As armed conflict flares up at the edges of Europe, the commemoration of the Second World War is used to prepare people for renewed conflict. In Azerbaijan, the recent expulsion of Armenians from Nagorno-Karabakh is presented as a national success. And in Russia, with much flag-waving, bombastic language and tank parades, the invasion of Ukraine is equated with the victory over fascism in 1945. 　　Meanwhile, the Polish army displays its latest acquisitions, and the residents of Kyiv—between air-raid sirens—view the destroyed tanks that their own army has captured from the Russians. It’s only in Berlin that the public pays little attention to the Soviet memorial in Tiergarten Park, close to the once-defeated Reichstag, and dances as if there’s no tomorrow at an open-air techno party. 　　Filmmaker Vitaly Mansky was born in Ukraine, made critical documentaries in Russia in the 1990s and lives in Latvia due to his political stance since 2014. By showing how war commemorations vary across Europe, without commentary, he exposes a fundamental and potentially dangerous difference in mentality.

As armed conflict flares up at the edges of Europe, the commemoration of the Second World War is used to prepare people for renewed conflict. In Azerbaijan, the recent expulsion of Armenians from Nagorno-Karabakh is presented as a national success. And in Russia, with much flag-waving, bombastic language and tank parades, the invasion of Ukraine is equated with the victory over fascism in 1945. 　　Meanwhile, the Polish army displays its latest acquisitions, and the residents of Kyiv—between air-raid sirens—view the destroyed tanks that their own army has captured from the Russians. It’s only in Berlin that the public pays little attention to the Soviet memorial in Tiergarten Park, close to the once-defeated Reichstag, and dances as if there’s no tomorrow at an open-air techno party. 　　Filmmaker Vitaly Mansky was born in Ukraine, made critical documentaries in Russia in the 1990s and lives in Latvia due to his political stance since 2014. By showing how war commemorations vary across Europe, without commentary, he exposes a fundamental and potentially dangerous difference in mentality.

在机核星上，四大种族——陆族、空族、海族共生。因过度开采，星核能量几近干涸，地表七成五已化为荒漠。一场旷日持久的能量争夺战蓄势待发，直至“星浊”降临……

With nowhere else to hide, a group of mercenaries and their prisoners take cover inside a long abandoned Bulldog tank. But, while they try to keep the forces outside at bay, the real enemy is already among them, locked inside the 'Belly of the Bulldog'. After collaborating closely with Ben Wheatley on FREE FIRE, HIGH-RISE, A FIELD IN ENGLAND and KILL LIST, director Nick Gillespie makes his feature debut.

故事讲的是二战欧洲最后一战科涅夫元帅的指挥的“布拉格战役”中，配属于苏军乌克兰第4方面军第38集团军快速集群的捷克斯洛伐克独立坦克第1旅的战斗故事。里面有些过度抬高了捷克军队的功绩，但战斗场面拍摄的非常宏大和精彩，交战双方用的武器装备基本都是真家伙，不是道具。 　　(影片戰鬥場面宏大，有3000千名捷克斯洛伐克戰士參與拍攝。)

故事讲的是二战欧洲最后一战科涅夫元帅的指挥的“布拉格战役”中，配属于苏军乌克兰第4方面军第38集团军快速集群的捷克斯洛伐克独立坦克第1旅的战斗故事。里面有些过度抬高了捷克军队的功绩，但战斗场面拍摄的非常宏大和精彩，交战双方用的武器装备基本都是真家伙，不是道具。 　　(影片戰鬥場面宏大，有3000千名捷克斯洛伐克戰士參與拍攝。)