2021威尼斯电影节非竞赛展映。

2021威尼斯电影节非竞赛展映。

Semiotics of the Kitchen adopts the form of a parodic cooking demonstration in which, Rosler states, "An anti-Julia Child replaces the domesticated 'meaning' of tools with a lexicon of rage and frustration." In this performance-based work, a static camera is focused on a woman in a kitchen. On a counter before her are a variety of utensils, each of which she picks up, names and proceeds to demonstrate, but with gestures that depart from the normal uses of the tool. In an ironic grammatology of sound and gesture, the woman and her implements enter and transgress the familiar system of everyday kitchen meanings — the securely understood signs of domestic industry and food production erupt into anger and violence. In this alphabet of kitchen implements, states Rosler, "when the woman speaks, she names her own oppression."

Semiotics of the Kitchen adopts the form of a parodic cooking demonstration in which, Rosler states, "An anti-Julia Child replaces the domesticated 'meaning' of tools with a lexicon of rage and frustration." In this performance-based work, a static camera is focused on a woman in a kitchen. On a counter before her are a variety of utensils, each of which she picks up, names and proceeds to demonstrate, but with gestures that depart from the normal uses of the tool. In an ironic grammatology of sound and gesture, the woman and her implements enter and transgress the familiar system of everyday kitchen meanings — the securely understood signs of domestic industry and food production erupt into anger and violence. In this alphabet of kitchen implements, states Rosler, "when the woman speaks, she names her own oppression."

影片根据真实事件改编，讲述五个英国学生，为了“赚快钱”，开始盗刷信用卡，过上奢华生活。然而其中一人财迷心窍，不慎盗刷了臭名昭著的罪犯头子Marcel的信用卡。Marcel给他们两星期时间，偿还他们花掉的两百万。五个人因此铤而走险，打算在迈阿密大干一票，抢劫两千万。一边是性命悠关孤注一掷的计划，另一边五人之间还不慎团结，各自居心叵测，阴谋冲突不可避免……

本作は、“幻のアーティスト”エクスネ・ケディによる、1974年のライヴ音源アルバム「Strolling Planet '74」をモチーフにした青春映画。主人公は、1970年代に世界を席巻する音楽を発信するも、瞬く間に解散してしまったエクスネ・ケディの大ファンであるイブキとジュンだ。劇中では2人が2018年に名古屋で出会い恋に落ちた瞬間から、4年後に東京で行われるエクスネ・ケディ再結成ライブ当日までが描かれる。

本片介绍了塑料对海洋的危害及其严重性。每年有数百万公吨塑料流入海洋，这些塑料不会沉入水底，也不会被生物降解，只会破裂成无数碎片，永远漂浮在海上。由于环流作用，夏威夷岛上堆积着数千公里外来的塑料垃圾。科学家前往复活岛，找到了确凿的证据，证明了海上垃圾聚集处的存在。这些垃圾会严重破坏生态系统和海洋环境，我们必须做出改变。

哥哥吴源和弟弟吴顾是一对离异父母的亲兄弟。小时候，父母离异，哥哥吴源跟着父亲吴有才成长，弟弟吴顾跟着妈妈郑红长大。18年过去了，2018年，哥哥吴源已经大成为一名平面设计师，在城市中有了自己一个一套属于自己的两房一厅的小房子，正巧，弟弟吴顾高中毕业上大学要到吴源的城市读书。时隔18年，两兄弟再次相遇，而且是住在同一个屋檐下，展开了一段羞羞笑笑的生活。 日常生活中，两兄弟互坑，制作出了很多生活笑料。

发现世界海洋里满是塑料垃圾后，这名纪录片导演调查了该污染对环境的恶劣影响。

发现世界海洋里满是塑料垃圾后，这名纪录片导演调查了该污染对环境的恶劣影响。