劇情從一對準備移民的小夫妻開始，發展成三段在冥冥之中相互影響的故事，以黑色喜劇方式諷刺地展示了羅馬尼亞年輕人急於前往歐美淘金的夢想，複雜的敘事手法與層出不窮的意外，織就出一幅幅現代的東歐圖像。以《4月3週又2天》將羅馬尼亞新浪潮推向巔峰的金棕櫚導演克里斯汀穆基，在這部處女作已遮掩不住令人驚豔的才華。

来自东方的埃利亚斯是个在西方世界到处寻找新家的移民，在不同的陌生地方流浪，遇到许多不同的人，忍受着他人各种态度和目光。这一切都缘自他的伟大希望：活下去开始新生活。他游侠式的生活在巴黎以一种神奇的方式达到了圆满结果。

A story of love and lust shaded with overtones of incest and lesbianism. Livia is a woman trying to regain the affections of her husband Alberto, whose journalism career takes him away for months at a time, on purpose. What she does not know is that he has an undeniable attraction for their daughter Monica. Livia's own sexual eccentricities lead her to hire young women to have sex with Alberto while she listens in hiding. When Monica wants to get into the act too, the real truth about her parentage is revealed. Director Giovanni Soldati decided to turn up the kink further an extra notch by casting real life mother and daughter team Stefania and Amanda Sandrelli. Given the fact his long-term partner is Stefania Sandrelli, this film is truly a family affair.

同志题材电影，但并非站在传统性别概念上的同志电影，只是探讨爱情的故事，为躲开纷扰的内心远走他乡，举目无亲，生活工作四处碰壁，孤寂踟躇，从一开始的国内明星，到异国无人注视的市井小民，然而真正在意的那份渴望得到注视的爱，却依旧缥缈不定，也许只有看清看透爱的本质才能重新开始...

同志题材电影，但并非站在传统性别概念上的同志电影，只是探讨爱情的故事，为躲开纷扰的内心远走他乡，举目无亲，生活工作四处碰壁，孤寂踟躇，从一开始的国内明星，到异国无人注视的市井小民，然而真正在意的那份渴望得到注视的爱，却依旧缥缈不定，也许只有看清看透爱的本质才能重新开始...

维苏在工作时摔下画台，疏远的女儿苇芯返家照护，负起晚辈的责任。隐匿多年的冲突，就在朝夕相处下一一浮现……金钟女配黄柔闽演出，「父母作为我们身体最亲密的对象，是学习的借镜，也是伤害的来源。」

维苏在工作时摔下画台，疏远的女儿苇芯返家照护，负起晚辈的责任。隐匿多年的冲突，就在朝夕相处下一一浮现……金钟女配黄柔闽演出，「父母作为我们身体最亲密的对象，是学习的借镜，也是伤害的来源。」

An ecology of signs lurking amid seductive 16mm travel footage echoes with post-colonial reverberations in Ana Vaz's deceptively corrosive, award-winning Occidente

Manami left home 6 years ago, away she found a pendant that was said to follow a promise between two lovers. Now back home after six years, she finds her friends and her true love, however, bad things keep happening to her and the people around her.