沈修止资助孤儿余清沅多年，婚后禁欲冷淡。余清沅借项目庆功献催情酒失败，意外发现丈夫电脑存有数百张继妹沈菀柔的写真，方知自己是替身。酒吧冲突中，沈修止为护沈菀柔与人斗殴，余清沅被报复砸至脑震荡，沈修止却带沈菀柔就医。沈菀柔造谣余清沅靠“特殊手段”达成项目，沈修止掌掴余清沅并撤其职。 余清沅还清资助款时与沈菀柔同时遭绑架。绑匪逼沈修止二选一，他毫不犹豫选沈菀柔。余清沅被拖走时绝望跳车重伤，病床上提离婚

沈修止资助孤儿余清沅多年，婚后禁欲冷淡。余清沅借项目庆功献催情酒失败，意外发现丈夫电脑存有数百张继妹沈菀柔的写真，方知自己是替身。酒吧冲突中，沈修止为护沈菀柔与人斗殴，余清沅被报复砸至脑震荡，沈修止却带沈菀柔就医。沈菀柔造谣余清沅靠“特殊手段”达成项目，沈修止掌掴余清沅并撤其职。 余清沅还清资助款时与沈菀柔同时遭绑架。绑匪逼沈修止二选一，他毫不犹豫选沈菀柔。余清沅被拖走时绝望跳车重伤，病床上提离婚

http://www.cages.be/

http://www.cages.be/

西江市女警冉咚咚在庙前街小超市击毙了挟持人质的歹徒，虽然受到了赞扬但对第一次射击真人的冉咚咚还是很大冲击，回到家丈夫慕达夫对她击毙歹徒的行为有些疑问引起了冉咚咚的反感。西江市发生了一起命案，钓友在江边发现一具女尸，警队开始调查被害人的身份，并将案件取名为“大坑案”。

西江市女警冉咚咚在庙前街小超市击毙了挟持人质的歹徒，虽然受到了赞扬但对第一次射击真人的冉咚咚还是很大冲击，回到家丈夫慕达夫对她击毙歹徒的行为有些疑问引起了冉咚咚的反感。西江市发生了一起命案，钓友在江边发现一具女尸，警队开始调查被害人的身份，并将案件取名为“大坑案”。

回南天的日子里，小姜总是重复梦到一扇门。一开始，它只在夜晚的梦里出现，后来连午间小憩都能看见，以至于闭眼即会浮现它的样子。这个特别的梦一度让她无法安眠，药物虽然使她正常的入睡，但那扇门在梦中依旧清晰地伫立在她的眼前。慢慢的，小姜开始好奇这扇门的由来，它总不是无端入梦，或许会有些特别的缘由。于是每梦见一次，她就会把这扇门画下来，一个月以后，这扇门已经十分清晰地显现在手帐本上了…

As video technology became more widely available in the early 1970s, many artists were drawn to the medium's immediacy and ease of reproduction, which allowed works to be shown on television or through other modes of distribution that bypassed the walls of museums or commercial galleries. Serra, known primarily for his large lead and steel sculptures, made a number of films and videos in the late 1960s and early 1970s. Holt, a pioneer of land art, also worked with film, video, and photography throughout her career. 　　In Boomerang—which was broadcast live on a TV station in Amarillo, Texas—Holt's words are fed back to her through headphones with a one-second delay. She describes the experience, in which her words are suspended in time and space, as "a world of double reflections and refractions." As her voice echoes back to her, she continues, "words become like things," disconnected from their individual meanings and from their contexts. This interferes with Holt's thought process and establishes a distance between the artist and her sense of self, an effect intensified when pre-recorded sound samples are played or when glitches in the broadcast cause momentary periods of silence.

The title says it all. The movements in this black-and-white animation are governed by an echo. The flow of images creates a chain of associations. A pot-bellied creature with a tiny face roams the world. There are also other creatures, similarly pot-bellied, with stilt-like arms. This gives them a mobility which affords them new points of view. The swamp provides shade for their heads, the rhythm of the tambourines makes their bellies sway. The film follows these faceless creatures with minimal movements which focus only on the essentials.

假千金闻卿在真千金回归、自己被赶出家门的当天被闻望野强留。她本不想和闻家再有任何联系，想要一穷二白的离开，可是闻望野使尽各种手段，阻止她离开的脚步。闻卿在闻家总是遭受真千金的各种针对，同时还要应付来自闻望野的强制关怀，一次意外闻望野失忆，闻卿经过多番磨难终于逃出魔爪。经过一系列风波后，闻望野醒悟了自己爱得偏执，重新学会爱，跟闻卿在一起。