穿越修仙界，楚风成为太古仙宗峰主，却因实力低微、收徒失败面临罢免。危急时刻，他激活万倍返还系统——只要赠予弟子宝物，就能触发暴击返还更珍稀的奖励！凭借系统，他收下魔教圣女为徒，疯狂返还顶级功法、神兵丹药，实力暴涨！然而，魔道纠葛、宗门争斗、禁区强敌接踵而至…

根据真实事件改编，当握手交易失败时，殡仪馆老板耶利米奥基夫（奥斯卡金像奖得主汤米李琼斯饰）邀请魅力十足的律师威利E加里（奥斯卡金像奖得主杰米福克斯饰）来拯救他的家族企业。这个关于胜利的故事鼓舞人心，故事里这对欢喜冤家在揭露企业腐败和种族不公正的同时，脾气爆发，笑声不断。

根据真实事件改编，当握手交易失败时，殡仪馆老板耶利米奥基夫（奥斯卡金像奖得主汤米李琼斯饰）邀请魅力十足的律师威利E加里（奥斯卡金像奖得主杰米福克斯饰）来拯救他的家族企业。这个关于胜利的故事鼓舞人心，故事里这对欢喜冤家在揭露企业腐败和种族不公正的同时，脾气爆发，笑声不断。

Set in the last days of WWII, "Burial" tells the fictional story of a small band of Russian soldiers, led by intelligence officer Brana Vasilyeva, tasked with trafficking the remains of Hitler back to Stalin in Russia. 　　En route, the unit is attacked by German ‘Werwolf’ partisans and picked off one-by-one. Brana leads her surviving comrades in a last stand to ensure their ‘cargo’ doesn’t fall into the hands of those who would see it buried, in order to hide the truth forever. 　　This captivating film that tells the story of burying a "a historical truth" through the prism of war action premiered at this year's genre film festival Frightfest. 　　源自：https://poff.ee/en/film/burial/

主角夜雨有埋葬系统，能看见他人死亡倒计时，埋葬死者可获穿甲、吸血等逆天属性，修为天尊境后期却能碾压帝境。他发现宗门众人及太阳寿命均为 9125 天，预感世界浩劫，遂拼命变强。师傅为他收特殊小师妹施心水，头顶寿命问号、体质罕见，还能听见夜雨心声。临渊夺宝前，夜雨轻松碾压质疑的问剑天尊，震撼宗门。途中遇帝境凶兽黑海魔章，一脚将其收服作坐骑 “小八”，震慑其他势力。

雷·米兰饰演的主人公因父亲僵硬症假死被活埋的心理阴影始终挥之不去，自造了一座号称充分防错的活人墓地。这场戏就是向妻子、医生介绍自己的完美计划。而更有趣的是，此计划陈述的形式氛围以及雷米兰陈述过程中所展示玩世自负神情都如同他自己在《电话谋杀案》中向杀手陈述谋杀计划的翻版。唯一的差别：那片是在完美谋杀，而这片却在完美防被杀，被活埋！

The latest film by brilliant Brazilian director of Good Manners (2017) portrays a roadkill collector's bizarre experiences in a world where dream and reality merge.

The latest film by brilliant Brazilian director of Good Manners (2017) portrays a roadkill collector's bizarre experiences in a world where dream and reality merge.

主角觉醒“无限返还”系统，送出物品给天命之女即可获万倍奖励，却因被困绝世大山、身边无天命之女，碌碌无为 30 年。后发现村长捡来的张七七是天命之女，却因未激活绑定失败。偶然遇到坠山的云霄宗金丹长老慕容瑶，绑定成功后，主角送短匕获下品法器与神品丹药，却遭慕容瑶轻视，还被其打晕带走张七七，多年后更被慕容瑶击杀（靠九转涅槃丹复活）。

In an abandoned resort on the South Korean island of Jeju, a group of people perform a symbolic funeral ritual to end a world built on hierarchies, division and destruction. 　　A procession of non-conforming people – from musicians, artists and poets to anti-militant activists, environmentalists and diasporic, queer and trans people – carry a coffin together through the ruins of what turns out to be an abandoned resort on the South Korean island of Jeju. It soon becomes clear that this is no traditional Confucian funeral. Age and gender roles are subverted, the coffin is draped in dark camouflage colours and the traditional portrait of the deceased is replaced by a black mirror. In the field between funeral ritual, political protest and carnival performance, the procession marches through the ruins of capitalist modernity. Time and place begin to lose their stability as mythical Dokkaebi deities pass through the building, a heavy rain and wind blow through its cavities, and the group, in a revolutionary moment, overthrows and dismantles the prevailing order. Jane Jin Kaisen’s interdisciplinary work not only activates Jeju’s violent history as a site of oppression and rebellion, but is a work with universal power.