故事讲述一个小女孩April（达科塔·布鲁·理查兹　饰演），始于垃圾堆的悲惨命运。April刚出生就被丢到比萨饼店后面的垃圾堆里。被抛弃，孤独，无助，没有办法庆祝自己的生日。

故事讲述一个小女孩April（达科塔·布鲁·理查兹　饰演），始于垃圾堆的悲惨命运。April刚出生就被丢到比萨饼店后面的垃圾堆里。被抛弃，孤独，无助，没有办法庆祝自己的生日。

A woman finds herself kidnapped and entrapped in the enclosed space of a speeding car's trunk, wearing her brand-new wedding dress, and with her phone the only available tool. The situation deteriorates gradually as a failed escape attempt costs the life of an innocent bystander. Discovering that the kidnapper has a fondness for poisonous wildlife also makes for no he..

北京电影学院2014届毕业联合作业。编导：张梦楚，摄影：钱禹澎、杜金穗，美术：朱晓东，录音：乌力吉，制片主任：李天然。 　　黑车司机不小心在路上撞伤一位带着婴儿的女人，惊慌之下他将婴儿抱走，然而回到家之后才发现不知该如何处理这个婴儿。而此时广播中又传来寻找婴儿的新闻，司机惊慌之下决定把婴儿抛弃，却又三番两次把婴儿捡了回来……

北京电影学院2014届毕业联合作业。编导：张梦楚，摄影：钱禹澎、杜金穗，美术：朱晓东，录音：乌力吉，制片主任：李天然。 　　黑车司机不小心在路上撞伤一位带着婴儿的女人，惊慌之下他将婴儿抱走，然而回到家之后才发现不知该如何处理这个婴儿。而此时广播中又传来寻找婴儿的新闻，司机惊慌之下决定把婴儿抛弃，却又三番两次把婴儿捡了回来……

婴儿从哇哇落地那一刻起，整个世界便仿佛一个有待探索的宝藏，同时也是感官的游乐场。不论是学会辨认人脸的特征或是被各种声音逗得呵呵笑，婴儿无时无刻不在学习新知。Discovery频道推出系列《婴儿的成长》，继续带领观众探索婴儿奇妙的世界，以及他们从出生到两岁大的成长过程。每集一小时的节目中都将详尽介绍婴儿成长的重要领域：情感的发展、社会化过程与了解他人。 　　在每集节目中，观众将跟随着婴儿的发展过程，看他们如何将各种技巧逐渐变得熟练。节目中将探讨传统及最新的婴儿发展理论，而北美和欧洲的科学家则将进行突破性的实验，并且将他们的婴儿行为实验室公开由Discovery频道进行拍摄。 　　【蹒跚学步】To Walk 　　【认知思考】To Think 　　【牙牙学语】To Talk 　　【感情的启发】To Feel 　　【感情的归属】To Belong 　　【感情的交流】To Relate

婴儿从哇哇落地那一刻起，整个世界便仿佛一个有待探索的宝藏，同时也是感官的游乐场。不论是学会辨认人脸的特征或是被各种声音逗得呵呵笑，婴儿无时无刻不在学习新知。Discovery频道推出系列《婴儿的成长》，继续带领观众探索婴儿奇妙的世界，以及他们从出生到两岁大的成长过程。每集一小时的节目中都将详尽介绍婴儿成长的重要领域：情感的发展、社会化过程与了解他人。 　　在每集节目中，观众将跟随着婴儿的发展过程，看他们如何将各种技巧逐渐变得熟练。节目中将探讨传统及最新的婴儿发展理论，而北美和欧洲的科学家则将进行突破性的实验，并且将他们的婴儿行为实验室公开由Discovery频道进行拍摄。 　　【蹒跚学步】To Walk 　　【认知思考】To Think 　　【牙牙学语】To Talk 　　【感情的启发】To Feel 　　【感情的归属】To Belong 　　【感情的交流】To Relate

在印度农村的一个火车站，一对兄弟目睹了一名贫困母亲的孩子被绑架。其中一位受道德责任的指引，说服另一位去帮助这位母亲，并加入了寻找孩子的危险调查。

在印度农村的一个火车站，一对兄弟目睹了一名贫困母亲的孩子被绑架。其中一位受道德责任的指引，说服另一位去帮助这位母亲，并加入了寻找孩子的危险调查。

A default CGI animated child is confronted with modern subjectivity and world coming of age issues, making animation a gloomy tool to subdue modern narrative feelings in favour of despair and micro-dosed hope. Animation based routines and easy-portraiture of desolation are strategically organised as a grim Dark Toon. 　　----- 　　Contemporary movie making at its best is made by sequential IRL images, whose raw presence has become a pivotal element in the progressive affirmation of a saturated account of what reality means. Captured moving images have being progressively contaminated by post-production and CGI detailing making “movies” ever close to a pure engineering process. 　　The advent of CGI imaging technologies directly flooded traditional filmmaking out of blockbuster revenues provided by studios animation productions, diluting purely digitally-achieved fantasies and transforming them in a chemically induced perfection filter applied to almost everything. 　　With Fantasmagorie (1908) Èmile Cohl introduced animation as a wandering initiative, in which space browsing and encountering objects were the main task a protagonist was subject to. An innocuos stylized man that preceded, and in a way determined, pre-rendering structures of animated characters. Bébé Colère is the last investigation by Caroline Poggi and Jonathan Vinel of media structures in contemporary cinema. A default CGI animated child is confronted with modern subjectivity and world coming of age issues, making animation a gloomy tool to subdue modern narrative feelings in favour of despair and micro-dosed hope. Animation based routines and easy-portraiture of desolation are strategically organised as a grim Dark Toon.