山折与谷折的历险，与反派作战的过程中，谁能够获得电王的力量？变身为假面骑士纸板王吧！

山折与谷折的历险，与反派作战的过程中，谁能够获得电王的力量？变身为假面骑士纸板王吧！

Dan has just been released from prison, and Lois is terrified. While he was behind bars, Dan's brother was shot and killed while trying to escape from the police, because Lois had told the police where he was hiding. Everyone whom Lois asks for help knows that Dan holds her responsible, and will not help her. So Dan confronts her in her room alone, prepared to kill her no matter how hard she begs for mercy. Dan is then baffled when Lois tells him to go ahead, since she is in despair and has nothing to live for

按下快门，镜头记录下每一个精彩的瞬间，纵使岁月流逝，相纸斑驳，当年那被定格下来的时刻却永远保留。遥远的笑容，你却不会觉得离你咫尺万里。曾几何时，艺术家苏文发现北京有一个专门收集硝酸银垃圾的回收人员，其中自然含有大量的摄影底片。苏文据此和对方达成协议，定期购买底片，重新洗印，并据此创立了《北京银矿》项目计划，该计划从2009至今从未停止。在此之后苏文和中国新生态的动画导演雷磊合作，将相关联的照片挑选出来，制作成短片动画。静止的图像活动起来，遥远的生活被瞬间拉近。 　　画面中呈现了一个时代的过去，我们曾经经历，从未远离……

제때 정리하지 못한 가슴 속 찌꺼기 　　마음도 분리수거가 필요해! 　　남자친구의 배신에 충격을 받은 ‘재연’ 　　돌연, 제주도로 떠난다. 　　과거를 숨긴 게스트하우스 주인 ‘재화’, 　　현실의 벽에 가로막혀 이별을 택한 ‘범주’와 　　원치 않는 사랑을 받고 있는 뷰티 유튜버 ‘채원’, 　　마지막 이별 여행을 온 연인 ‘진석’과 ‘다혜’까지 　　여행에서 만난 각양각색의 연애담들! 　　어쩌면 우리 모두의 이야기!

家中經營回收場的小萱，才剛拿出手機上網就被媽媽叫去秤貨，心裡很不情願。17歲正值青春年華的她，和媽媽、妹妹共同住在回收場的平房裡，和陳年的雜物堆生活在一起。小萱平常除了要替自家經營的回收場分攤工作，還得照顧野放教養的妹妹。這天，她心儀的學長阿宏邀她出去騎車，有任務在身的小萱，只能趁著外出收購回收物，瞞著媽媽前往赴約，偷偷享受和同儕相處的青春時光。

家中經營回收場的小萱，才剛拿出手機上網就被媽媽叫去秤貨，心裡很不情願。17歲正值青春年華的她，和媽媽、妹妹共同住在回收場的平房裡，和陳年的雜物堆生活在一起。小萱平常除了要替自家經營的回收場分攤工作，還得照顧野放教養的妹妹。這天，她心儀的學長阿宏邀她出去騎車，有任務在身的小萱，只能趁著外出收購回收物，瞞著媽媽前往赴約，偷偷享受和同儕相處的青春時光。

这是我跟随民间记忆计划返回我的村子拍摄的第四部“邹家村系列”片子。2013年初，我又回到村子，面对遍布村里的垃圾，我开始带着村里的孩子，尝试来改变村子的环境。我们一起捡垃圾，一场艰难顽固的搏斗在我们之间展开。面对垃圾越捡越多，困惑无奈情绪产生，内心犹如充满垃圾一样难以喘息，在村子现实面前无助、无力。95岁的沙奶奶和她49岁“脑子不正常”的儿子西柱的日常生活贯穿在片子中，孤独，等待着、活着。我陪伴在他们身边，感觉到母爱和温暖。这部片子是我再次抨击现实高墙，重新定位自己未来的一段艰难内心历程的印证。

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.