Patience (After Sebald)是一部关于风景、艺术、历史、生命和失去的多层次电影散文（film essay），沿着塞巴尔德最著名作品《土星之环》的足迹，影片叙述随着东英吉利海岸的漫长徒步而展开。与《土星之环》一样，这部电影集合了历史、游记、回忆录、冥想、小说和图像等各种形式，来探索我们时代私人的、公共的和经常被忽视的历史。 　　影片中接受采访的包括罗伯特·麦克法兰、凯蒂·米切尔、亚当·菲利普斯、里克·穆迪和塔西塔·迪恩。 　　——节译自London Review Bookshop网站

米老鼠新传全集主角米老鼠是华特迪士尼和Ub Iwerks于1928年创作出的动画形象，迪士尼公司的代表人物。米奇以其随和、快乐的天性成为孩子和家庭心目中永远乐观的卡通形象并为人们所钟爱和信任。他的亲切和丰富情感使他成为史上最受欢迎的卡通形象。

久里洋二作品集[Yoji.Kuri.Animated.Film.Works](1960-1977) 　　http://www.douban.com/note/228425752/

0年代美国先锋派的领军人物和代言人玛雅·德伦用自己的天赋和努力催生出美国前卫电影运动,她是这场运动的旗手,既是电影制作者、发行者、理论家,又是演讲者和宣传者。玛雅·德伦在创作和理论上的创举影响很多美国实验电影人。 　　Experimental filmmaker Maya Deren created some of the mosthypnotic and beautiful avantgarde films ever made.Several of these groundbreaking shorts reveal her fascination with movement and ritual:"A Study in Choreography for the Camera"features dancer Talley Beatty leaping through vast expanses of space,thanks to the magic of editing.Both"At Land"and "Ritual in Transfigured Time"use choreograhhic techniques to explore the everyday rituals we go through in our encounters with other human beings."Meditation on Violence"focuses on the elegant motions of Chinese boxing.while "The Very Eye of Night"transforms a stage ballet by Antony Tudor into pure cinematic f bb antasy.But Deren s true masterpiece is "Meshes of The Afternoon",a narratively complex,psychological study of a woman--played by te director herself.... 　　收录目录： 　　1、午后的迷惘 　　2、在陆地上 　　3、为摄影机而做的编舞研究 　　4、变形时间的仪式 　　5、暴力的冥想 　　6、夜之眼

中国传媒大学原创动漫作品集，特别是各年参赛作品、毕设作品和获奖作品。

中国传媒大学原创动漫作品集，特别是各年参赛作品、毕设作品和获奖作品。

Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’ 　　The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.

Baal, a young artist whom society regards as a genius, does not want to be monopolized by the culture and business.

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