上一世，笙歌死后发现不良少年周夜竟为自己殉情，而她对他的印象，只有轻浮散漫。重活一世，笙歌主动靠近， 而周夜虽然早就对笙歌一见钟情，却始终不敢走近。笙歌看出周夜的顾虑，两人在跨越生死与阶层差异中，用纯粹的爱彼此救赎，终于收获幸福

上一世，笙歌死后发现不良少年周夜竟为自己殉情，而她对他的印象，只有轻浮散漫。重活一世，笙歌主动靠近， 而周夜虽然早就对笙歌一见钟情，却始终不敢走近。笙歌看出周夜的顾虑，两人在跨越生死与阶层差异中，用纯粹的爱彼此救赎，终于收获幸福

料事如神的小神婆、陷入死亡循环的酒肆老板，一次刻意的接近，开启了他们的故事。当时间成为牢笼，死亡变成日常，每一次循环都藏着新的线索，每一段记忆都可能是致命陷阱。

社交名士Elvira Kent怀疑她的丈夫正在背对着她与其她女人鬼混。当他提出他不能按照原定计划与她一起出海旅行，她雇用了一个夜总会歌手，Georgia Garrett安排她在巡游之中。Elvira住在一个靠近家的旅馆，这样她就能监视她的丈夫。她没有觉查到的是，她的丈夫已经雇用了一个私人侦探Peter Virgil监视她在海上的一举一动。当然，Peter并没有意识到Georgia不是Kent夫人……

料事如神的小神婆、陷入死亡循环的酒肆老板，一次刻意的接近，开启了他们的故事。当时间成为牢笼，死亡变成日常，每一次循环都藏着新的线索，每一段记忆都可能是致命陷阱。

社交名士Elvira Kent怀疑她的丈夫正在背对着她与其她女人鬼混。当他提出他不能按照原定计划与她一起出海旅行，她雇用了一个夜总会歌手，Georgia Garrett安排她在巡游之中。Elvira住在一个靠近家的旅馆，这样她就能监视她的丈夫。她没有觉查到的是，她的丈夫已经雇用了一个私人侦探Peter Virgil监视她在海上的一举一动。当然，Peter并没有意识到Georgia不是Kent夫人……

到美國只三年，劉別謙已成首席導演，劉別謙筆觸這個詞兒開始出現，仿效導演無數。已是傳奇人物的他，對人家學步毫不在乎，翻翻手閒閒的又示範了一部抄也抄不來的妙品。醫生夫婦恩愛日子平靜如白開水，百無聊賴的太太將跌宕感情昇華在通俗愛情小說裏，直至一天小說中的美男袒胸在對窗出現。那邊廂，醫生碰上美男的豪放妻，卻原來是舊相好。兩對夫婦各懷鬼主意，不忠的結局出人意表。默片的喜劇動感在這裏妙不可言，手杖做偷情藉口這種神來之筆，也許可以叫大家意會什麼叫劉別謙筆觸。 　　 　　The last of Lubitsch's silent sex comedies is exuberant, fanciful and teasingly elliptical at the same time. Since Paris is synonymous with sophistication and risqué romance, he deliberately cultivates the mood for love with an opening shot of a bed, subverting audience expectations of the obligatory Eiffel Tower. With equal subtlety, he gives his stock and trade subject of marital infidelities inventive treatment, wittily satirising "sheik fever" and other sex-oriented fads in the erotic masquerades between a doctor, his wife, his old flame and her husband. Unlike many Hollywood contemporaries, where sexual innuendoes serve only as evasions and euphemisms, in this film, they are bold announcements of the real thing. 　　 　　Source: 28th HKIFF

到美國只三年，劉別謙已成首席導演，劉別謙筆觸這個詞兒開始出現，仿效導演無數。已是傳奇人物的他，對人家學步毫不在乎，翻翻手閒閒的又示範了一部抄也抄不來的妙品。醫生夫婦恩愛日子平靜如白開水，百無聊賴的太太將跌宕感情昇華在通俗愛情小說裏，直至一天小說中的美男袒胸在對窗出現。那邊廂，醫生碰上美男的豪放妻，卻原來是舊相好。兩對夫婦各懷鬼主意，不忠的結局出人意表。默片的喜劇動感在這裏妙不可言，手杖做偷情藉口這種神來之筆，也許可以叫大家意會什麼叫劉別謙筆觸。 　　 　　The last of Lubitsch's silent sex comedies is exuberant, fanciful and teasingly elliptical at the same time. Since Paris is synonymous with sophistication and risqué romance, he deliberately cultivates the mood for love with an opening shot of a bed, subverting audience expectations of the obligatory Eiffel Tower. With equal subtlety, he gives his stock and trade subject of marital infidelities inventive treatment, wittily satirising "sheik fever" and other sex-oriented fads in the erotic masquerades between a doctor, his wife, his old flame and her husband. Unlike many Hollywood contemporaries, where sexual innuendoes serve only as evasions and euphemisms, in this film, they are bold announcements of the real thing. 　　 　　Source: 28th HKIFF

Jimmy Connors and his girlfriend want to take part in Paul Whiteman's high school bands contest, but they cannot afford the fare. But per chance they meet Paul Whiteman in person and are able to convince him that their band is good enough, so he lends them the money. But then one of their friends becomes seriously ill and has to be carried to a hospital by plane, and they have to use Whiteman's money for this.