沈曦被秦朝语和沈婉晴联手陷害，被送到北国嫁给“暴戾无度”的镇南王，路途中险被侵犯，被镇南王陈逸之救了下来。两人约定一年之期，陈逸之教给沈曦存活之道，一年后送沈曦回秦国，沈曦开启复仇之路。

丑王妃和傻王爷互瞒真实身份，开启先婚后爱的甜蜜爱情故事。女主角原本是21世纪医武双全的特工，却意外穿越到了刚刚被迫害勒死的古代丑妃姜清尘的身上，审时度势之下，这个被现代思维技术武装过头脑的女主，决定开始适应这里的新生活，并决心替这具身体前世的主人讨回公道。总是欺压姜清尘的继母和胞妹，看到姜清尘竟然没有死亡后，又开始教唆家主，胁迫姜清尘嫁给人尽皆知的第一傻王——景栎白。既来之则安之，姜清尘便开启了和傻王爷的婚后生活，她觉得这傻王爷跟自己此前宿主的遭遇类似，因...

在现代社会，有一位技术精湛的法医，她凭借着一把手术刀，在解剖台前解开了无数谜题，让真相大白于天下。然而，一次意外的穿越，她竟来到了古代，摇身一变成为了王妃。虽然身处古代，但她的专业知识和技能并没有因此而被埋没。在这个陌生的古代世界里，她开始运用现代法医的知识和技术验尸破案。古代的刑侦手段相对落后，很多案件的真相被埋没在表象之下。而她的到来，就像一道光照进了黑暗之中。她所面对的案件千奇百怪，从普通百姓的离奇死亡到宫廷内部的阴谋诡计，每一个案件都充满了挑战。

出生医毒世家的女主穿越古代，成为刚被接回将军府的嫡长女江挽月，因为和太子的婚约，被迫卷入皇帝与摄政王（男主上官珩）的权力斗争中，女主一边要应付姨娘和庶妹的打压算计，一面要应对男主爱慕者的妒忌陷害。最终女主依靠自己现代人的知识和“金手指”——（一枚能解毒治病的空间灵泉戒指），击败所有敌人，成功和男主登顶帝后宝座。

落魄千金悄无声息死在出嫁的花轿里，再睁眼，医学界天才傅昭宁穿越而来......落魄千金悄无声息死在出嫁的花轿里，再睁眼，医学界天才傅昭宁穿越而来......落魄千金悄无声息死在出嫁的花轿里，再睁眼，医学界天才傅昭宁穿越而来......

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。