剧情介绍：以卖字为生的费里斯和摄像师帕斯奎尔和各自的家人住在同一个屋檐下，过着穷困潦倒的生活。他们经常争执不休。某天，他们的朋友欧吉尼奥说服他们假扮成贵族，帮助他去追求意中人格玛(索菲娅·罗兰饰)。影片根据著名剧作家爱德阿铎·斯卡佩塔的剧本改编而来。 　　《贫穷和尊贵》是意大利那不勒斯的喜剧中最经典并且也是最出名的一部。 影片根据著名剧作家爱德阿铎·斯卡佩塔的剧本改编而来。影片男主角的扮演者托妥是意大利著名电影演员，曾经于1952年和1967年两次获得意大利国家电影记者联盟最佳男演员的称号，并且因表演上的突出成就于1966年戛纳电影节获得特别致意奖。本片获得1987年威尼斯国际电影节国际影评人联盟奖FIPRESCI Prize 奖以及1987年威尼斯国际电影节最佳导演银狮奖。

剧情介绍：以卖字为生的费里斯和摄像师帕斯奎尔和各自的家人住在同一个屋檐下，过着穷困潦倒的生活。他们经常争执不休。某天，他们的朋友欧吉尼奥说服他们假扮成贵族，帮助他去追求意中人格玛(索菲娅·罗兰饰)。影片根据著名剧作家爱德阿铎·斯卡佩塔的剧本改编而来。 　　《贫穷和尊贵》是意大利那不勒斯的喜剧中最经典并且也是最出名的一部。 影片根据著名剧作家爱德阿铎·斯卡佩塔的剧本改编而来。影片男主角的扮演者托妥是意大利著名电影演员，曾经于1952年和1967年两次获得意大利国家电影记者联盟最佳男演员的称号，并且因表演上的突出成就于1966年戛纳电影节获得特别致意奖。本片获得1987年威尼斯国际电影节国际影评人联盟奖FIPRESCI Prize 奖以及1987年威尼斯国际电影节最佳导演银狮奖。

本片为中国传媒大学艺术学部动画与数字艺术学院14级学生毕业作品。

在全球经济不景气和经济持续低迷的大环境中，有这样一群人，从一居室的公寓或自家车库开始创业，通过网络游戏、应用软件和网上购物等与IT相关的事业在几…

生命的形式源于内在又展现于外，积极又消极，同时也是过剩的。

生命的形式源于内在又展现于外，积极又消极，同时也是过剩的。

身价百亿的年轻IT社长日向彻（小栗旬饰）是位虽富足却有着性格缺陷，他认为接近他的人都是贪图他的钱。为了更好就业而苦读且考取多本就业证书的东大生泽木千寻（石原里美饰）因为经济不景气而一直就业困难。这样的两人相遇了，千寻虽对于彻认为她接近他的目的是钱而感到愤怒，却仍被他的纯粹与孤独吸引着。而彻也因为千寻的努力、热情而被感染。IT公司副社长朝比奈恒介（井浦新饰）的妹妹耀子（相武纱季饰）对彻与千寻日渐升温的感情非常气愤，她一直努力破坏他们之间的感情。三人之间的会有怎样的纠结情感，让我们一起期待吧。

The film sees Dutch artist Renzo Martens travel through the Congo armed with a camera and an enormous neon sign that reads, in English, ‘Enjoy Poverty (please)’, which he erects at various intervals amid desperately poor Congolese villagers. 　　There’s something incredibly uncomfortable about watching someone with his own agenda filming the tragedy of poverty stricken Africa. He befriends the villagers and interviews them about the difficulty of their situation, their malnourished children and the fact that they barely make enough to get by. 　　They put their trust in him, but his own agenda (to put up his signs in their villages) is entirely foreign to them. Even as he explains to them that their situation is unlikely to change, the bewilderment on their faces is clear. He’s here, what can they do? To the audience it verges on a kind of exploitation. 　　Until you realize what’s really going on. 　　http://viewoncanadianart.com/2009/05/07/loved-renzo-martens-enjoy-poverty/

The film sees Dutch artist Renzo Martens travel through the Congo armed with a camera and an enormous neon sign that reads, in English, ‘Enjoy Poverty (please)’, which he erects at various intervals amid desperately poor Congolese villagers. 　　There’s something incredibly uncomfortable about watching someone with his own agenda filming the tragedy of poverty stricken Africa. He befriends the villagers and interviews them about the difficulty of their situation, their malnourished children and the fact that they barely make enough to get by. 　　They put their trust in him, but his own agenda (to put up his signs in their villages) is entirely foreign to them. Even as he explains to them that their situation is unlikely to change, the bewilderment on their faces is clear. He’s here, what can they do? To the audience it verges on a kind of exploitation. 　　Until you realize what’s really going on. 　　http://viewoncanadianart.com/2009/05/07/loved-renzo-martens-enjoy-poverty/

这是一档聚焦当下夫妻在婚姻与离婚十字路口抉择的真人秀，特别关注他们在苦恼于“如何好好分手”这一问题时的真实状态。