盛少游在死对头那儿遇到了完全符合他喜好的白兰味小美人一花咏。他想把这朵娇花折下来插进花瓶，藏在家里，谁知这个小美人并不是普通的娇弱小白兰而是一朵矜贵暗黑的幽灵鬼兰……

改编自同名漫画，故事发生在17世纪朝鲜，讲述了航海中遇到暴风的英国少年William漂流到耽罗岛(现在的韩国济州岛) ，在那儿与海女张泊真和被流放的士大夫朴奎等人相遇后所发生的故事。

改编自同名漫画，故事发生在17世纪朝鲜，讲述了航海中遇到暴风的英国少年William漂流到耽罗岛(现在的韩国济州岛) ，在那儿与海女张泊真和被流放的士大夫朴奎等人相遇后所发生的故事。

it was interesting to see the acrobatic Japanese actors of the Tenjosajiki company in Shuji Terayama’s Directions to servants. The title and some of the text were taken from Swift’s satire, but the main inspiration seemed to come from Genet’s Les bonnes. Multiplying the maids into a large cast of servants, male and female, who take it in turns to imitate the master, Tereyama has physicalized and partly mechanized the action. Domination is imposed partly through machines—we see a man submitting to an imperious voice on a tape recorder, lowering his trousers and climbing inside a sadistic machine that beats his bare buttocks. 　　The ingenuity, the sadism and the offbeat humour are all characteristic of the production. The main cruelty to the audience was in the over-amplification of J.A. Seazer’s music. I sat with my hands over my ears for a lot of the time. The visual assault was almost equally strong, and some of the theatrical imagery was quite unlike anything that had been seen in this country. In one meticulously choreographed sequence the servant playing at being master throws a bone to a succession of servants who play at being dogs. In another, a servant trying to steal food from a cupboard is terrified to find that it is like a puzzle: each panel conceals a face that sings at him accusingly, and he can silence it only by sliding a panel that reveals another singing face.

it was interesting to see the acrobatic Japanese actors of the Tenjosajiki company in Shuji Terayama’s Directions to servants. The title and some of the text were taken from Swift’s satire, but the main inspiration seemed to come from Genet’s Les bonnes. Multiplying the maids into a large cast of servants, male and female, who take it in turns to imitate the master, Tereyama has physicalized and partly mechanized the action. Domination is imposed partly through machines—we see a man submitting to an imperious voice on a tape recorder, lowering his trousers and climbing inside a sadistic machine that beats his bare buttocks. 　　The ingenuity, the sadism and the offbeat humour are all characteristic of the production. The main cruelty to the audience was in the over-amplification of J.A. Seazer’s music. I sat with my hands over my ears for a lot of the time. The visual assault was almost equally strong, and some of the theatrical imagery was quite unlike anything that had been seen in this country. In one meticulously choreographed sequence the servant playing at being master throws a bone to a succession of servants who play at being dogs. In another, a servant trying to steal food from a cupboard is terrified to find that it is like a puzzle: each panel conceals a face that sings at him accusingly, and he can silence it only by sliding a panel that reveals another singing face.

父亲包著石膏躺在客厅沙发，不愿卸下患者的身份，胜文在驾训班教练车内盯著一旁的教练，他不想面对家裡以及不断在逃避的父亲，但似乎也无法面对身旁这位教练，渐渐的，胜文融入了他父亲的倒影。

沈家大小姐沈见微，因周家联姻被接回，五年前误认周颂是救命小哥哥，定婚约恋爱五年。为让母亲安心手术，她找周颂提前领证，却撞破他为沈星瑶装失忆、推迟婚礼，才知自己是替代品，决心转身。沈见微要求沈家换婚约对象，来的竟是周家掌权人周京辞。她原以为他冷淡，却发现他温柔包容，还认出他才是真救命人，两人渐生情愫。婚礼当天，周颂后悔莫及，沈见微已与周京辞携手，拥抱新爱情。

意外回到过去的楚凡发现自己吃喝嫖赌无一不沾，对妻儿非打即骂，后悔不已....

林梦救京圈太子爷秦逸错过清北，却被秦逸求婚嫁入豪门，夏瑶捡漏清北，却仍是牛马打工人，夏瑶嫉妒林梦到发狂，将林梦刺死，两人重生，这一世，夏瑶抢先救秦逸，以为能过上豪门生活，但她不知道，秦家隐藏着惊天秘密

林梦救京圈太子爷秦逸错过清北，却被秦逸求婚嫁入豪门，夏瑶捡漏清北，却仍是牛马打工人，夏瑶嫉妒林梦到发狂，将林梦刺死，两人重生，这一世，夏瑶抢先救秦逸，以为能过上豪门生活，但她不知道，秦家隐藏着惊天秘密