塔兰图拉毒蛛(Tarantola dal ventre nero, La)由吉安卡罗·吉安尼尼 克劳迪娜·奥格尔 芭芭拉·布薛特等巨星主演，由著名的恐怖片导演Paolo Cavara执导。 　　铬黄，是意大利早期生产的低俗小说的纸张颜色，代表着陈旧、劣质和通俗。铬黄电影的内容也就离不开市井气的凶杀、通奸和诱拐，简单来讲，就是我们现在所说的“三俗”，也可以说是“意大利的杀人狂电影”。被残虐的对象99.9%是无辜的年轻女性，死亡前都有不同程度地折磨。以达里奥·阿真托、卢西奥·福奇和马里奥·巴瓦为首的铬黄大师们，用各种变态的手段无所不用其极地蹂躏着可怜的花朵，也摧残着我们的视听系统。刀片锐利无比，娇嫩的皮肤像白纸一样脆弱，鲜血像加了水泵一样喷涌四溅。www.chaoji365.com

在洛杉矶火山喷发释放出巨大的群熔岩呼吸狼蛛。

Two boys are surviving in different circumstances. Tagai lives in a settlement within which the people are plagued by the new power of a military dictatorship. Kerim lives amongst wolves in the mountain forests. Someone is taking a path of revenge whilst the other has chosen the path of love and forgiveness. A historical drama, based on true events which took place in the twentieth century in Kazakhstan. The main characters are faced with the necessity to live within the conditions of a historic experiment, at a time when society in general tried to erase its history to build a happy future. In Central Asia, this experience brought with it its own dramatic landscape. War and hunger changed people and it didn’t seem possible to return to how things were before.

When Israel was established and civil war broke out hundreds of Palestinian villages were destroyed. Tantura, bringing to light Israel's founding myth and its society's inability to come to terms with its dark past.

该剧改编自格里高利·大卫·罗伯茨2003年的同名畅销小说，讲述银行抢匪Lin Ford（查理·汉纳姆 饰）自澳洲越狱后逃往印度孟买，一场救赎之旅就此开启。…

Abstract animation illustrates Edwin Gerschefski's modernist composition. Two dots - one blue and one orange - appear most often, sometimes large, sometimes small, sometimes overlapping. When the sounds become more staccato, so do the images: wavy lines become squiggles, short nail-like lines go across the screen in rows. The result is a visual representation of abstract music, lively and spirited in spite of its link to a dance composed to sweat out the poisons of a spider bite.

It started with one woman’s act of defiance – removing her headscarf – hijab – on one of the busiest streets in Tehran, capital of the Islamic Republic of Iran. It was an image that captured the attention of the world. Who was this woman? And was she alone in her defiance of the mullahs? 　　In this film, the award-winning ITV Exposure strand goes undercover into Iran to meet up with the women challenging the religious autocrats who have ruled the country for forty years. The hijab is the symbol of their authority – and women who protest against wearing it risk imprisonment and torture. In a year in which Iranians have taken to the streets in unprecedented protests at corruption, poor economic conditions and state repression, women have been at the forefront. 　　The film follows the stories of four women – Shima, Shaparak, Maryam and Masih. All have paid a high price for their defiance, but all remain unbowed. Filming undercover, we hear their hopes and fears, and their determination to fight for a modern, tolerant Iran, free from religious imposition.