Two hundred years after Simon Bolívar’s campaign to liberate Colombia, The Soldier’s Lagoon retraces his journey across the high-altitude marshlands, searching for glimpses of his ghost in this historically contested territory. As we navigate the terrain through the dense fog that seems suspended in the air, a lush ecosystem saturated with a myriad of oral narratives emerges—one that provokes timely and timeless questions about colonialism, indigeneity and land dominance. 　　The film assembles striking 16mm landscape footage, a sophisticated soundscape, sourced archival passages read in voice-over, and testimonies from preservationists to unearth a patient study of living and elusive archive, gracefully exploring the complicated intersection of oral narratives, political outcomes, and territory. Documenting a region facing very real and urgent environmental repercussions that are a direct result of its historical narratives, this poetic and atmospheric work holds, above all its revelations, a deep reverence for the sacredness of land and its future.

Two hundred years after Simon Bolívar’s campaign to liberate Colombia, The Soldier’s Lagoon retraces his journey across the high-altitude marshlands, searching for glimpses of his ghost in this historically contested territory. As we navigate the terrain through the dense fog that seems suspended in the air, a lush ecosystem saturated with a myriad of oral narratives emerges—one that provokes timely and timeless questions about colonialism, indigeneity and land dominance. 　　The film assembles striking 16mm landscape footage, a sophisticated soundscape, sourced archival passages read in voice-over, and testimonies from preservationists to unearth a patient study of living and elusive archive, gracefully exploring the complicated intersection of oral narratives, political outcomes, and territory. Documenting a region facing very real and urgent environmental repercussions that are a direct result of its historical narratives, this poetic and atmospheric work holds, above all its revelations, a deep reverence for the sacredness of land and its future.

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With everything they've got, a couple throws themselves into a sailing race lasting several days and nights on a large lake.

“我”的小姑带着两岁的表妹回到中国，在湖边待了几天；“我”决定把这些拍下来。

“我”的小姑带着两岁的表妹回到中国，在湖边待了几天；“我”决定把这些拍下来。

《蓝衣士兵》是一部1970年的修正主义西部片，取材于印第安人战争期间发生于美国科罗拉多州的沙溪大屠杀事件，被广泛认为是在隐喻美国在越南的战争罪行。影片讲述一名美军士兵与一位通晓印第安人文化的白人女子在大西部的遭遇。二人成为了美军屠杀印第安人事件的目击者与亲历者。

《蓝衣士兵》是一部1970年的修正主义西部片，取材于印第安人战争期间发生于美国科罗拉多州的沙溪大屠杀事件，被广泛认为是在隐喻美国在越南的战争罪行。影片讲述一名美军士兵与一位通晓印第安人文化的白人女子在大西部的遭遇。二人成为了美军屠杀印第安人事件的目击者与亲历者。

1995, 12 min., colour, BETACAM SP 　　North Foundation 　　camera: Alexander Burov 　　sound: Sergei Moshkov 　　Musical excerpts from W. A. Mozart, L. van Beethoven, O.&nbsolMessiaen, R. Wagner, P. Tchaikovsky, T. Takemitsu. 　　This lyrical small film came out of the material edited for the larger video documentary “Spiritual Voices.” The completed film consisted of fives parts with a total duration of about five hours. “A Soldier's Dreams” became one of its scenes. 　　This smaller film was created as a kind of gift to the film critic and historian Dr. Hans Schlegel, who has done so much for me and for so many other Eastern European cinematographers. 　　The first screening of this film took place in Oberhausen. 　　Alexander Sokurov 　　This film is a “sketch” for the five hour documentary “Spiritual Voices.” The material, shot by Sokurov's crew on the border of Afghanistan as Russian soldiers carry on with their frontier patrol duties, becomes a parable. The young soldiers resting after their duties personify the difficult and grave task which burdens youth: to ensure peace and calm. A young person on the border between life and death is a recurring poetic motif in Alexander Sokurov's feature films. Here the documentary footage is transformed into 　　“a soldier on the border of peace and war.” It is a tragic theme — and a very Russian one.

1995, 12 min., colour, BETACAM SP 　　North Foundation 　　camera: Alexander Burov 　　sound: Sergei Moshkov 　　Musical excerpts from W. A. Mozart, L. van Beethoven, O.&nbsolMessiaen, R. Wagner, P. Tchaikovsky, T. Takemitsu. 　　This lyrical small film came out of the material edited for the larger video documentary “Spiritual Voices.” The completed film consisted of fives parts with a total duration of about five hours. “A Soldier's Dreams” became one of its scenes. 　　This smaller film was created as a kind of gift to the film critic and historian Dr. Hans Schlegel, who has done so much for me and for so many other Eastern European cinematographers. 　　The first screening of this film took place in Oberhausen. 　　Alexander Sokurov 　　This film is a “sketch” for the five hour documentary “Spiritual Voices.” The material, shot by Sokurov's crew on the border of Afghanistan as Russian soldiers carry on with their frontier patrol duties, becomes a parable. The young soldiers resting after their duties personify the difficult and grave task which burdens youth: to ensure peace and calm. A young person on the border between life and death is a recurring poetic motif in Alexander Sokurov's feature films. Here the documentary footage is transformed into 　　“a soldier on the border of peace and war.” It is a tragic theme — and a very Russian one.