城市文明环境保护从我做起，垃圾分类从宝宝做起！坚果壳、尿不湿、牛奶盒、玩具里的废电池都属于什么垃圾，为什么要垃圾分类，分类后都去了哪里？快跟奇奇妙妙一起认识垃圾分类的重要性，学会垃圾分类和处理的正确方式叫吧。

城市文明环境保护从我做起，垃圾分类从宝宝做起！坚果壳、尿不湿、牛奶盒、玩具里的废电池都属于什么垃圾，为什么要垃圾分类，分类后都去了哪里？快跟奇奇妙妙一起认识垃圾分类的重要性，学会垃圾分类和处理的正确方式叫吧。

城市文明环境保护从我做起，垃圾分类从宝宝做起！坚果壳、尿不湿、牛奶盒、玩具里的废电池都属于什么垃圾，为什么要垃圾分类，分类后都去了哪里？快跟奇奇妙妙一起认识垃圾分类的重要性，学会垃圾分类和处理的正确方式。

在大型广告代理公司“电央堂”的录用考试中，最终入围决选的8名大学生要进行一场特殊终极测试。他们会分成“政府阵营”和“反抗军阵营”，各阵营4人，需通过宣传手段操控虚拟国家的民众，竞争看谁能把国家引向战争。 随着游戏推进，胜负归属和选拔的真正目的慢慢显露。难以预料的剧情走向和震撼结局，深刻审视着“宣传与广告的本质”以及“网络社会中民主主义的真实面貌”。本剧改编自根本聪一郎的同名原著小说。

暂无剧情简介

Toni Duval是一名没有什么前途坐办公室的。Sandrine是他的情人，也是被他非凡的性能力征服者之一，她说服他利用好这个能力，于是她把他作为一个快乐的男人安排在伊尔玛夫人经营的妇女之家工作。

这部1996年的优秀卡迪诺电影围绕着一家摄影机构的活动展开，该机构聚集了一群帅气的男模特参加巴黎时装秀。当然，在每次采访和拍照结束时，该机构的工作人员都会测试每位准模特火辣的性能力，以迎接时装秀前化妆室里的最后一场狂欢。亮点包括一位金发模特，一个非常俏的黑人，还有一位英俊的发型师，他通过这份工作来赢得自己在节目中的位置。107分钟的纯卡迪诺教程，15位国际帅哥以及精彩的卡迪诺式摄影。

제때 정리하지 못한 가슴 속 찌꺼기 　　마음도 분리수거가 필요해! 　　남자친구의 배신에 충격을 받은 ‘재연’ 　　돌연, 제주도로 떠난다. 　　과거를 숨긴 게스트하우스 주인 ‘재화’, 　　현실의 벽에 가로막혀 이별을 택한 ‘범주’와 　　원치 않는 사랑을 받고 있는 뷰티 유튜버 ‘채원’, 　　마지막 이별 여행을 온 연인 ‘진석’과 ‘다혜’까지 　　여행에서 만난 각양각색의 연애담들! 　　어쩌면 우리 모두의 이야기!

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.