The Armenian nation suffered two great catastrophes in the last century. In the First World War it was the genocide carried out by the Turks; in 1988 it was a devastating earthquake. After Armenia was able to finally achieve independence, over a million people left the country. Gravedigger Garnik, stonecutter Arut, orthodox priest Tatul and little Varuzh, however do not intend to leave their homes. They spend their days in the giant cemetery in the town of Giumri, which had been almost completely destroyed by the earthquake. In scenes of lyrical images, renowned documentary filmmaker Alexander Gutman effectively explores the borders between a town that is both and alive and dead and between childhood and adulthood. The combination of black and white, color, and yellow-black footage intensifies this gradually emerging insight into the Armenian soul. 　　Frescoes was shot in a small Armenian city that was almost completely destroyed by an earthquake in 1988. Soon after that tragedy, Armenia gained independence. The earthquake destroyed one city, but built another: the city of the dead, the cemetery. The central figures of the film are a young boy, a priest, a gravedigger and two stonemasons, who spend their days at the cemetery. Contrary to what one would expect, this is not only a place of death. There are conversations about the big and small things in life; people drink and laugh; a birthday celebration is held. The boy’s baptism and a flock of white doves released at a wedding ceremony symbolise the optimism and vitality of this small community and, by extension, the whole of Armenia.

Edited screen tests of Parajanov's unfinished film. On the twentieth anniversary of the liberation of Kiev from the Nazis, a film director pays a stevedore to deliver a bunch of flowers to a general. By accident the director gives the wrong address and the stevedore delivers the flowers to a war widow who is currently working at an art museum.

It’s all the rage to evoke spectacular ‘immersive’ cinema today, but nothing matches the immersion effect of a Siegfried A. Fruhauf film. Agglomerating the textures of cave surfaces with the material traces of filmic processes, Cave Painting offers a trippy visual and sonic journey for the senses that evokes an avant-garde, grunge version of the psychedelia in Stanley Kubrick’s 2001: A Space Oydssey. Don’t blink, or you’ll miss something good. As always, Fruhauf conjures a new world. 　　源自：https://iffr.com/en/iffr/2023/films/cave-painting

夏令營的生態也是好殘酷的！夢中情人不看他、高年級生霸凌他，連老師都懶得理他，男孩憂鬱但並不害怕，因為他知道在森林深處，某種未知的野性力量隨時準備做他的靠山……自己也玩音樂的導演請來獨立搖滾樂團Eels跨刀，為充滿奇趣幻想的男孩心事添上獨樹一格的配樂，交織出一首個性十足的影像短詩。

夏令營的生態也是好殘酷的！夢中情人不看他、高年級生霸凌他，連老師都懶得理他，男孩憂鬱但並不害怕，因為他知道在森林深處，某種未知的野性力量隨時準備做他的靠山……自己也玩音樂的導演請來獨立搖滾樂團Eels跨刀，為充滿奇趣幻想的男孩心事添上獨樹一格的配樂，交織出一首個性十足的影像短詩。

迈克尔·B·乔丹有望主演漫改超级英雄片《Failsafe》，与《黑豹》联合编剧Joe Robert Coles再度合作。Netflix刚在激烈竞争中拿下了该片，乔丹的公司Outlier Society也参与制作。改编自Vault旗下同名漫画，Coles编剧，讲述John Ravane是一名传奇性的捉拿叛乱者的猎手，在一场事关他女儿的绑架案的私人战斗中，他以为自己处决了现存最后一个纳米科技强化的超级战士，并以为这就是混乱的猎杀反叛者行动的终结。但事实并非如此，十年后，反叛者安插在全美的潜伏势力开始行动，试图占领纽约。而此时，要求Ravane进行上次行动的政府领导被发现是腐败分子，Ravane必须同时面对他无法信任的政府和他曾经猎杀的超级士兵们⋯⋯

Witness protection is often glamorised as keeping innocent witnesses safe from harm but the truth is darker, murkier, and far more complex. Many protected people are themselves criminals. It’s a life of moral compromise. It also involves maximum secrecy, false identities, and a world where you can’t trust your own colleagues. Based on the first-hand experiences of a long servin...

该记录片于1994年获得年度中国新闻奖一等奖。 　　刘玉安老师是壁画家，以他的学生为原型创造壁画《和平·进步·自由》。其中的牵马人是他的学生陶先勇。陶先勇不幸得了骨癌。刘玉安一直帮助他照顾他直到陶先勇生命终结。陶先勇一直有个愿望，希望能去看一看大海。可这个19岁的青年最终也没有见过大海，成为终生遗憾。但是，谁能说在他生命的进程中，他没有体验过大海的宽阔和温柔呢？凡人和伟人都只有一次生命，让我们热爱生命，珍惜生命吧，珍惜人世间的每一份友情。