20年前神秘的北部深山，深夜，迷雾笼罩的幽谷密林，深不可测的幽幽湖水，一个中年男人迷失其中，几天后他回到村里，但村民们感到他中了邪，随之而来…

20年前神秘的北部深山，深夜，迷雾笼罩的幽谷密林，深不可测的幽幽湖水，一个中年男人迷失其中，几天后他回到村里，但村民们感到他中了邪，随之而来的不可思议的神秘恐怖事件更令人视他为邪灵附体。一队调查者为揭开当年事件真相深入幽谷，等待他们的却是越来越多的谜团：神秘的群体失踪、面目全非血泊中的女尸、血腥残忍的行刑者、飘忽不定的幽魂鬼影、暗藏湖中的邪灵、催眠唤醒的恐怖记忆，神秘恐怖事件变得越来越复杂。随着他们一点点靠近真相，却不停遭遇恶兽、邪灵、罪恶、阴谋，调查越深入变得越来越诡异而恐怖。最后的真相是什么？真正的恐怖来自何方？就在我们每天快乐地生活着的时候，也许随时毁灭就会到来。这到底是一个什么样的故事？

故事的主角袿川美沙子是一名30岁的高中英语教师。今年21岁的石原之前的角色都是与自己年龄相仿的女生，这次将挑战年龄跨度10岁的角色，值得期待。其次，一向以乖巧著称的石原里美这次挑战的角色是一位喜欢装模做样而且虚伪市侩的女人，明明是英文教师，而自己的水平却还是半吊子。不过却因为超强的推理能力，解决了不少问题。

故事的主角袿川美沙子是一名30岁的高中英语教师。今年21岁的石原之前的角色都是与自己年龄相仿的女生，这次将挑战年龄跨度10岁的角色，值得期待。其次，一向以乖巧著称的石原里美这次挑战的角色是一位喜欢装模做样而且虚伪市侩的女人，明明是英文教师，而自己的水平却还是半吊子。不过却因为超强的推理能力，解决了不少问题。

入围第十二届中国独立影像展“广阔天地”展映单元

入围第十二届中国独立影像展“广阔天地”展映单元

《谜》是香港无线电视的一个探索式的电视节目。第二辑播出时间于2009年5月15日至2009年6月18日，逢星期一至五晚上22:35至23:05在翡翠台播出，共25集。

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.