《天地无伦》编剧、《金毛正传》导演新作。我们往往把青春与叛逆掛勾，彷彿年轻才有行差踏错的本钱，但狂或野又怎会是青春的专利？这小电影对焦一群烈火老饼，他们唱游小世界，非礼路边草，强姦垃圾筒，虐杀洋娃娃，总之无恶不作。那些小奸小坏弱鸡得那么惹人怜爱，突然又唱首走腔甩调的摇篮过你嘆，温柔得令人措手不及。电影源自导演儿时回忆，大玩超低象素的VHS怀旧风味，以最粗糙的，去纪录那最不堪入目的，原来负负竟可得正！有影评说Harmony Korine教晓我们甚么是真正的丑陋，所言甚是。

《天地无伦》编剧、《金毛正传》导演新作。我们往往把青春与叛逆掛勾，彷彿年轻才有行差踏错的本钱，但狂或野又怎会是青春的专利？这小电影对焦一群烈火老饼，他们唱游小世界，非礼路边草，强姦垃圾筒，虐杀洋娃娃，总之无恶不作。那些小奸小坏弱鸡得那么惹人怜爱，突然又唱首走腔甩调的摇篮过你嘆，温柔得令人措手不及。电影源自导演儿时回忆，大玩超低象素的VHS怀旧风味，以最粗糙的，去纪录那最不堪入目的，原来负负竟可得正！有影评说Harmony Korine教晓我们甚么是真正的丑陋，所言甚是。

曾以一杆定乾坤横扫国际赛场的台球传奇赵心童，巅峰时退隐江湖原以为岁月静好。一场阴谋却悄然降临，所谓高手设局诱骗妻子，利用暗箱操作步步诱导她签下房产抵押协议。待她察觉时，家中积蓄，皆已落入对方之手。要让她记住，江湖无天真。赵心童入局，故意示弱，诱得做局人得意忘形。当对方喊出押全部身家时，他终于愿意展露真章，要用那记精准的低杆缩星，那颗直入底袋的那颗直入底袋的黑八，碾碎对手的一切。

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

【垃圾】是一齣發生在一個香港老社區的迷你「公路電影」。 　　「社區 」(Community) 是一個奇怪的詞，它不像「家庭」般溫暖，但對一些人來說，像故事中的角色，他們並沒有一個模範的家，然而在這個晚上，他們「有著」彼此。 　　七十多歲的笑姨，在家中再次受到兒子無情無理的恐嚇虐待。忍養一生，她決定把一早就應拎掉的梳化推出家外，獨自步行到垃圾站。在夜半的街角，笑姨碰上認識了卅多年的老街坊堂哥。 　　這一個夜，二人行行停停，推著破舊沉重的梳化，走過夜靜的老街、便利店、公園、天橋底、垃圾站......；路上遇見不同的人、物、以及孤獨的風景......。這段路，看出二人與家人的問題，也看到了那血濃於水的羈絆；老朋友的相助，給悲傷的笑姨帶來了點點溫暖和生氣；可是，殘忍的現實卻仍舊荒涼重復。 　　隨着燈光、場景、聲音、剪接，觀眾彷如置身其中，和兩個主角一起在炎熱的夜空中，在香港的老社區遊走。透過溫婉溫和的視角，感受他們的疲憊、失望、關注、擔憂、無奈與及「放下」......。 　　老和死之間，還隔著一段人生。

16mm胶片拍摄。姐姐前来告知自己多年未见的弟弟关于母亲的丧事，家庭中积压多年的情绪在暗中发泄出来。

腕っ節が強く地元では向かうところ敵なしの青年・本堂ケント（ELLY）は勢いで上京するも何もかもが順調に進まず、さらにもめ事を起こしたことで仕事先からも追われてしまう。地元に戻った彼は、高校時代に付き合っていた女性が、夫の借金によってトラブルに巻き込まれていることを知る。夫の行方を捜しに東京に戻ったケントは闇金に殴り込みをかけるが、そこは元暴走族が仕切る地下組織に関わる店だった。