影片开头莫名其妙的介绍他们去之前的情况（在莫名其妙的声音的实验室里他在弄莫名其妙的仪器，还开个车子他和老教授说话啊兜风啊交流啊还一女秘书的拿他照片出来看啊看的为他出行很担心）里的那女秘书居然是和月球女王长的一模一样（我看了一半就发现是一个女的演的，但真的不怎么样长的），看着看着就变成裸体然后又复原成穿个白大褂，然后俩人就拥抱了。又开始了和开头一样的老男人的情歌在月球背景下就没了（开头结尾就放这个就分别有一分钟）

一个长着红色方块脑袋的人物想去月球溜达，自己制作了一台航天器，飞上太空。

After being bullied by a nasty boy, a little girl decides to play a prank on him by building a rocket ship (actually a wooden rocket ship on a wagon) and allows him to get inside, riding him down to the deserted countryside where a cow was walking around. Believing that he is actually on the moon, he is frightened by his stark surroundings, and believes the cow to be a space monster. He also meets a small, bizarre-looking space monster (which actually turns out to be the little girl wearing over-sized gear)!

After being bullied by a nasty boy, a little girl decides to play a prank on him by building a rocket ship (actually a wooden rocket ship on a wagon) and allows him to get inside, riding him down to the deserted countryside where a cow was walking around. Believing that he is actually on the moon, he is frightened by his stark surroundings, and believes the cow to be a space monster. He also meets a small, bizarre-looking space monster (which actually turns out to be the little girl wearing over-sized gear)!

The 1960s was an extraordinary time for the United States. Unburdened by post-war reparations, Americans were preoccupied with other developments like NASA, the game-changing space programme that put Neil Armstrong on the moon. Yet it was astronauts like Eugene Cernan who paved the uneven, perilous path to lunar exploration. A test pilot who lived to court danger, he was recruited along with 14 other men in a secretive process that saw them become the closest of friends and adversaries. In this intensely competitive environment, Cernan was one of only three men who was sent twice to the moon, with his second trip also being NASA’s final lunar mission. As he looks back at what he loved and lost during the eight years in Houston, an incomparably eventful life emerges into view. Director Mark Craig crafts a quietly epic biography that combines the rare insight of the surviving former astronauts with archival footage and otherworldly moonscapes.

The 1960s was an extraordinary time for the United States. Unburdened by post-war reparations, Americans were preoccupied with other developments like NASA, the game-changing space programme that put Neil Armstrong on the moon. Yet it was astronauts like Eugene Cernan who paved the uneven, perilous path to lunar exploration. A test pilot who lived to court danger, he was recruited along with 14 other men in a secretive process that saw them become the closest of friends and adversaries. In this intensely competitive environment, Cernan was one of only three men who was sent twice to the moon, with his second trip also being NASA’s final lunar mission. As he looks back at what he loved and lost during the eight years in Houston, an incomparably eventful life emerges into view. Director Mark Craig crafts a quietly epic biography that combines the rare insight of the surviving former astronauts with archival footage and otherworldly moonscapes.

父亲告诉我，他是如何活在月亮上——一个充满了飞蛇，萤火虫和三尾猴的地方；一个美丽的地方，安全，远离那些人类的文明；一个充满了想象力的地方；一个需要你用你的思维去寻找入口的想象之地

父亲告诉我，他是如何活在月亮上——一个充满了飞蛇，萤火虫和三尾猴的地方；一个美丽的地方，安全，远离那些人类的文明；一个充满了想象力的地方；一个需要你用你的思维去寻找入口的想象之地

这出1964年的经典幻想片，是根据作家H.G. Well的作品改编而成，将他幻想中的月球探险记，栩栩如生搬上大银幕。片中描写1964年时，一群集结顶尖航天员的太空小队登陆月球了，他们深信自己是登上月球的首批先锋，全世界也为之欢欣鼓舞。但是不久后，欢呼变成了讶异，航天员发现了一面破旧的英国国旗，以及一份文件，文件中声明月球已被维多莉亚女王所征服！此事震惊了地球上所有的科学家，正当大家陷入迷惑之际，一位90余岁的老人亚诺（爱德华贾德 饰）出面说明了一切……1899年时，亚诺巧遇一名古怪的科学家乔瑟夫，他发明了一种可以抵抗地心引力的浆糊，并自制了一艘宇宙飞船，于是他说服亚诺带着女友凯瑟琳（马莎海儿 饰），三人一同前往月球。当他们成功踏上月球表面后，遇上了恐怖的外星居民，这些像蚂蚁、又像蜜蜂的居民，由皇后、士兵与工仆所组成，牠们对这群地球访客心怀不轨……这三个月球先锋最后是如何逃出月球的呢？此片是导演纳森朱兰、与特效大师雷哈利韩森再次携手的惊人之作，创造出一个令人瞠目结舌、过目难忘的月球世界！