SP讲述了加穗子（高畑充希饰）与初（竹内凉真饰）结婚一年后，一起努力扶持家庭的故事。

东日本大地震9年后的宫城县，发生了连环杀人案件，在警察笘篠（阿部宽饰）的追查中，因为帮朋友而引发纵火伤人事件入狱，现在刚出狱不久的利根（佐藤健饰…

Innocence Unprotected is composed of footage of the 1941 film of the same name. Innocence Unprotected was originally filmed in 1941 under the title Nevinost bez zaštite which was meant to be the first sound feature film made in Serbia.Nevinost bez zaštite was made by the Yugoslav gymnast Dragoljub Aleksić, who wrote, produced, directed, and starred in the film. Nevinost bez zaštite was never released due to the Nazi censors while ironically later during the Yugoslav communist period some accused and condemned it as being pro-Nazi. 　　In 1968 filmmaker Dušan Makavejev found the film and expanded upon it with newsreel footage of Nazi Propaganda and German occupation as well. Other footage includes Aleksić performing his acrobatics and filmed interviews of the surviving cast members. Makavejev tinted some of the black and white scenes in the film and hand colored some details. The film was referred to by Makavejev as a "montage of attractions", with a montage styled celebration of Serbian customs, folklore, and humor.

Innocence Unprotected is composed of footage of the 1941 film of the same name. Innocence Unprotected was originally filmed in 1941 under the title Nevinost bez zaštite which was meant to be the first sound feature film made in Serbia.Nevinost bez zaštite was made by the Yugoslav gymnast Dragoljub Aleksić, who wrote, produced, directed, and starred in the film. Nevinost bez zaštite was never released due to the Nazi censors while ironically later during the Yugoslav communist period some accused and condemned it as being pro-Nazi. 　　In 1968 filmmaker Dušan Makavejev found the film and expanded upon it with newsreel footage of Nazi Propaganda and German occupation as well. Other footage includes Aleksić performing his acrobatics and filmed interviews of the surviving cast members. Makavejev tinted some of the black and white scenes in the film and hand colored some details. The film was referred to by Makavejev as a "montage of attractions", with a montage styled celebration of Serbian customs, folklore, and humor.

东日本大地震9年后的宫城县，发生了连环杀人案件，在警察笘篠（阿部宽饰）的追查中，因为帮朋友而引发纵火伤人事件入狱，现在刚出狱不久的利根（佐藤健饰）成为嫌疑人。在没有决定性证据的情况下，又发生了新的案件。

This is the first documentary film on the International College of Philosophy (Collège 　　international de Philosophie: CIPH), founded by, among others, Jacques Derrida and 　　François Châtelet in 1983 in Paris. The film consists of interviews with former presidents 　　Michel Deguy, François Noudelmann and Bruno Clément, current vice-president Boyan 　　Manchev, and with former and current program directors Catherine Malabou, Francisco 　　Naishtat and Gisèle Berkman. The aim of this film is to consider the possibilities of the 　　humanities in general and philosophy in particular under the current conditions of global 　　capitalism. One of the main themes it tries to develop is the "question of the institution", 　　namely the relationship between philosophy and institutions—a topic that was very central 　　for deconstruction as elaborated and practiced by Derrida. 　　参见：http://todai-yale.jp/from_tyi/news/film09_en.html

This is the first documentary film on the International College of Philosophy (Collège 　　international de Philosophie: CIPH), founded by, among others, Jacques Derrida and 　　François Châtelet in 1983 in Paris. The film consists of interviews with former presidents 　　Michel Deguy, François Noudelmann and Bruno Clément, current vice-president Boyan 　　Manchev, and with former and current program directors Catherine Malabou, Francisco 　　Naishtat and Gisèle Berkman. The aim of this film is to consider the possibilities of the 　　humanities in general and philosophy in particular under the current conditions of global 　　capitalism. One of the main themes it tries to develop is the "question of the institution", 　　namely the relationship between philosophy and institutions—a topic that was very central 　　for deconstruction as elaborated and practiced by Derrida. 　　参见：http://todai-yale.jp/from_tyi/news/film09_en.html

兩片分別由陳韻文、甘國亮兩大神級編劇執筆，可說旗 　　鼓相當。《歸去來兮》的主角雖然是貪污被查的田青，但 　　着墨更多的是他妻子（李司祺）和兩個情婦的心理變化。 　　《黑白》借鄭裕玲飾演的調查員，由求職、加入廉署，以 　　至生活上的種種，低調反映一般人對廉政工作的誤解。 　　兩片風格迥異，前者沉靜有力，後者慧黠跳脫，卻皆見 　　許鞍華一貫對女性內心世界的洞察和關懷，亦預示了往 　　後與陳韻文在《瘋劫》和《撞到正》的合作無間。