一场因地质灾害所导致的突发事故，让5名矿工被困在地下300米深的坑道之中。矿山救援队闻讯后，立刻开始了紧锣密鼓的营救工作，经过了27天惊心动魄的地面救援与矿下自救，他们一起创造了生命的奇迹。

一场因地质灾害所导致的突发事故，让5名矿工被困在地下300米深的坑道之中。矿山救援队闻讯后，立刻开始了紧锣密鼓的营救工作，经过了27天惊心动魄的地面救援与矿下自救，他们一起创造了生命的奇迹。

Alice lives at her parents' place at the age of 27 with no private life or a relationship. Her birthday night out ends in a bicycle accident and a short coma to make her realize, it’s time to move out. 　　源自：https://www.miyu.fr/production/en/27-en/

It is not enough to see or hear something once, there is always the need for repetition. Aside from maintaining a detailed diary, I continually document fragments of everyday life with my camera. The images I record never satisfy lived experience, they are simply marks that are barely able to prevent memory from completely vanishing. I never anticipate what images I’ll be able to capture. I only save them as a sign that something was there, or that I was there. “Recollection” is a troubling thing. What is filmed fails to supplement memory. Recorded images are left to haunt the mind, rendering true recollection impossible. In spite of this, I can’t help but rely on these images derived from reality, observing them over and over again. Perhaps, waiting for them to fulfill a potential some 60 years from now. Even if the image is a corpse, the work itself is a living thing. For in the end, there is always the need for repetition.

如果 AI 具有意识……这或许可以算是 21 世纪最细思极恐的设想之一了吧。这支短片就基于这一设想进行展开了想象，讲述了一个具有意识的 AI「27号」是如何诞生，又是如何死去的故事。From exurb1a

如果 AI 具有意识……这或许可以算是 21 世纪最细思极恐的设想之一了吧。这支短片就基于这一设想进行展开了想象，讲述了一个具有意识的 AI「27号」是如何诞生，又是如何死去的故事。From exurb1a

少女阿夢在一家名為「廿七俱樂部」的唱片店打工。 　　每天在白日夢裡幻想：假想朋友Kurt Cobain能把她從了無生氣的生活中拯救出來。 　　面對著廿七歲生日的逼近，她透過向死而生的想像，打破對成長的迷思。 　　A coming-of-age short depicts main character, Yumi and her record store coworker, as they experience existential dread about turning 27 years old, the age that many western rock stars passed. Between day dreaming and questioning their live's direction, the two supervise the record store and its quirky cast of customers and get up to their own shenanigans in the process.

影片通过三位主人公——知识分子和投机商马高、他的朋友黑仔、他们共同的爱人娜塔莉——传奇般的人生展现了导演对南斯拉夫这个民族的理解与复杂情感。 　　影片虽然长达两个半小时，却一点不让人感到冗长，全片充满了奇思异想，有着浓厚的超现实主义色彩，是一部名副其实的史诗片。电影情节虽然有些荒诞不经，但却准确地描绘了二战时期南斯拉夫的社会状况，大胆揭露了一些投机的战争英雄英勇事迹背后不为人知的真相。影片的基调是幽默和讽刺的，又十分活泼轻松，很欢快，甚至可以把影片当作喜剧来看。影片人物个性十分奔放，张扬，该片处处洋溢着创作者的激情。导演埃米尔·库斯图里卡处理史诗题材的天才手段展露无疑，由于该片深刻的讽喻，不少影评家将该片与俄国1995年的《毒太阳》相提并论。埃米尔·库斯图里卡本人也获得了当年威尼斯电影节的最佳导演奖。

影片通过三位主人公——知识分子和投机商马高、他的朋友黑仔、他们共同的爱人娜塔莉——传奇般的人生展现了导演对南斯拉夫这个民族的理解与复杂情感。 　　影片虽然长达两个半小时，却一点不让人感到冗长，全片充满了奇思异想，有着浓厚的超现实主义色彩，是一部名副其实的史诗片。电影情节虽然有些荒诞不经，但却准确地描绘了二战时期南斯拉夫的社会状况，大胆揭露了一些投机的战争英雄英勇事迹背后不为人知的真相。影片的基调是幽默和讽刺的，又十分活泼轻松，很欢快，甚至可以把影片当作喜剧来看。影片人物个性十分奔放，张扬，该片处处洋溢着创作者的激情。导演埃米尔·库斯图里卡处理史诗题材的天才手段展露无疑，由于该片深刻的讽喻，不少影评家将该片与俄国1995年的《毒太阳》相提并论。埃米尔·库斯图里卡本人也获得了当年威尼斯电影节的最佳导演奖。

The "shadow" begins to see fragmented memories that transcend time and place. In an underground, it touches and listens carefully to the memories of people existed.