该剧取材自清代女诗人陈端生的长篇弹词《再生缘》，讲述了一代才女孟丽君女扮男装高中状元，在官场虽经历了种种升迁沉浮、步步惊心，却靠个人奋斗终于获得成功的故事。

เจ้าเวหา 天之骄子系列 　　ฝั่งน้ำจรดฝั่งฟ้า 　　Atichart Chumnanont 　　Woranut Wongsawan 　　ผู้ครองฟ้า 　　Jesdaporn Pholdee 　　Davika Hoorne 　　พิชิตแดนใจ 　　Andrew Gregson 　　Khemanit Jamikorn

เจ้าเวหา 天之骄子系列 　　ฝั่งน้ำจรดฝั่งฟ้า 　　Atichart Chumnanont 　　Woranut Wongsawan 　　ผู้ครองฟ้า 　　Jesdaporn Pholdee 　　Davika Hoorne 　　พิชิตแดนใจ 　　Andrew Gregson 　　Khemanit Jamikorn

In the early 20th century, William Spence and Hope Morris Spence are a Methodist minister and his wife. From Central Canada, William forwent his medical school education in Toronto to become a minister, much to the chagrin of Hope's well-off parents of Stratford, Ontario. Regardless of the unknowns of their first posting in rural Iowa, the only posting available, Hope married William in 1904. The adjustment to their new life was initially more difficult for Hope, especially their new poor economic standing and having their life not wholly being their own but rather that of their congregation, as William had the focus of this decision on which to drive his purpose. Their life over the next twenty years or so is presented, which eventually includes three children and they being constantly on the move as William gets assigned from one parish to another across the United States. William has a strong mindset, but will admittedly change his mind if he is proven to be wrong, and Hope generally supports William in his decisions regardless of the sacrifice to her or the children. The only seeming exception to that latter point is Hope's desire to ultimate to settle into one place that they can call home to provide them, especially the children, with a sense of belonging. They believe they've found that place when they move into a parish in Denver following the great war, with a booming economy one that has the money to accomplish what William would like to accomplish for his work in the name of God. William will however find that with money among his congregation comes a sense of entitlement which might not mesh with his view of bringing the teachings of God to the people.

两名性格，成长环境各异，天赋秉异的过气神童: 关耀祖（黄俊雄 饰）和李孝义（张耀栋 饰），因种种的原因致使自己隐藏曾经过人的天赋，直到一神秘富豪以巨额奖金为利诱，欲寻找奇人异士助自己寻找失踪的儿子。在极度有限的条件下找出真凶。怀着不同目的的两人蓄势待发，视为最后的机遇。他们会携手解决这个谜底，还是反目成仇？ 一场较量即将开展，谁才是最后的赢家？

两名性格，成长环境各异，天赋秉异的过气神童: 关耀祖（黄俊雄 饰）和李孝义（张耀栋 饰），因种种的原因致使自己隐藏曾经过人的天赋，直到一神秘富豪以巨额奖金为利诱，欲寻找奇人异士助自己寻找失踪的儿子。在极度有限的条件下找出真凶。怀着不同目的的两人蓄势待发，视为最后的机遇。他们会携手解决这个谜底，还是反目成仇？ 一场较量即将开展，谁才是最后的赢家？

丐姐蓝仁叵在跑商时，突然遇到了对她纠缠不休的离经花花沈繁。二人的相遇从而碰撞出了别样的火花，轻松而愉快的日常生活便围绕着二人就此展开。

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home.

影片讲述了被遗弃的小男孩孔德尔（彼得·贾戈尔斯基 Piotr Jagielski 饰）不断寻求自身归属感，找寻精神家园的命运故事。从小被母亲遗弃的孔德尔，在孤儿院的生活充满压抑和克制。母亲一心寻找所谓的真爱，嫌弃孔德尔是自己的累赘，非但不收留儿子，反而置自己的亲生骨肉于不顾。面对母亲的抛弃，小孔德尔失声痛哭。终于，才十一岁大的孔德尔毅然逃离孤儿院，去追寻属于自己的家园。孔德尔开始了他的流浪生活，寄住在一艘废弃的破船上，于此有了一个“家”。弃船对面住着一户富裕人家，小女孩跟他年纪相仿，受过良好的教育生活条件优越。然而因为长相难看，总是受到排挤和冷落，直到遇见一样孤独的孔德尔，幼小的心灵自此有了彼此的慰藉。 　　本片荣获2006年柏林电影节特别致意最佳影片奖。

影片讲述了被遗弃的小男孩孔德尔（彼得·贾戈尔斯基 Piotr Jagielski 饰）不断寻求自身归属感，找寻精神家园的命运故事。从小被母亲遗弃的孔德尔，在孤儿院的生活充满压抑和克制。母亲一心寻找所谓的真爱，嫌弃孔德尔是自己的累赘，非但不收留儿子，反而置自己的亲生骨肉于不顾。面对母亲的抛弃，小孔德尔失声痛哭。终于，才十一岁大的孔德尔毅然逃离孤儿院，去追寻属于自己的家园。孔德尔开始了他的流浪生活，寄住在一艘废弃的破船上，于此有了一个“家”。弃船对面住着一户富裕人家，小女孩跟他年纪相仿，受过良好的教育生活条件优越。然而因为长相难看，总是受到排挤和冷落，直到遇见一样孤独的孔德尔，幼小的心灵自此有了彼此的慰藉。 　　本片荣获2006年柏林电影节特别致意最佳影片奖。